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  • £64.99

    The Immovable Do - Percy Aldridge Grainger

    First published in 1940, this work became a highly respected and widely performed Percy Grainger work. It is unique in that it employs a high drone on the note C, which is sounded throughout the entire piece. Grades 4-5.

    Estimated dispatch 7-14 working days
  • £66.95

    Terracotta Warriors - Scott Watson

    This original work was inspired by the "spirit army" of 6,000 clay statues created in the third century B.C. for the tomb of the first emperor of China. A brief, plaintive folk chant summons the army from their centuries-old sleep. The warriors respond, with musical representations of uniform marching and weapons display. (4:25)

    Estimated dispatch 7-14 working days
  • £57.50

    Perfect Trip - Patrick J. Burns

    Perfect Trip derives its title from the horse racing term which refers to the flawless performance of a winning steed. It was written for the 20th anniversary concert of the Ridgewood Concert Band in New Jerseyat the request of the band's founding director, Dr. C. Christian Wilhjelm. The piece itself lasts not much more than a typical one mile horse race and depicts the event from the observer's perspective: the initial burst of energyat the starting gate and the ensuing excitement approaching the first turn, the suspense as the race develops along the far stretch, and the increasing drama as the pack rounds the final turn and heads down the stretch for the bigfinish. Recorded by the Ridgewood Concert Band, Christian Wilhjelm, conductor. (Grade 4)

    Estimated dispatch 7-14 working days
  • £134.99

    Opening Music - Ben Haemhouts

    Opening music is one of the first works for wind orchestra by Ben Haemhouts and was originally written under assignment from the Fanfare St. Pieters Kapelle Belgium. The slow mysterious introduction introduces the main theme that consists of the notes F, C, B-flat, F, a combination that was woven throughout the entire work. Then a stirring allegro part follows, with a melodious passage in the euphoniums. The end is a long-drawn-out resuming of the beginning that builds up to a large climax, still built on the same basic tones. This overture is a solemn openings work for every occasion.

    Estimated dispatch 7-14 working days

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  • £244.99

    Zenith of Maya - Satoshi Yagisawa

    By 200 B.C. the Mayan civilization was expansive, from the Yucatan Peninsula well into Central America. Their highly advanced technology still amazes us today, including their discovery of an accurate calendar derived from detailed astronomical observations and the use of the "0" in sophisticated mathematics.I. Royal ceremony and sacrifice of renewalThe first movement describes Mayan civilization at its zenith. An initial theme heralds admiration for a great king. A graceful choral then captures the magnificent setting of the Mayan world. After a folk melody for the populace, the agitated scene of a sacrificial ceremony is portrayed. The regal theme appears again in the coda, concluding in brilliance. This great civilization vanished in 10 A.D., leaving only remnants of a remarkably prosperous world. Thousands of ruins large and small remain locked in a dense world of jungle, with huge crumbled cities having lain forgotten for eight centuries.II. Glorious ruins still ariseII characterizes this civilization from glory, to destruction, to the present with its buried ruins. To begin, stone cities wait silently cloaked in jungle, steadfastly eluding discovery. As time passes slowly, the music reflects back to the glory of the Maya. Though wishing to turn back the hands of time for this incredible civilization, its fate and the gravity of its loss are carried forward in the profound silence of eternal loss. Finally, in the present, we marvel at the thousands of elegant remains, with a choral of praise for those with remarkable wisdom and strength, in a spectacular conclusion.(Satoshi Yagisawa)

    Estimated dispatch 7-14 working days

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  • £72.99

    Presidential Suite - Michael Oare

    Commissioned by the Virginia Band and Orchestra Directors Association to commemorate its 75th anniversary, Presidential Suite recognizes the rich historical heritage of Virginia, particularly as the birthplace of eight United States presidents. Using a suite format, the work focuses on three of the founding fathers. The first movement, Mount Vernon, is a serene musical impression of the home of George Washington. Monticello is the second movement and portrays the stately style of music typical of Thomas Jefferson's time. The suite concludes with Montpelier, the home of James Madison, and uses bold and majestic motifs to portray the broad and magnificent landscape of Madison's estate. Dur: c 5:30

    Estimated dispatch 7-14 working days
  • £72.99

    Partita for Band - Timothy Broege

    Composed as a suite, this descriptive work uses four short movements to create varied and distinctive moods. First is a bold Fanfare with rich harmonies, followed by the March in a traditional style. The third movement is a Bluesin a minor key, followed by the final Rondo in triple meter. An appealing and creative addition to the young band repertoire. Dur: c. 7:30

    Estimated dispatch 7-14 working days
  • £168.50

    Trois Nuances - Scott L. Hines

    TROIS NUANCES is a three movement work composed by Scott L. Hines for the Memphis Ballet Company in 2004. Originally for Piano only,it is a three movement work. The two fast movements surround a blues-like second movement. While it was not the composer's initial intent to write a movement based in the blues, that's what happened and it was very appropriate as Trois Nuances was danced on thestage of W.C. Handy Park on Beale Street, the site of the birth of the blues publishing industry. Hines was given a week to present a draft to the ballet company to be performed as it's opening piece of the 2004 season debut. Once the draft was approved, he had two days to finalize it. The first and third movements reflect the hurried and excited pace at which it was composed. Excellent repertoire from a contemporary American composer! Symphonic Orchestra. Instrument Parts. Grade: 4 Duration: 12:29

    Estimated dispatch 7-14 working days
  • £218.30

    Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen

    This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -

    Estimated dispatch 7-14 working days
  • £118.99

    Hail the Champions - James Curnow

    Commissioned for the University of Akron Symphonic Band, this dynamic work celebrates 100 years of music composed for the Olympic Games. Based on three primary themes, the first is a brilliant fanfare that serves as anintroduction as well as a unifying link throughout. Second is the 1896 Olympic Hymn (music by Spyros Samaras) set in a beautiful lyric style which builds to a magnificent climax juxtaposed with the opening fanfare. The finalsection presents a new version of Mr. Curnow's own Olympic Fanfare and Theme for the Olympic Flag which was commissioned for the 1996 Olympic Games in Atlanta and performed again in 2000. The dramatic closing is again combinedwith elements of the opening fanfare. Dur: c. 6:40 (Recorded by the University of Akron Symphony Band - Dr. Galen S. Karriker, Director of Bands. Premiere performance conducted by James Curnow)

    Estimated dispatch 7-14 working days