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£125.00English Dance Suite - VII. Reel (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£99.95The Music for the Royal Fireworks (Concert Band - Score and Parts) - Handel, George Frideric - Wiffin, Rob
This complete arrangement of The Music for the Royal Fireworks was made in January 2017 at the request of Lieutenant-Colonel Kevin Roberts, Senior Director of Music of the Household Division. I tried to make the version as close to the original as possible while arranging it to work for modern symphonic band. Although tempting, I did not want to ?€arrange?€ it too much, certainly not as much as the familiar Hamilton Harty arrangements. Consequently I kept the whole work in the same key of B flat, either major or minor, and made a few logical adjustments for the lower key and the technical facility of modern instruments. I have added a few apposite dynamics and articulations. I have also notated the music in the appropriate ?€French?€ style, writing out the double-dotted figures, especially in the Overture. In doing this I have gone further than the limited suggestions in the Eulenburg edition and taken account of the expertise of exponents of ?€Historically Informed Performance?€. The instrumentation is for full band but would work without trombones and saxophones and, to a lesser extent, flutes; clarinets though, are essential.Duration: c. 20
Estimated dispatch 7-14 working days
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£84.50Buffalo Dances (Concert Band - Score and Parts) - Smith, Robert W.
The lake region around Buffalo, Minnesota, is one of great geographic beauty and historic significance. Originally part of the region known as the Big Woods, the area was covered with hardwoods that were so thick in their overlapping branches, it was difficult to see the road ahead or sky above. The white elm trees grew to six feet in diameter and up to majestic heights of over one hundred feet.The Dakota People lived and prospered in this area between the lakes for 300 years. Buffalo was a favourite hunting and fishing ground for the Dakotas until the arrival of the first European fur traders and settlers. The richness of the natural resources served as a catalyst for modern development, which led to the very progressive region that continues to grow to this day.Buffalo Dances honours the natural beauty, Native-American heritage and the modern prosperity of Buffalo. Beginning with a majestic fanfare, the piece continues with flowing, Native-American inspired melodies over driving rhythmic figures. The centre of the piece is comprised of a simple original hymn song that reflects on the natural beauty of the region. Accompanied by the sounds of Native-American dance, the intensity returns. If one listens carefully the sound of snorting buffalo can be heard amid the festive atmosphere before the return of the concluding fanfare.
Estimated dispatch 7-14 working days
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£104.99Famous German Christmas Songs (Concert Band - Score and Parts) - Schwalgin, Stefan
Most of the German carols that are still popular today date from the period between the 17th and the early 19th centuries. Thus, only very few modern musical approaches to these songs can be found. Stefan Schwalgin has taken the opportunity to give five well-known German Christmas melodies a new sound in this colourful modern arrangement. Contains: Silent Night, Ihr Kinderlein kommet, Zu Bethlehem geboren, Alle Jahre wieder and O du frohliche. At a little bit of German Christmas spirit with this beautiful medley.Duration: 4:15
Estimated dispatch 7-14 working days
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£275.00Praise Jeruslem! (Concert Band - Score and Parts) - Reed, Alfred
Kovia YeroosaghemVariations on a Armenian Easter HymnA major work of lasting importance for the modern symphonic band or wind ensemble by this acknowledged master of the medium. This set of variations on a 7th Century Armenian Communion Easter hymn calls forth every possible sound, colour and tonal effect, showing off the winds, brasses and percussion of the modern band in all their glory. An overwhelming conclusion that blends an additional six-voice brass choir with the full band makes this one of the finest closing works for a concert in many years.Duration: 16.45
Estimated dispatch 7-14 working days
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£79.99A Festive Overture (Concert Band - Score and Parts) - Reed, Alfred
A Festive Overture was commissioned by the Tri-State Festival, held annually under the auspices of the Music Division of Dickinson State College in Dickinson, North Dakota, for performance at the 1963 Festival. The first performance took place on November 2nd, 1963, at the concluding grand concert of the festival, with the Dickinson State College Symphonic Band under the composer's direction. The score is in traditional overture form, a brilliant opening allegro followed by a reflective, lyrical interlude, and concluding with a return to the first themes and mood. The entire work is built on three motifs, which are heard in the first section, with the middle section developed from one of these, which first appears as the bass line to the main theme. In the course of the work, the full resources of the modern, integrated concert band are called upon, to present these motifs in constantly varied forms and combinations, and in scintillating tone colors. The wording of the commission presented a basic challenge: that of writing a major work on the highest musical level and yet capable of performance by a good high school band. We believe that this challenge has been met, and are proud to offer this work as a contribution to the modern school and concert band repertoire.
Estimated dispatch 7-14 working days
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£179.99Ivam Wind Band Set (Score & Parts)
Since it opened in 1989 the Institute for Modern Art in Valencia (Instituto Valenciano de Arte Moderne or simply IVAM) has taken centre stage in advancing and researching all forms of 20th century art. Ferrer Ferran was inspired by the spirit of modern art to compose IVAM, an expressive anddazzling symphonic overture for band. A feast of sound! 10:55
Estimated dispatch 7-14 working days
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£150.00New London Pictures (Concert Band - Score and Parts) - Hess, Nigel
New London Pictures represents elements of London in the 21st Century.The Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and onward to St. Paul's Cathedral with its bells ringing out over the great city.London Eye is an incredibly large ferris wheel situated on the South Bank of the River Thames. This movement depicts a flight on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of the view.As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racy and comical. Here are Londoners attempting to go about their business in the face of overwhelming odds.....
Estimated dispatch 7-14 working days
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£160.00Norsk Kunstnerkarneval Op.14 (Norwegian Artists' Carnival Op.14) (Concert Band - Score and Parts) - Svendsen, Johan S. - Nordhagen, Stig
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in Kunstnerforeningen.An early title for the work was Bryllup paa Dovre. The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Saeterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835, Te voglio bene assai.I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen
Estimated dispatch 7-14 working days
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£80.00Infernal Galop (Can Can from Orpheus in the Underworld) (Flexible Ensemble - Score and Parts) - Offenbach, Jacques - VanDoren, Evan
Jacques Offenbach's Infernal Galop, or Can-Can as it is more often called, has been reimagined throughout history. From classical composers like Saint-Saens, to more modern uses in movies, television, and even video games, the timeless appeal of Offenbach's melody is without question. Evan VanDoren's new flexible instrumentation arrangement for concert band is a perfect addition to any concert. Particularly effective as a closing selection or encore, this recognizable flourish will have your audience on their feet. Highly recommended!Duration: 2.15
Estimated dispatch 7-14 working days
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