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£274.99Symphony No. 1: Asgard - Teo Aparicio-Barberán
This symphony is the most important work of Spanish composer Teo Aparicio-Barbern. The 2002 International Contest for Bands "Ciudad de Valencia", one of the most prestigious competitions in Europe, marked its first public performance. Throughout the work, which consists of three movements, the composer uses a modern musical vocabulary and combines strong melodic instrumentation with impressive rhythmic passages. Asgard is based on a Scandinavian romantic narrative in the light of the ancient Germanic Sagas....where the flowery landscape remains in that sweet-scented season where spring is always on the brink of summer. Its fields resemble smooth green lawns(maintained by the grazing red cattle and woolly sheep) and its forests are home to deer and songbirds. The area is protected by an unsurmountable stone wall, and is impossible to enter except by the grace of Odin. It is here, at High Nest in Val-hall, that Odin sits on his throne and surveys all those in his dominion.
Estimated dispatch 7-14 working days
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£89.99
Toy Symphony - Leopold Mozart
Leopold Mozart (1719-1787), an Austrian composer-violinist of German extraction, was the father of the famous Wolfgang Amadeus Mozart. Leopold Mozart was a creditable composer in his own right, as the "Toy Symphony" amply demonstrates. Bo S. Aers has given the piece a more modern feel and we wonder what Leopold Mozart would make of it now...
Estimated dispatch 7-14 working days
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£264.99
Diferencias on an Old Spanish Song - Yasuhide Ito
I am immensely happy that my Gloriosa, symphonic poem for band (1990), has been performed by so many bands in the last thirty years.During this period, the growth of the internet has made it much easier to access information.When I composed Gloriosa, I only had limited information about the period when Christianity and Western music was first introduced to Japan, and had to rely a lot on my imagination.However, nowadays, it is easy to obtain various source materials and to read interesting studies on the music of the past.In recent years, the music of Luis de Narvez (born ca.1500 - died between 1555-1560), Spanish composer and vihuela player, has become increasingly known, and several CDs of his music are now available.Narvez composed the earliest-known set of diferencias, a forerunner of the variation form. One of his works is Seys diferencias sobre el himno "O gloriosa domina" [Six diferencias on the hymn "O gloriosa domina"] (1538), based on the Spanish Marian hymn, and it was this melody I used in the first movement of my Gloriosa.Western music has been my musical roots since childhood, and throughout my career as a composer, it has continued to fascinate me. One could say that this has provided the inspiration for Diferencias on an Old Spanish Song, my own take on the diferencias form.Actually, such music from the early sixteenth century could sound fresh to our modern ears. So I decided to quote the melody from Narvez's Sey diferencias at the beginning and end of the piece, in order that people can get the feel for the period.The main section (bars 42-390) is formed of 13 diferencias, similar to the first movement of the Gloriosa.In the middle section, which begins after the eighth diferencia(from bar 187), one should be totally absorbed in the tranquility and the beauty of the music. Although it's in the style of a sarabande, it should be taken slower and played as pianissimo as possible.This is followed by folk-style dance music. (As only standard percussion instruments are used, try to be creative with tonal colours and sense of rhythm).The structure of the work is simple, but be aware of the connection between the sections when constructing the whole.Also, think about the tonality. Overall, the work is in F minor. The main section is basically in D minor, but from bar 102, it modulates to A flat minor and G minor, and then in the middle section it suddenly switches to A flat major (which is the furthest key from D minor, and the relative major of F minor). From bar 219, it modulates to F minor and then to C minor, then back to F minor by way of A minor.N.B. The Oboe II part can be substituted by the English Horn (as indicated in the parts). One can choose according to the player's skills or preference.Recent new compositions for wind band are often full of rhythm, dynamism, and tonal colour, and compositional techniques and orchestration have also evolved greatly. Yet on the other hand, they tend to feature fewer melodic or expressive elements. Since this work is the test piece for WMC Kerkrade 2022, I had to think about what "tests" or "challenges" to set, and I decided to compose something that doesn't involve a lot of technical display, but requires beautiful sounds and harmonies, and above all, musical expressivity. I didn't put many expression markings in the score, because I wanted the performers to think about how best to express this music. If it is played merely as notated, it's not going to sound very interesting.Christianity was introduced to Japan in the mid-16th century, but it was subsequently banned and Japan entered a period of national isolation, which meant that there was hardly any international exchange for two hundred years. As a result, the Christian hymns that were introduced prior to the isolation became almost unrecognizable over the centuries. This was the theme I explored in my Gloriosa thirty years ago.Now, in 2021, the whole world has been forced to "isolate" due to the Covid-19 pandemic. In such times, it seems pertinent that I've written a work using this melody again. I sincerely hope that people will be able to gather in Kerkrade in 2022.(English Translation:Nahoko Gotoh)
Estimated dispatch 7-14 working days
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£95.95Sicilienne - Gabriel Fauré
One of the most beautiful and popular pieces by Gabriel Faur is meticulously arranged for the modern concert band by Larry Clark. It contains all of the lush harmonies and subtle features of Faur's music in a wonderful concert band setting.
Estimated dispatch 7-14 working days
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£133.50Light Cavalry - Franz von Suppé
A prolific 19th Century composer of operettas, Franz von Suppe (1819-1895) is best remembered today for his concert overtures. Of these, Light Cavalry is one of the best known and generations of musicians have made its acquaintance through the wonderful Fillmore transcription of it for band. This edition, by Dr. Robert Foster, makes it available for today's bands in an engraved format with a full score employing modern transpositions. Duration: 7'10"
Estimated dispatch 7-14 working days
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£101.50Bandology - Eric Osterling
Using rich, full dance band chords and interesting rhythms, this standard of school and community bands for over 50 years, has been re-edited and corrected with the modern concert band in mind. A stop-time section for brass and percussion and a pleasingly lyrical trio have made this light concert march a perennial audience and performer favorite. This new edition will be a valuable addition to any band's library.
Estimated dispatch 7-14 working days
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£123.95Chorale and Alleluia - Howard Hanson
This well-known, impressive work by Howard Hanson is one of the great cornerstones of the literature for the modern concert band.
Estimated dispatch 7-14 working days
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£78.95
Japanese Pictures - Kevin Mixon
Japanese Pictures draws inspiration from both traditional and modern Japanese music. The harmonies are western as suggested by the accompanying melodies, and the percussion is styled to give the sounds of a taiko drum ensemble. Young bands will find this piece intriguing and different. Use this work as part of your multi-cultural approach to teaching music appreciation. Also a good choice for contest or festival performance.
Estimated dispatch 7-14 working days
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£67.50Sanctus - Franz Schubert
Franz Schubert (1797-1828), great Austrian composer, was a supreme melodist and master of lieder. This transcription is based on his Sanctus (Holy, Holy, Holy) from his German Mass in F. (ca. 1815) for four-part choir and lends itself well to the expressive qualities of the modern brass quintet.
Estimated dispatch 7-14 working days
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£69.99Fusion Factory - James L. Hosay
At the end of the Sixties and the beginning of the Seventies, slowly but surely, a new exciting music style arose in pop music. Pop groups enlarged the musical spectrum by combining jazz harmonies with rock 'n' roll rhythms. These experiments are now known as 'fusion'. Fusion Factory combines elements of early fusion with modern fusion sounds. Listen to the excellent result!
Estimated dispatch 7-14 working days
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