Results
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£45.00The Black Pearl (Concert Band - Score and Parts) - Shanley, Steve
Ahoy, maties! Take your beginning band on a pirate adventure with this dark and mysterious piece! Low brass and low woodwinds are featured on the initial statement of the melody, and the lyrical middle section allows the whole band to work on legato style. The minor-key melodies and interactive percussion make "The Black Pearl" an ideal change of pace for your next concert. Duration: 1.45
Estimated dispatch 7-14 working days
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£79.00A Festive Holiday Celebration (Concert Band - Score and Parts) - Neeck, Larry
Celebrate the season with this very playable and musical work, based on four holiday favorites: "Hanukkah, O Hanukkah," "Away in a Manger," "Deck the Halls," and "Auld Lang Syne." Sparkling woodwind colors, festive brass, and lively percussion will get everyone in the holiday spirit. Effective, yet easy to prepare, "A Festive Holiday Celebration" is the perfect choice for that special holiday concert. Musical joy! Duration: 4.30
Estimated dispatch 7-14 working days
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£69.95Aylesbury Dances (Concert Band - Score and Parts) - Wiffin, Rob
The suite Aylesbury Dances was commissioned by the Aylesbury Concert Band to mark the occasion of their 25th Anniversary in 2019. Its three movements depict different aspects of Aylesbury: I. Pavane: The Town - Having read something of the town's history and its architecture I decided I wanted to write something ceremonial with the feel of music from Tudor times. Aylesbury was given its charter and borough status in 1554 by Mary Tudor so I took that as my starting point but then added some harmony that moves forward in time. This fits with the town's motto: Semper Prorsum (Always forward) and also with the Band's evolution from Aylesbury Town Band to Aylesbury Community Concert Band to Aylesbury Concert Band. The music can be defined as a pavane, or a cortege. The sense of procession is slightly disturbed by a 'Blue Leanie' moment. The Blue Leanie is an iconic Aylesbury building, an oblique rhombic prism which stands at an angle of 17% inclination. I took a quaver out of the time signature (I know the maths don't work!) to reflect this and added some bluer harmony at that point. This opening movement gives a sense of the grandeur and heritage of Aylesbury town and a chance for my friends from the brass section to warm up! II. Siciliana: Waterside - To balance the outer two movements, the middle movement of the suite has a slow lilting 6/8 rhythm. It is in the style of a Siciliana, a dance form originating in the baroque era. It is a graceful, tender and melancholic dance, cast here in a minor key and featuring the dark voice of the cor anglais. The Siciliana was often linked with pastoral scenes and Aylesbury itself sits amid some beautiful countryside. It may, therefore, seem a bit of a stretch to call this movement 'Waterside', especially as Aylesbury is so far from the sea, but the town has a theatre of that name and that was the genesis for this particular music. There is a statue of Ronnie Barker in the grounds of the Waterside theatre as he started his career in repertory theatre in Aylesbury, so I included a fleeting reference to the theme music of the comedy programme 'Open all Hours'. III. Frolic: Ducks in a Row - It was impossible to write a piece connected with Aylesbury without considering the famous Aylesbury ducks. Duck rearing was a major industry in the town in the 19th century. The white Aylesbury Duck is a symbol of the town, appearing on its coat of arms and in the logo of the Aylesbury Concert Band! This movement is all about trying to get the little darlings in a row so they can sing their 'Duck Chorus' together but they keep on scattering, flying off or swimming away as quickly as they can manage. It's a bit like watching ducks disperse when my dog jumps into the stream after them. Eventually we get more of them in a row - even though they protest. Hidden amongst the ducks is a reference to Erica Miller, saxophonist and chairman of the band, and there's even a veiled reference to a shark in the hope of getting them out of the water. Ducks in a Row is a fun romp bringing this suite of Aylesbury Dances to a suitably celebratory conclusion.- Rob Wiffin.Duration: 9.15
Estimated dispatch 7-14 working days
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£65.00Toccata "Atalanta" (Windependence Concert Band - Score and Parts) - Bonelli, Aurelio - Hanson, Shelley
Woodwind and percussion players usually are unfamiliar with the antiphonal brass choir tradition. I made this modern, more easily readable version of Bonelli's classic 1600 Toccata for flexible wind ensemble with optional percussion, so that as few as 8 players up to full symphonic band could play in this style. I've used it as a dramatic concert opener, with the second, smaller group positioned behind the audience. ~ Shelley Hanson
Estimated dispatch 7-14 working days
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£45.00Red Sky At Morning (Concert Band - Score and Parts) - Hoefle, Heather
Red Sky at Morning?is a great piece for teaching young musicians to play long phrases and expressive dynamics. The brass players blow air through their instruments (without buzzing) at the beginning and the end to imitate the wind and waves of the sea. The melody in the minor mode portrays the uncertainty one might feel on a ship with inclement weather on the way.?
Estimated dispatch 7-14 working days
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£60.00Ave Maria (Concert Band - Score and Parts) - Biebl, Franz - Cameron, Robert
First published in Germany in 1964, Franz Biebl's Ave Maria was originally scored for seven-part men?s choir. This expressive transcription is based on a mixed choir version in order to better match the registration of a wind ensemble. Layered woodwinds and brass create the effect of the choral version's overlapping male and female voices. Duration: 5:40
Estimated dispatch 7-14 working days
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£84.99The Bell of Hope (Concert Band - Score and Parts) - Hirose, Hayato
The piece was commissioned by Shobi College of Music (Tokyo, Japan) for their entrance ceremony for freshman students in 2010, premiered by Shobi Ceremonial Wind Orchestra (Hirohisa Takanashi, conductor).In the introduction, woodwinds and euphonium play a solemn passage, followed by a brilliant fanfare in brass and percussion. After the heart-warming middle section, banda trumpets and trombones play a polyphonic passage, which leads to a grand and magnificent finale to conclude the work. This is a short but solemn and impressive piece that suits any kind of festival, ceremony and concert.Duration: 2:15
Estimated dispatch 7-14 working days
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£41.50Stomping on Ants (Concert Band - Score and Parts) - Bate, Jane Russell
Stomping on Ants is approximately 93 seconds of bluesy, wiggly cuteness in which various sections of the band function as both the ants and the "stomper." Incorporating brass flutter tongue, two brief familiar musical quotes, and a surprise ending, the piece is perfect for any band looking to get its audiences giggling!Duration: 1.30
Estimated dispatch 7-14 working days
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£53.50Three Courtly Dances (Concert Band - Score and Parts) - Conley, Lloyd
Featuring distinctive sounds from the Renaissance period, here is an attractive suite of three dances skilfully scored for young bands. The stately Allemande uses full band passages alternating with statements by the woodwinds and brass. William Byrd's Pavana provides the lyric middle movement, while the lively dance Saltarello provides a rousing finish.Duration: 4:50
Estimated dispatch 7-14 working days
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£94.00Rampage! (Concert Band - Score and Parts) - Stalter, Todd
Rampage! is a relentless, aggressive work that requires wind players and percussionists alike to play with both a great deal of force and finesse. Strong statements in the brass, the interwoven woodwind parts, and a contrasting introspective section provide numerous opportunities for expression and nuance. Ranges are comfortable, allowing players to concentrate on the technique and articulations that will make this piece virtually leap off of the page.Duration: 3.30
Estimated dispatch 7-14 working days
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