Results
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£49.95Cav Party (Concert Band - Score and Parts) - Wiffin, Rob
Cav Party was commissioned by The Band of the Household Cavalry in 2020. The idea was to showcase the various musical elements of the band in a party piece that gets more boisterous as it goes on. It utilises three Eighteenth century melodies associated with the band, starting off with a folkish setting of Handel's March from Scipio for harp, violin, flute and cor anglais (all fully cued on regular wind band instruments) and then into Keel Row where the accordion is featured before the whole band enters, and finally to Money Musk. Both Keel Row and Money Musk are played as Trot Marches by the band.The regimental slow march Scipio comes from Handel's opera of 1725 The Mercy of Scipio, which was based on the life of the Roman General Scipio Africanus.Keel Row is a traditional folk song evoking the life and work of the keelmen of Newcastle upon Tyne. It was first published in 1770, although it could be considerably older. The opening lines of the song describe Sandgate, the part of the quayside overlooking the River Tyne to the east of the city centre where the keelmen lived.Money Musk, also known as Monymusk or Monnymusk was originally a pipe tune composed by Scottish fiddler Daniel (sometimes Donald) Dow (1732 - 1783) in 1776. It takes its name from a baronial estate in Aberdeenshire, Scotland called Monymusk House. The tune first appeared in Dow's Thirty Seven New Reels, c. 1780 under the title Sir Archibald Grant of Monemusk's Reel.Duration: 3.45
Estimated dispatch 7-14 working days
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£150.00Prologo e Fantasia (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's last 'original' work of note was the Prologo e Fantasia in 1981-2, commissioned by Mstislav Rostropovitch and the National Symphony Orchestra in Washington D.C. It was first performed in London by Rostropovitch and the National Symphony Orchestra. The work consists of three sections. The first movement forms the Prologo, which is slightly reminiscent of the French Overture. The Fantasia opens briskly with characteristic Waltonian energy, and leads, after a climax, into the thematically connected final section Fuga finta (or 'make-believe fugue'). Note to conductors: orchestra performances of this work vary significantly, from a total length of just under five minutes in one performance to over six minutes and forty seconds in another. The audio presented with this arrangement is somewhat in the middle of the timings. So the metronomic markings may not necessarily be taken literally.
Estimated dispatch 7-14 working days
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£119.20Sinfonisches Praludium (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner. Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.Duration: 6.15
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (SSATB) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.Duration: 11.00
Estimated dispatch 7-14 working days
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£160.00Norsk Kunstnerkarneval Op.14 (Norwegian Artists' Carnival Op.14) (Concert Band - Score and Parts) - Svendsen, Johan S. - Nordhagen, Stig
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in Kunstnerforeningen.An early title for the work was Bryllup paa Dovre. The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Saeterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835, Te voglio bene assai.I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen
Estimated dispatch 7-14 working days
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£75.00Blessed Be That Maid Mary (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
The text for Blessed be that maid Mary comes from an anonymous 15th century English author. It makes liberal use of a common literacy device of the time: mixing English and Latin phrases together. The melody is from William Ballet's Lute Book (c.1590), David Willcocks's setting was written for the choir of King's College, Cambridge, and was first published in Carols for Choirs in 1961. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£46.95The Cold Canyon (Concert Band - Score and Parts) - Lopez, Victor
Little Petra, also known as The Cold Canyon, is believed to have been established in the 1st Century C.E. Invite your students and audience on a magical and musical tour of this miraculous place. Repetitive phrases foster preparation, while subtle dynamic shifts offer exquisite texture changes for your first year students. Inspiring!Duration: 2.00
Estimated dispatch 7-14 working days
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£62.95Terracotta Warriors (Concert Band - Score and Parts) - Watson, Scott
This original work was inspired by the spirit army of 6,000 clay statues created in the third century B.C. for the tomb of the first emperor of China. A brief, plaintive folk chant summons the army from their centuries-old sleep. The warriors respond, with musical representations of uniform marching and weapons display. Duration: 4:30
Estimated dispatch 7-14 working days
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£75.00Arietta (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£75.00Hanedansen (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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