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£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
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£58.50
Mama Sea Turtle - Hoefle
The first movement in "Water Tales, A Suite for Band," this lyrical work is a beautiful depiction of a sea turtle departing the beach after laying her eggs in the sand. This piece in time is a great opportunity for your students to work on slurs and phrasing while they learn about these amazing, endangered water creatures. This first installment of this marine-based suite has great potential for themed concerts and cross-curricular activities!
Estimated dispatch 7-14 working days
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£267.99Hymn of the Highlands, Suite from (Concert Band - Score and Parts) - Sparke, Philip
Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands.The first movement, Ardross Castle, features solo passages for clarinet and bassoon and features a fascinating bagpipe melody.The second movement, Alladale, is a saxophone trio with an accompaniment featuring the percussion section.The final movement, Dundonnell, features two highly contrasting melodies, a wild presto and the bagpipe melody first heard in the first movement.Duration: 17:00
Estimated dispatch 7-14 working days
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£134.99The Enemy God and the Dance of the Spirits (Concert Band - Score and Parts) - Prokofiev, Sergei - Van der Beek, Wil
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance "...The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, created by the blaring brass, on account of his sick wife and three children...".Duration: 3:00
Estimated dispatch 7-14 working days
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£85.00Tarantella (from Incidental Suite) (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Tarantella from Incidental Suite is the first movement of this suite originally scored for concert band. Claude T. Smith has elevated the basic meaning of tarantella creating engaging rhythmic interest throughout the duration of the movement. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£173.00The Seville Suite, Highlights from (Concert Band - Score and Parts) - Whelan, Bill - De Meij, Johan
The success of Bill Whelan's Riverdance evolved from a concept for music and dance that he established earlier with The Seville Suite, his first major orchestral composition. The Seville Suite was commissioned for Ireland's National Day at the World Expo 1992 in Seville, Spain. Through the score, Whelan tells the story of legendary Irish war hero Red Hugh O'Donnell. At a mere 21 years of age, O'Donnell successfully led a rebellion against the English government in 1593. Johan de Meij's arrangement is an adaptation featuring highlights from the original suite. Duration: 13.15
Estimated dispatch 7-14 working days
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£64.99
1st Holiday Suite - Mike Hannickel
Recognize each of the winter celebrations in one piece of music. Kwanzaa, Hanukkah, and Christmas are all represented in this very easy beginning band arrangement. If your group is ready to graduate from unison method book lines, they are ready for this arrangement. Beginning band director/composer Mike Hannickel has made sure that this piece will be accessible to any first year group.If you used this composer's FIRST CHRISTMAS SUITE with your groups in the past, you are sure to like this one, too.Happy Holidays!
Estimated dispatch 7-14 working days
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£149.99St. Martin's Suite - Jan Van der Roost
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the 'Koninklijke Sint Martinusfanfare' (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the 'Sint Martinusfanfare' from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. Thecontrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace', could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.
Estimated dispatch 7-14 working days
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£75.00The Wand of Youth, Suite No.2, March (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
The Wand of Youth suites were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although the Wand of Youth Suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier. The March is the first movement of The Wand of Youth, Suite No. 2. The arranger has presented this movement as an example of an excellent concert opener or warm-up march for a festival or contest performance because of its delicacy, yet determination.
Estimated dispatch 7-14 working days
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£27.95Light Music (Concert Band - Score only) - Wiffin, Rob
The title Light Music alludes to different things. Most of the music in the suite is light in nature, and is in the inherently British tradition of 'light music' - original pieces which are often descriptive but essentially melodic. In another sense the music depicts various aspects of light itself. The title itself is a trick of the light!The first movement, Lightscape, portrays shifting patterns and types of light, highlighting some details and obscuring others. It is sometimes vibrant, dancing and full of movement, and sometimes tranquil.The second movement, At the going down of the sun, considers the light of the sun as it sets. Because of the nature of his career, the composer has written a fair amount of ceremonial music and this movement is close to that genre once again. There is, in the title, a reference to the familiar Remembrance line 'At the going down of the sun and in the morning we will remember them' from the poem For the Fallen by Robert Laurence Binyon (1869-1943) written in September 1914, a few weeks after the outbreak of the First World War. While the music is not a setting of these words - or in any way referential - there is an echo of the words 'We will remember them'.The suite finishes with Set Alight which starts off with a few combustible bars as the flame catches and then the fire is under way.Duration: 11.30
Estimated dispatch 7-14 working days
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