Results
-
£76.00
The Voice Of The Guns - Kenneth J. Alford
Estimated dispatch 7-14 working days
-
£76.99
Discover the Wild - Kenneth Fuchs
Composed in the form of a three-part orchestral overture, this powerful work opens with the horn section stating the main theme, which is based on the interval of a perfect fourth. A beautiful and lyrical middle theme creates amesmerizing and calming effect before the opening theme and faster pace makes a return for the dramatic finish. Concisely scored with an intriguing variety of textures, this is an impressive work for contest or festival. Dur: 4:40(Grade 4)
Estimated dispatch 7-14 working days
-
£249.99
The Wind in the Willows - Johan de Meij
"A book for those who keep the spirit of youth alive in them; of life, sunshine, running water, woodlands, dusty roads, winter firesides" said author Kenneth Grahame (1859-1932) about his children's book The Wind in the Willows. Initially, he wrote the stories about Ratty, Mole, Badger and Toad to read to his visually handicapped son Alistair, but after the publication in book form in 1908, it became a worldwide success. It was later also turned into a film and a television series. What appealed ti the composer most is the friendly, very cosy atmosphere that Grahame has managed to create with his optimistic narrative style full of high spirits, an atmosphere that reminds thecomposer of his own carefree youth. It was therefore a great pleasure to set this book to music! The four movements successively describe:I) The River- The river, which flows through the habitat of the animals like a lifeline, regularly is the scene of pleasant boat trips and picnics. The animals lead their untroubled lives here. The four-tone main motif [A-C-D-C] is extensively presented by the brass section, and returns in the following movements as a countermelody. II) Ratty and Mole -The bright, energetic Rat and the melancholy doubter Mole are inseparable friends and have many adventures. Their opposite characters are illustrated by separate musical themes. III) Mister Toad - The wilful, haughty Mister Toad is indeed a unique case: time after time, he runs into tricky situations, and with his indomitable passion for fast - preferably stolen - cars he causes quite a lot of damage...IV) The Return of UlyssesAfter Toad Hall, the majestic residence of Mister Toad, is recovered from the weasels and stoats of the Wild Wood, who had captured the estate in a cowardly way, our friends get ready for a banquet. They celebrate the victory with a triumphant parade, and so both the book and the music conclude with a happy ending.
Estimated dispatch 7-14 working days
-
£105.00
Danceries. Wind band - Kenneth Hesketh
The term Danceries can be found in a copy of Playford's Dancing Master which is an extensive collection of folk and popular tunes of the 17th Century (and no doubt earlier). The melodies themselves are a mixture of new and old(although where the old occurs, it has been adapted in mood and composition and is often interspersed with completely new material). The harmonies and rhythms bring a breath of the new into these themes and add to the drama of theset.
Estimated dispatch 7-14 working days
-
£47.50
The River Kwai March - Malcolm Arnold
From the classic WWII film from 1957 Bridge on the River Kwai, here is Malcolm Arnold's famous march that incorporates Kenneth Alford's Colonel Bogey March along with Arnold's original counterline melody. The whistling part is optional but adds a unique and authentic touch.
Estimated dispatch 7-14 working days
-
£53.50
Colonel Bogey March - Kenneth J. Alford
The classic march from the film, 'The Bridge Over The River Kwai,' now available in a very playable version for younger groups. Includes the trademark whistling part (optional).
Estimated dispatch 7-14 working days
-
£12.99
H. M. Jollies - Kenneth J. Alford
Estimated dispatch 7-14 working days
-
£125.00
Danceries (Set II) - Kenneth Hesketh
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world premire of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colourful and direct, with its own distinct mood.The outer movements - Jennie's Bawbee and Peascod's Galliarda - share a use of driving percussion writing with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Danceries has come of age!
In stock: Estimated delivery 1-3 days
-
£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
-
£75.00