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  • £106.95

    Cedar Canyon Sketches - Carol Brittin Chambers

    Cedar Canyon Sketches will take you on a journey through the Texas Hill Country. It begins with the tranquil sounds of nighttime blanketing a peaceful canyon. Chambers then deftly moves the piece through a joyful wagon ride section, and later delivers the apex of the piece, which was inspired by a beautiful sunset. A very programmable piece, this will be a hit at your next concert!

    Estimated delivery 7-14 working days
  • £64.99

    And the Angels Sang - Timothy Johnson

    Your band and chorus can join together in this new and spirited Calypso carol ! The joyful setting of Timothy Johnson's original carol will light up your concert stage at any holiday performance. The carefree and natural rhythms of calypso combine with a catchy tune to bring a smile to all. Skillfully scored for an easy balance between the band and chorus, AND THE ANGELS SANG is a delightful contrast to typical holiday concert fare. Slip a little island syncopation into your combined Choral/Band Christmas concert this year. You won't regret it!

    Estimated delivery 7-14 working days

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  • £113.30

    Moderate Dances - Angelo Sormani

    This piece is a tribute to dance music, especially passionate, intense and meditative dance music. "Moderate Dances" is divided into three movements: a "Tango", a "Slow Waltz" and a "Bossa Nova". Each movement and each dance has its own particular characteristics but, when combined, these different rhythmic beats and times give the piece a feeling of completeness and uniformity. The Tango started to flourish in the suburbs of Buenos Aires in around 1880. There is still some doubt as to its origins, which may be Cuban (Habanera) but are probably African. It was most popular in Argentina and Brazil: here the male protagonist was originally the "gaucho" with his inseparable guitar, later to be replaced by the proud, elegant "compadre". By around 1910 the Tango had spread to Italy and France. New clubs opened, where the upper classes could watch and dance the Tango. Here the dance also underwent some rapid transformations. The exaggerated and extravagant gestures and body movements disappeared. Slow, gliding steps replaced the old rotational movements. The women's red ankle-boots and the partners "staring into each other's eyes" accentuated the erotic nature and sensuality of this dance. So much so that, in 1913, the German government banned soldiers from dancing the Tango. Those who broke the law were immediately discharged from the army. From a strictly musical perspective, the basic instruments were a flute, a harp (the diatonic harp typically played by the Indians of Paraguay) and a violin, or flute, guitar and violin or even clarinet, guitar and violin. These instruments were easy to transport, ideal for playing at parties, in the streets and in courtyards. The musicians played by ear, frequently improvising: there were no scores, no records, which is the main reason why it is impossible to trace the Tango back to its exact origins. However, the Tango's evolution (and growing popularity) was once again fostered by its fundamental ability to absorb "other" cultures, languages and sounds. And it was the arrival of the "bandoneon" (an accordion-like instrument that was invented in Germany and brought to Rio de la Plata by some immigrant), which replaced the flute, that marked the beginning of the Tango's huge success outside Argentina. A number of talented composers, above all the great Astor Piazzola (1921-1992), transformed the bandoneon from a simple accompanying instrument to a solo instrument that was to become the distinguishing feature of the 20th century Tango. The Slow Waltz originated from the Waltz, the typical dance of the Bavarian and Tyrolese peasants in the 1700s. It was composers like Johann Strauss, father and son, who carried the Waltz to its zenith in the 1800s, creating the sensual and melancholy yet joyful and charming dance we are all familiar with. When the Waltz first became popular in Germany, the members of respectable society were shocked at the closeness of the dancing partners, who had always previously danced apart. The main difference between the Waltz and Slow Waltz is that the latter has a slower, more expressive rhythm: the men wear tails and the women wear ball gowns decorated with beads and feathers and couples dance in graceful rotational movements. "Bossa Nova" is the title of the last movement in the piece. Jobim, the great Brazilian musician, described this musical genre as a combination of modern Jazz and Samba. Bossa Nova means "new wave". This was the name of the artistic and musical movement that evolved in Brazil in the late Fifties and was extremely popular throughout the Sixties. The songs are usually about love or social matters, drawing inspiration from the slums of Rio De Janeiro and the lives of their inhabitants. Bossa Nova, with its original compositions and the artistic talent of its musicians, also became hugely popular in the United States and Europe, and top Jazz musicians (Ella Fitzgerald, Stan Getz, Bob Cooper, Charlie Bird, Sonny Rollins, Dexter Gordon, Dizzy Gillespie) started to include Bossa in their repertoires.

    Estimated delivery 7-14 working days
  • £66.95

    Inspiration Fanfare - Adrian B. Sims

    Fueled by the inspiration of morning sunlight, Adrian Sims has written this colorful fanfare depicting joy and opportunity. The opening statement transforms throughout the piece, providing musically engaging parts for all. Extremely playable yet sophisticated in sound, Inspiration Fanfare creates a sense of anticipation and excitement. A joyful celebration of music!

    Estimated delivery 7-14 working days
  • £78.20

    Caribbean Summer - Luigi di Ghisallo

    Most people who live in the Caribbean are of an outspokenly straightforward nature, and always in good mood. "Caribbean Summer", a three-movement piece, captures this very mood: Very early in the morning, a summer day begins with "Guadeloupe", a Caribbean waltz. In this the change from a triple meter to a duple meter counter rhythm is of prime importance. From it, the music draws a particular lilt.At noon there is a happy and lively hustle and bustle on the beach. Vendors ("The Coconut Vendor") sing and offer their sugar-peanuts ("Chou-Cou"). A guest spontaneously begins to drum his fingers on a table, a second one reaches for a calabash or a cowbell - a cha-cha-cha is born. Finally, in "Caribbean Nights" a joyful parade of happy people march down the streets. Based on this very feeling, a special dance developed chiefly in the Dominican Republic: a simple basic two-step pattern in even rhythm becomes a "Merengue" together with the right, so to speak contra rotating motion of the hips! This cheerful dance then marks the close of day in a happy way - and in the morning everything will begin over again...

    Estimated delivery 7-14 working days
  • £77.50

    Polka From The Bartered Bride - Gary E. Parks

    Whirling, brightly-clad dancers, brought to life in Smetana's "Polka" from The Bartered Bride, are reanimated in this exhilarating transcription for concert band. The joyful celebration of Bohemian peasant life is evidenced from the development of the principal theme to the dramatic presto at the end. You'll find it hard to stay in your seat! (4:55)

    Estimated delivery 7-14 working days

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  • £66.00

    Ode and Jubilation - Gerald Sebesky

    As the title implies, there is a dichotomy of spirit within the contrasting sections. But, there is also a mutual thematic development which makes this composition unique. After beginning with a lyrical introduction in which the trumpet invokes an expressive solo passage, the work then progresses with an energetic rhythmic pattern which offers and leads to a joyful spirit of celebration. A recapitulation of the original theme forms a variation to the end. This distinctive composition was selected by the Mid-Atlantic Arts Foundation to receive the NJSCA Fellowship award. Very nice!

    Estimated delivery 7-14 working days

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  • £66.00

    Christmas is Coming! - Rob Romeyn

    Look no further for the perfect opening to your holiday concert. Using the old English carol as the focus of the work, Rob Romeyn has crafted a festive and upbeat holiday opener using musical fragments from popular carols creating a "musical buffet" of holiday cheer. The fun, swingin' middle section of "Up On The Housetop" provides a great contrast to the joyful beginning and ending of the piece, all while being very playable. Let the holiday season begin!

    Estimated delivery 7-14 working days

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  • £106.95

    On Parade - Edwin Franko Goldman

    Edwin Franko Goldman's energetic composition On Parade is both programmatic and descriptive of parades from yesteryear, complete with bugle, fife (piccolo), and drum strains. In addition, a joyful vocal refrain was included in the 1934 edition of the march with lyrics by Goldman. Edward Lisk's meticulous, modern edition brings this wonderful new march to the attention of a whole new generation of band musicians.

    Estimated delivery 7-14 working days
  • £58.90

    Carolina Legend - James Swearingen

    This programmatic work by the ever-popular James Swearingen is based on a legend from the beautiful Carolinas, and is full of melodious musical ideas. A Joyful piece for young players and ideal for Jr. High contest use, "Carolina Legend" is skillfully crafted to get the most from young students and to motivate them to ever higher musical levels. More Swearingen magic!

    Estimated delivery 7-14 working days

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