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£67.95On The Wings Of Butterflies - Amy Webb
Perfect for your first concert. Easy and beautiful. It is a great song for teaching balance and dynamics. Rhythmically there are only whole, half and quarter notes. Clarinets do not cross the break, and the first trumpet's highest note is C.
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax - Jan Van der Roost
This piece was commissioned by the 'Concert Band Vlamertinge' and is a plea for peace: the title translates as 'Peace on Earth'. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words 'Et In Terra Pax' - an appeal for peace - at first jumbled together but later more rhythmically structured, developing into synchronized massed voices.The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the firstexplosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently colored sound: the words 'Et In Terra Pax' bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming cho-rale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words 'Et In Terra... Pax' are repeated again and again by the rest of the orchestra.The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.
Estimated dispatch 7-14 working days
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£119.20Sinfonisches Prludium - Anton Bruckner
The Symphonic Prelude in C minor is an orchestral composition from the circle of the Austrian composer Anton Bruckner. The unearthing of this work, discovered shortly after World War II, has created confusion, leading to a second, reduced version being attributed to Gustav Mahler, a theory which still holds sway in musical circles today, although there is a high probability that the original composition is indeed by Bruckner himself. Rudolf Krzyzanowski (1895-1911), a pupil of Bruckner, transcribed the score in 1876. The 43-page manuscript bears the inscription Rudolf Krzyzanowski cop. 1876 on the first page; while on the last page is written in blue pencil: By Anton Bruckner.Thomas Doss used a facsimile of this autograph copy as the basic of his instrumentation of the prelude for symphonic wind orchestra.
Estimated dispatch 7-14 working days
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£76.99Girl in Satin - Leroy Anderson
This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate transposition in C to avoid some of the technical difficulties bands may encounter with the composer's original key.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£64.99The Immovable Do - Percy Aldridge Grainger
First published in 1940, this work became a highly respected and widely performed Percy Grainger work. It is unique in that it employs a high drone on the note C, which is sounded throughout the entire piece. Grades 4-5.
Estimated dispatch 7-14 working days
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£79.99Beyond the Stars - James Curnow
Based on the traditional American shaped-note melody The Promised Land (first published in the 1800s), Beyond the Stars captures the spirit of the early American church musicians who voiced their enthusiasm for life and thefreedom of worship through both vocal and instrumental music. The music features several mini-variations wrapped up in four large variations (Fast, Fast, Slow, Fast-recapitulation). The composer has created new thematic materialfor each variation by excerpting motifs from three separate phrases of the original shaped-note melody. A stunning and powerful work for winds. Dur: c. 6:20
Estimated dispatch 7-14 working days
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£134.99
Opening Music - Ben Haemhouts
Opening music is one of the first works for wind orchestra by Ben Haemhouts and was originally written under assignment from the Fanfare St. Pieters Kapelle Belgium. The slow mysterious introduction introduces the main theme that consists of the notes F, C, B-flat, F, a combination that was woven throughout the entire work. Then a stirring allegro part follows, with a melodious passage in the euphoniums. The end is a long-drawn-out resuming of the beginning that builds up to a large climax, still built on the same basic tones. This overture is a solemn openings work for every occasion.
Estimated dispatch 7-14 working days
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£244.99
Zenith of Maya - Satoshi Yagisawa
By 200 B.C. the Mayan civilization was expansive, from the Yucatan Peninsula well into Central America. Their highly advanced technology still amazes us today, including their discovery of an accurate calendar derived from detailed astronomical observations and the use of the "0" in sophisticated mathematics.I. Royal ceremony and sacrifice of renewalThe first movement describes Mayan civilization at its zenith. An initial theme heralds admiration for a great king. A graceful choral then captures the magnificent setting of the Mayan world. After a folk melody for the populace, the agitated scene of a sacrificial ceremony is portrayed. The regal theme appears again in the coda, concluding in brilliance. This great civilization vanished in 10 A.D., leaving only remnants of a remarkably prosperous world. Thousands of ruins large and small remain locked in a dense world of jungle, with huge crumbled cities having lain forgotten for eight centuries.II. Glorious ruins still ariseII characterizes this civilization from glory, to destruction, to the present with its buried ruins. To begin, stone cities wait silently cloaked in jungle, steadfastly eluding discovery. As time passes slowly, the music reflects back to the glory of the Maya. Though wishing to turn back the hands of time for this incredible civilization, its fate and the gravity of its loss are carried forward in the profound silence of eternal loss. Finally, in the present, we marvel at the thousands of elegant remains, with a choral of praise for those with remarkable wisdom and strength, in a spectacular conclusion.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£72.99Presidential Suite - Michael Oare
Commissioned by the Virginia Band and Orchestra Directors Association to commemorate its 75th anniversary, Presidential Suite recognizes the rich historical heritage of Virginia, particularly as the birthplace of eight United States presidents. Using a suite format, the work focuses on three of the founding fathers. The first movement, Mount Vernon, is a serene musical impression of the home of George Washington. Monticello is the second movement and portrays the stately style of music typical of Thomas Jefferson's time. The suite concludes with Montpelier, the home of James Madison, and uses bold and majestic motifs to portray the broad and magnificent landscape of Madison's estate. Dur: c 5:30
Estimated dispatch 7-14 working days
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