Results
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£164.95SUITE OF ENGLISH FOLKDANCES (Symphonic WB) - Tomlinson, Ernest
Score & Parts. In 1951 Ernest Tomlinson, at the invitation of his sister Freda, attended a Festival of Dance and Song presented by the English Folk Dance and Song Society. He was so captivated by the tunes danced to, that he resolved to write an orchestral suite based on some of them. The composer's arrangement for wind band follows closely the textures and colour contrasts of the orchestral original. The Suite, which is dedicated to his sister, is in six movements, all the tunes being selected from the first edition of John Playford's The English Dancing Master. Includes: Jenny Pluck Pears; Ten Pound Lass; Dick's Maggot; Nonesuch; Hunt the Squirrel; Woodicock. Duration: 12 mins.
Estimated dispatch 7-14 working days
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£79.95Timepiece (Concert Band - Score and Parts) - Wiffin, Rob
Timepiece is a challenging work full of driving rhythms and relentless energy. It started life as the first movement of The Sands of Time, a commissioned work for clarinet choir. Because of the time limits of the commission, Wiffin could not develop the material as much as he had wanted to. He rescored it for wind band and included it as the first movement of a suite, but it did not sit well there because of its difficulty. Now re-worked and extended, the driving rhythms and many changes of time that give the piece its name are now balanced by a quieter, tranquil central section in 3/4. It is not easy, but most of the difficulty lies in the reading of the music rather than in any particular technical problems. It is recorded on on the RAF CD, Music in the Air.Duration: 6.15
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£75.00Christmas Eve Waltz (from Three Christmas Pictures) (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The Three Christmas Pictures were written at various times in the 1980s. The first, Sleighbell Serenade, has been the composer's most widely performed work, having been played on every inhabited continent, and was first commercially recorded in Australia in 1986. Words have been added for a choral version. Starlight Lullaby was first performed in 1990, while Christmas Eve Waltz dates from 1989. Three Christmas Pictures may be performed as a suite, in any order, or as individual pieces.
Estimated dispatch 7-14 working days
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£75.00Sleighbell Serenade (from Three Christmas Pictures) (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The Three Christmas Pictures were written at various times in the 1980s. The first, Sleighbell Serenade, has been the composer's most widely performed work, having been played on every inhabited continent, and was first commercially recorded in Australia in 1986. Words have been added for a choral version. Starlight Lullaby was first performed in 1990, while Christmas Eve Waltz dates from 1989. Three Christmas Pictures may be performed as a suite, in any order, or as individual pieces.
Estimated dispatch 7-14 working days
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£75.00Starlight Lullaby (from Three Christmas Pictures) (Concert Band - Score and Parts) - Lane, Philip - Noble, Paul
The Three Christmas Pictures were written at various times in the 1980s. The first, Sleighbell Serenade, has been the composer's most widely performed work, having been played on every inhabited continent, and was first commercially recorded in Australia in 1986. Words have been added for a choral version. Starlight Lullaby was first performed in 1990, while Christmas Eve Waltz dates from 1989. Three Christmas Pictures may be performed as a suite, in any order, or as individual pieces.
Estimated dispatch 7-14 working days
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£156.00A Midsummer Night's Dream (Concert Band - Score and Parts) - Mendelssohn, Felix - De Meij, Johan
Suite from the Incidental Music. Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.Duration: 14.45
Estimated dispatch 7-14 working days
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£74.99Three Colonial Moments - Rick Kirby
Depicting three contrasting and intriguing settings from early American lore, Rick Kirby masterfully brings these images to life in a suite for band. The first movement tells the legend of The Phantom Drummer with unique orchestrationaleffects. The second movement, The Ladys Lament, mourns the loss of loved ones in the Revolutionary War, and the suite concludes with the lively dance Virginia Two-Step. Rich in stylistic and tonal variety, this is an appealing work forconcert or festival use.
Estimated dispatch 7-14 working days
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