Results
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£71.28Benjamin Franklin and the Art of Music
Benjamin Franklin's love for the art of music was well documented in American history. Robert W. Smith has selected three musical moments in Ben Franklin's life and created this unique composition for the concert band. Beginning with a setting of "My Plain Country Joan." a song composed as an anniversary gift to his wife, Franklin's jovial personality is evident through the timelessness of his music. The second section is based on Franklin's glass armonica. The delicate and ethereal sounds of this beautiful instrument provide a quiet moment of reflection for all. The finale is based on Franklin's "magic squares." an arrangement of numbers in a square where all rows, columns and diagonals add to the same sum. Robert W. Smith extracted the melody based on the numeric sequence in a 3 x 3 magic square. The resulting musical statement and fugue truly shows the close relationship between mathematics and music. An amazing concept, an amazing cross-curricular piece!
Estimated dispatch 7-14 working days
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£137.99The Baltic Way (Concert Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way, also known as the Baltic Chain, was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of the first movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas Ciurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and, in rhythmic terms, contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautiska giesm?' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
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£79.20
Sancho and the Windmills (Symphony No. 3, 'Don Quixote,' Mvt. 3)
The third of four movements in Robert W. Smith's epic work Don Quixote, the listener is treated to the comic relief that permeates the entire literary story line. Beginning with the opening bassoon solo characterizing Sancho Panza on his donkey, the composer uses unique percussion effects to convey the hapless hero and his never-ending battle to stay up on his horse Rocinante. The listener can hear the rusty suit of armor as Don Quixote continually falls from his horse in one adventure after another. Perhaps the most memorable imagery in the entire literary epic is Don Quixote's battle with the windmills. Using harmonic effects combined with unique percussion scoring, the composer has brought this tale to life through the unfocused eyes of the knight. Funny, yet with a sense of sadness, Sancho and the Windmills will be a favorite moment in the performance of Symphony No. 3 "Don Quixote".
Estimated dispatch 7-14 working days
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£154.99
The Fever Tree Wind Band Set (Score & Parts)
The composition ".The Fever Tree". in 2008 was commissioned by the Music Association of Central and Eastern Netherlands St.Willibrord as a gift to all its members on the occasion of the formation of a national music organization and the elimination of the music union for Central and Eastern Netherlands St.Willibrord. The fever tree is a controversial legend about St. Willibrord (658-739). The daughter of a pagan chieftain of Hoemannen that made the area around Heumen unsafe, was seriously ill. They feared for her life. The chief of the gang turned to predatory Willibrord, who same time in this region led mission. Willibrord commanded the man to repent and a headband of the girl to a certain special tree to hang. The desperate captain obeyed, and his daughter was a miraculous heal. Then came the anger of the Hoemannen against their leader, who in their eyes had committed treason by the group to convert. They abused themselves to him and killed him brutally. The daughter remained behind in great sorrow, comforted by Willibrord. The composition has the following scenes: - Andante moderato - the calling of Willibrord - Allegro moderato - Willibrord passes through the province of Brabant and try to people to repent - Vivace - Hoemannen terrorize the inhabitants of the area Heumen - Andante - the healing of the sick girl and the conversion of the centurion - Inquieto - the revenge of the Hoemannen - Adagio - elegy on the death of the chief 09:45
Estimated dispatch 7-14 working days
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£140.90Back on Track (Concert Band - Score and Parts) - Schwarz, Otto M.
Back on Track is a spectacular composition for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.Duration: 3.00
Estimated dispatch 7-14 working days
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£53.50Best Day of My Life (Concert Band - Score and Parts) - Kazik, James
Recorded by the group American Authors, this pop hit has already enjoyed popularity on numerous television spots and other media, as well as success on the music charts. The catchy, uplifting flavor of the tune adapts nicely for band in this solid setting by James Kazik.
Estimated dispatch 7-14 working days
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£53.95Knights of the Royal Realm (Concert Band - Score and Parts) - Smith, Robert W.
With a British flair and grandiose-style, this original march incorporates two distinct themes. Robert W. Smith explains that "Knights of the Royal Realm" was inspired by the musical life and talents of Sir Vivian Dunn, a British conductor of international acclaim. Sir Vivian's stately manner and warm personality left a lasting impression on him as a young composer. Mr. Smith pays tribute to those lasting memories and Sir Vivian's impact on the American band movement through this charming march for the concert band. Duration: 2.30
Estimated dispatch 7-14 working days
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£89.99Fantasy on a Japanese Folk Song (Concert Band - Score and Parts) - Hazo, Samuel R.
A tour de force of exotic sounds and emotional design, this major work from Samuel Hazo will leave your audiences breathless. Based on the hauntingly beautiful Sunayama, this composition tells a story of the inner conflict of a Japanese girl who falls in love with an American. She is torn between a life with him in America and her longing for the culture of her childhood. From time to time she plays a music box given to her by her parents (Sunayama theme), bringing a flood of homeland memories. The composer weaves together a tapestry of sounds and moods as the piece builds to a fulfilling climax of musical drama and power.Duration: 5:30
Estimated dispatch 7-14 working days
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£91.00Send in the Clowns (Flugelhorn and Trombone Duet with Concert Band - Score and Parts) - Sondheim, Stephen - Rydland, Frode
Send in the Clowns was originally written for soloist with Brass Band accompaniment for Eikanger-Bjorsvik Musikklag. The song is taken from the musikal A Little Night Music by Stephen Sondheim. In the song, the character Desiree reflects on the ironies and disappointments of her life. Duration: 3.15
Estimated dispatch 7-14 working days
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