Results
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£87.50March and Cortege of Bacchus (Concert Band - Score and Parts) - Delibes, Leo - Kreines, Joseph
Leo Delibes composed his ballet, "Sylvia," in 1876. It achieved considerable popularity, and several of the individual numbers were grouped into a suite which orchestras all over the world have played. The March and the Cortege of Bacchus appears in Act III of the ballet, describing the arrival of Bacchus and his followers. The music is martial, lyric, grand and brilliant, building to an exciting conclusion. Duration: 5.45
Estimated dispatch 7-14 working days
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£53.95Westwood Trail (Concert March) (Concert Band - Score and Parts) - Wagner, Douglas E.
Your audience will experience the Old West and all the imagery that follows when they hear Westwood Trail. With sonorities that are indeed fresh and melodic lines that move beautifully (with an occasional 'twist'), this distinctive new concert march moves boldly onto the scene. Bands and marches are made for each other, and this terrific piece jumps to the top of the list!Duration 2:15
Estimated dispatch 7-14 working days
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£50.50The Billboard March (Concert Band - Score and Parts) - Klohr, John - Bullock, Jack
The march was written for and dedicated to the music trade publication of the same name. This arrangement retains all of the integral parts but with the technical difficulties removed. The built-in recognition factor is an added plus. A great opener or encore.Duration: 1.00
Estimated dispatch 7-14 working days
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£58.50March Slav (Concert Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Ployhar, James D.
One of Tchaikovsky's most familiar melodies lends itself so very well to the idiom of the young concert band. This stirring march melody has universal appeal with its contrasting minor and major modes along with inspiring melodic content.Duration: 2.50
Estimated dispatch 7-14 working days
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£60.99Emerald Festival March Wind Band Set (Score & Parts)
Written for the 40th annual Autumn Music festival in Izegem (Belgium). All the participating orchestras performed this special celebration march as the grand finale to the festival. 0:03:30
Estimated dispatch 7-14 working days
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£57.50INVINCIBLE EAGLE MARCH, The (Young Band) - Sousa, John Philip - Vinson, Johnnie
Dedicated to the Pan-American Exposition held the summer of 1901 in Buffalo, Sousa himself thought this marvelous 6/8 march was the equal of the more famous Stars and Stripes Forever. Jay Bocook has fashioned this very playable and enjoyable version for the contemporary concert band.
Estimated dispatch 7-14 working days
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£39.60March Grandioso (Concert Band - Score and Parts)
"March: Grandioso", by Roland F. Seitz, is one of the most stately and distinctive marches ever composed. With this arrangement by Robert W. Smith, the classic melody is now accessible to the beginning band. Perfect for concert or festival use, this setting is notated in 4/4 time and uses only the first six notes introduced by most band methods. Your beginning band will sound well beyond their years!
Estimated dispatch 7-14 working days
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£64.35
The Center Ring
All the images of circus under the big top will come to life with this exciting march by the "King" of circus music! This thrilling and lively circus march is an excellent choice for any performance, and will please audiences and excite performers. Not nearly as difficult as most circus marches, "The Center Ring" is a great choice for an opening or closing selection for your next concert. Superb!
Estimated dispatch 7-14 working days
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£149.99
Jello, The Colours Of My Soul - Ben Haemhouts
Jello...The Colours of my Soul is an assignment that was written to be a lasting memory of the untimely, dramatic death of a young child. The work came about due to various conversations between the father and the composer whereby the final resultmust be seen as an attempt by the composer to musically translate the feelings of the parents.The first part of the title, "Jello", is a combination of the names of the two children of the commissioner, namely Jelle and Lobcke, and "the Colours of mySoul" are the colours of the soul of the parents who despite the loss of one of their children, continue to cherish their two children. The introduction provides the atmosphere of grieving for the loss, whereby use is made of pure fifths in order toportray the solidarity with nature, as we are familiar with in symphonies by Bruckner. A little later a bit of the first theme is suggested, which develops into a real funeral march.The Dies Irae, as this occurs in Berlioz's Fantastic Symphony (F, E,F, D, E, C, D), forms a leitmotiv through the entire work in order to symbolise the constant battle between life and death.Shortly before the storm-passage, (where a wind machine is used) which announces disaster, fragments from children's songs areplayed to the accompaniment of a rising choir piece from behind the stage, which strengthens the imminent confrontation with death.After the introduction of the two themes in the long introduction, a quick passage follows in which all kinds ofbeautiful memories are recalled. There is story telling, laughing, and dancing. One of the previous children's songs is also cited. The Dies Irea is heard once again, this time short and fast.Bit by bit happy elements are steadily distorted untilseriousness breaks through again, like an unavoidable and unstoppable evil. The entire piece becomes evermore stirring, as if a big climax will follow. At this moment a very long fermata makes a sudden end to the hysterical allegro. The crucialmoment in the work follows...How does one deal with something as tragic as the death of one's own child? Does one mourn for what no longer is and what never will be? Or does one try to cherish the beautiful moments and continue to live with thesecolourful memories?A subdued, dignified choir piece captures the beautiful memories and ends in a positive, hopeful tone.
Estimated dispatch 7-14 working days
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£91.99Guardians of the Waves - Philip Sparke
Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditional march form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into a second theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional 'bass strain', played twice with varying accompaniments. A quieter trio section follows, delicately scored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.Recorded by the Kobe College Wind Orchestra and its conductor Osama Matsuura
Estimated dispatch 7-14 working days
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