Results
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£48.00Poem for Band (Concert Band - Score and Parts) - Tatgenhorst, John
Poem for Band is based on a beautiful melody that is shared by flutes, clarinets and trumpets. The low brass and woodwinds enrich the performance with expressive use of dynamics. This music was first written for the London Symphony Orchestra as part of an orchestral suite and has been beautifully adapted for band by the composer.
Estimated dispatch 7-14 working days
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£70.50Greensleeves: A Fantasia for Band (Concert Band - Score and Parts) - Smith, Robert W.
In tribute to Ralph Vaughan Williams, Robert Smith's second movement of the Vaughan Williams Suite is entitled Greensleeves: A Fantasia for Band. Beginning with a lyric solo statement by the flute, the compellingly beautiful melody is explored using the unique timbres of the contemporary concert band. The first movement, Wassail, is also available. Duration: 4.30
Estimated dispatch 7-14 working days
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£54.95March from First Suite for Military Band - Gustav Holst
Estimated dispatch 7-14 working days
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£42.60First Suite for Junior Band (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionIncludes:PreludeBluesFinale
Estimated dispatch 7-14 working days
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£495.00English Dance Suite (Concert Band - Score and Parts) - Gardner, John - Noble, Paul
Original Scoring. Arranged for the modern Concert/Wind Band, scored for three trumpets, reasonable doubling of parts where the original musical effect is not altered so that players can have a more responsible and enjoyable experience, more legible parts with less doubling on one staff, etc. The piece is offered either as a complete suite of seven movements, and also as seven individual movements which may be purchased independently. The English Dance Suite was originally composed by John Gardner for Wind Band, and has been re-set for the modern Concert Band instrumentation. Both the original version, edited and type-set by Paul Noble, and this arrangement are first editions now available for purchase to bands around the world. The set of seven Renaissance dances depict John Gardner's love of Scottish music, the Renaissance heritage, and some of his own mischievous approach to music. The first movement, Chacony on a Golden Theme, reminiscent of the Allegro movement of Purcell's Golden Sonata, is much used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offered a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. The Alman originated in the 16th century as a duple metere dance of moderate tempo, already considered very old, with a characteristic double-knocking upbeat of one or occasionally three sixteenth notes. It appears to have derived from a German dance but no identifiable dance and no German dance instructions from this era survive. The Hornpipe, usually in 3/2 dance rhythm, is an Irish, Scottish and English dance. It is done in hard shoes, which are used to help keep track of how the dancer keeps in time. There are two variations of the hornpipe dance: fast and slow. Usually, more experienced dancers will do the slow hornpipe but younger dancers will start out with the fast hornpipe and then switch in later years. The Corranto is a 16th-century court dance characterized by short advances and retreats, in quick triple time. The Volta (Italian: the turn or turning) is an anglicised name from the later Renaissance. Its main figure consisted of a turn and lift in a sort of closed position. The Pavan is a slow processional dance common in Europe during the 16th century. The Reel, indigenous to Scotland, consists largely of quaver (eighth note) movement with an accent on the first and third beats of the bar.
Estimated dispatch 7-14 working days
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£73.50The Irish Washerwoman (from The Irish Suite) (Concert Band - Score and Parts) - Anderson, Leroy
The Irish Washerwoman, the first movement of Leroy Anderson's Irish Suite, combines folk material with the composer's own whimsicality. The score was commissioned by the Eire Society of Boston and carries a dedication to Arthur Fiedler, who conducted its first performance on June 6, 1947 at Symphony Hall in Boston. The complete suite includes six melodies which range from the nostalgic to the humorous, from the plainly sentimental to the purely exuberant. Although the melodies come from overseas, the brilliant Irish Suite is typical of Anderson's nimble orchestration, ingenious charm, and happy inventiveness. This opening movement is a jig; brisk in tempo and gay in mood.This edition has been freshly re-engraved with a full-score for the first time, permitting articulation uniformity throughout the work.Duration: 3.00
Estimated dispatch 7-14 working days
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£149.99St. Martin's Suite (Concert Band - Score and Parts) - Van der Roost, Jan
This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the 'Koninklijke Sint Martinusfanfare' (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the 'Sint Martinusfanfare' from the small town of Halle in the province of Brabant. The first movement (Andante Pomposo) describes Martin, a soldier in the Roman army. In Andante Moderato we see the image of Martin, who become a Christian and chooses to devote his life to God. In this movement, the composer was inspired by the Brabantine gothic art of the Sint Martinus Basilica in Halle. The contrast between the dark Basilica and the statue of Our Lady between the soaring pillars will vividly come to life for audiences of this descriptive piece. The final movement, Allegro Molto Vivace', could have been an image for a frivolous peasant in the Halle carnival. In a triptych about St. Martin it is more fitting to refer to it as an apotheosis, the crown on the pastoral work of Martin, Bishop of Tours, Patron Saint of the Fanfare Band and the Basilica of Halle.Duration: 13:30
Estimated dispatch 7-14 working days
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£148.00Aladdin Suite (Concert Band - Score and Parts) - Nielsen, Carl - De Meij, Johan
The large creative output of the Danish composer Carl Nielsen (1865 - 1931) contains six symphonies, chamber music, vocal works and music for the theatre: two operas (Saul & David and Maskerade) and stage music for sixteen different plays. The stage music for Aladdin was written at the request of Johannes Nielsen, the director of the Royal Theatre in Copenhagen. This production was based on the drama Aladdin (1805) by the Danish author Adam Oehlenschlager. Already before the premiere at the Royal Theatre, Carl Nielsen had adapted some of the music for the concert hall: he conducted the first performance of six of the seven movements of the concert suite on February6th, 1919. Johan de Meij's transcription for symphonic band contains the following movements: I. Oriental Festival March; II. Aladdin's Dream / Dance of the Morning Mist; III. African Negro Dance
Estimated dispatch 7-14 working days
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£85.00First Suite in E Flat (Concert Band - Score and Parts) - Holst, Gustav - Longfield, Robert
Arguably the most important composition in the history of the modern concert band, here for the first time is an edition adapted for contemporary school band instrumentation! Extreme ranges (particularly in the woodwinds) have been eliminated and the brass scored for 3 trumpets, 2 horns, 2 trombones, baritone and tuba. Robert Longfield has painstakingly maintained the integrity, form and character of Holst's work while making it accessible to younger players. Don't miss this opportunity to provide your students the chance to perform a valuable and fulfilling band classic.Duration: 10:45
Estimated dispatch 7-14 working days
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£74.99Three Colonial Moments (Concert Band - Score and Parts) - Kirby, Rick
Depicting three contrasting and intriguing settings from early American lore, Rick Kirby masterfully brings these images to life in this suite for band. The first movement tells the legend of The Phantom Drummer with unique orchestrational effects. The second movement, The Lady's Lament, mourns the loss of loved ones in the Revolutionary War, and the suite concludes with the lively dance Virginia Two-Step. Rich in stylistic and tonal variety, this is an appealing work for concert or festival use.Duration: 8:00
Estimated dispatch 7-14 working days
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