Results
-
£104.50Voice Beneath The Waters - Barry E. Kopetz
From the beginning, one can sense the drama and mystery reflected in the title. Audiences will at once be drawn to the intensity and fire that makes this fascinating work come to life as it unfolds with an other-worldly quality. Far more playable than it sounds, this is a programming selection that will leave a lasting impression on listeners whenever performed.
Estimated dispatch 7-14 working days
-
£76.99The Genius of Ray Charles
The amazing life story of Ray Charles is featured in the movie Ray starring Jamie Foxx. Ray's unique style and passion for music is forever etched in our country's cultural fabric. Michael Brown gives us a masterful blend of theunforgettable hits Georgia On My Mind, I Can't Stop Loving You, What'd I Say, Hallelujah I Love Her So and Let the Good Times Roll.
Estimated dispatch 7-14 working days
-
£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
-
£109.99Coast Life (Concert Band - Score and Parts) - Nijs, Johan
Coast Life is an easy concert work composed by Johan Nijs and orchestrated for concert band. The three movements of this piece describe life on and around the coast. You can visit the bustling harbour, take a trip on the sea whether it be calm or stormy, or you can take a coast trip - either on the beach or along the promenade. All aspects of the seaside are portrayed in this attractive work.Duration: 6:30
Estimated dispatch 7-14 working days
-
£84.99One Life (Concert Band - Score and Parts)
Man as an individual and the significance of family and friends - this is the theme that the young talented composer Thiemo Kraas focuses on in One Life. The result is a touching work that describes life from the moment of conception to the final sadness of death. In the work, as in life, melancholic and cheerful sounds alternate which result in a truly masterful composition. 05:45
Estimated dispatch 7-14 working days
-
£99.95Scenes from Modern Life (Concert Band - Score and Parts) - Wiffin, Rob
This suite depicts various aspects of contemporary existence. First there is The Beating Heart of the City (3.20) with its clamour, jagged edges and persistent nervous energy. This is followed by an aspect of life that is timeless ?€" the vista of Clouds (3.30). This quiet and impressionistic movement is all about shapes gently forming and then merging and shifting. Finally, Coach Ride (3.06) is a manic journey on a bus (obviously not taking in the M25). This fast and furious little piece was originally written as an encore for the Buckinghamshire Symphonic Wind Ensemble. It is a romp of a coach ride during which a couple of nursery rhymes appear, including ?€The wheels on the bus go round and round?€.Duration: 10
Estimated dispatch 7-14 working days
-
£79.99Opening Night on Broadway (Concert Band - Score and Parts) - Brown, Michael
Here is a dynamic collection of future classics in a sparkling and entertaining medley from Michael Brown.Includes:Springtime for Hitler (from The Producers)The Avenue Q ThemeAlways Look on the Bright Side of Life (from Spamalot)For Good (from Wicked)Circle of Life (from The Lion King)
Estimated dispatch 7-14 working days
-
£191.99The Song of the Bell (Concert Band - Score and Parts) - Sparke, Philip
The piece is based on Friedrich Schiller's epic 1798 poem Das Lied von der Glocke (The Song of the Bell), which is one of the most famous in all German literature. The poem draws a close parallel between human life and the process of casting a bell. It has three movements: Life Celebration, Sound the Alarm and Journey's End.Duration: 9:15
Estimated dispatch 7-14 working days
-
£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
-
£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
View Music