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£67.50
Sounds of Holiday Cheer - Douglas Court
Douglas Court weaves his own unique kind of harmonic magic into his thrilling new holiday offering SOUNDS OF HOLIDAY CHEER. Animated rhythms and surprising turns engage the audience and announce the joyful season.Young bands can always count on Douglas Court to write music that is exciting but skill-level appropriate. Stylish modern harmonies and compelling syncopated forward motion will make this a favorite among your musicians.Light up the season!
Estimated dispatch 7-14 working days
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£104.99
Celtic Gathering - André Waignein
Roland Kernen has developed a true fascination for the traditional music scene and for Celtic folk music in particular. The Celts fed on a rich blend of legend and myth which is skillfully portrayed in Celtic Gathering. This lyrical piece embraces two musical atmospheres. The first melodic line, written in a minor key, expresses the cheerful character of a group dance, whilst the second line, written in a major key, portrays perfectly the joyful mood of a Celt village.Why not add a touch of Celtic magic to your band repertoire.
Estimated dispatch 7-14 working days
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£71.50The Great Green Kazoo - Carol Brittin Chambers
Written to honor the memory of a student and their love of classic rock, cars, computers and gadgets; The Great Green Kazoo is a thoughtful and inspiring work that houses a lot of meaning in a light and joyful fashion.
Estimated dispatch 7-14 working days
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£22.50
December - Robert Buckley
December was inspired by the holiday season in Canada. It reflects the sounds, the sights, and the moods of that magical time of year. December starts off joyfully with a playful theme of celebration. This leads into an icy, reverent, winter solstice theme. Then there is a further development of the original joyful theme and a jubilant build to the finish. December can be performed with or without the optional choir part. A wonderful addition to any holiday concert.
Estimated dispatch 7-14 working days
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£51.60Sakura Variations - Kees Vlak
The blooming of the cherry trees each spring is a great event in Japan. In the evening friends meet under the pink and white cherry blossoms for a picnic. It is a striking sight, especially in big cities. Vendors sell Japanese food, entertainers andclowns perform, and the typically cautious Japanese seem to be more relaxed during the cherry blossom, or "Sakura". Kees Vlak captured this atmosphere with his "Sakura Variation"; its theme employs a subtle drum rhythm. The first variation is titled"clowns" and opens with three bass drum strikes. The theme appears in 3/4 time and is repeated several times with surprising changes. An impetuous tempo with dissonant elements suggests a clown's mischievous behaviour. The second variation in a minormode sounds very sad and dramatic. Is this the sadness when thinking of the end of the cherry blossom, as all the petals "snow" down from the trees? The cherry trees will bloom again next year, so the finale celebrates a joyful "Sakura".
Estimated dispatch 7-14 working days
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£74.95Celebration Of A New Day - Amy Webb
Here's an upbeat piece that evokes a sense of positivity and hope. It is a bit majestic and joyful all at the same time. It is an easy piece, and it is a great composition to introduce dotted rhythms. Only the 1st clarinet crosses the break, and the 1st trumpet's highest note is D.
Estimated dispatch 7-14 working days
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£84.50The Gift of Joy - Rob Grice
This piece starts out at a good joyful tempo in 4/4 time with a contrasting middle section in 3/4. The syncopation in the opening and end makes for a very exciting feel. The middle section has more of an easy, flowing melody. Clarinets cross the break. 1st trumpet's highest note is G.
Estimated dispatch 7-14 working days
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£106.95Whispers and Shouts - Andrew Yozviak
Starting out at a slow and reflective movement, gradually increases tempo and the composition grows to its finish. It has a joyful melody and grows in excitement. The 1st trumpet's highest note is B, and the clarinets play above the break.
Estimated dispatch 7-14 working days
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£113.30Moderate Dances - Angelo Sormani
This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.
Estimated dispatch 7-14 working days
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£252.50Gopak - Eric Ewazen
Gopak is the first movement of a set of Symphonic Dances written for the Hofstra Unibersity Wind Ensemble, directed by Peter Boonshaft, who commissioned and premiered the work in 2009. Gopak is a tribute to my Polish and Ukrainian roots. My father used to dance traditional Ukrainian dances including the Gopak, and some of my earliest musical memories include the joyful, energetic, and rhythmic feel of those wonderful folk dances.Gopak has a strong feeling of two beats, is accented quite heavily, and is energetic from beginning to end. The melodies are completely original, but the lively feel of the music calls to my mind the energy of the Gopak, notes composer Eric Ewazen.
Estimated dispatch 7-14 working days
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