Results
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£154.99Dynamica (Concert Band - Score and Parts) - Van der Roost, Jan
As the title suggests, this is a fiery and energetic, dynamic overture. Jan Van der Roost was commissioned to write the piece by the Japanese 'Band of the NEC-Tamagawa Plant' on the occasion of its 40th anniversary. From the first measure, the brass section sets the scene with rhythmical motives. Gradually we hear melodic and playful themes, often supported by (poly)rhythmic figures. A fermate in the trombone section prepares the way for the final theme, which virtuosically leads into a reprise of the first fanfare. The dynamic circle closes!Duration: 6:45
Estimated dispatch 7-14 working days
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£84.50The Inferno (from The Divine Comedy) (Concert Band - Score and Parts) - Smith, Robert W.
The Inferno is the first movement of Robert W. Smith's four-movement work The Divine Comedy based on Dante Alighieri's literary classic of the same name. Dante's vision of hell consists of nine concentric circles divided into four categories of sin. This first movement of the epic work uses visual imagery with huge blocks of sound and explosive winds and percussion.Duration: 7:30
Estimated dispatch 7-14 working days
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£189.99Manhattan Pictures (Concert Band - Score and Parts) - Van der Roost, Jan
In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhythmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is extremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness and dynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.Duration: 13.00
Estimated dispatch 7-14 working days
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£44.951812 1/2 (Novelty Item) (Concert Band - Score and Parts) - Brand, Michael
Poor Tchaikovsky! First his music is mixed by with Frere Jaques and then it is subjected to all sorts of indignities from the percussion section. There cannot be many pieces in which the conductor shoots the first Horn player... Perhaps there should be more!
Estimated dispatch 7-14 working days
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£8.95
1812 1/2 (Novelty Item) (Concert Band - Score Only) - Brand, Michael
Poor Tchaikovsky! First his music is mixed by with Frere Jaques and then it is subjected to all sorts of indignities from the percussion section. There cannot be many pieces in which the conductor shoots the first Horn player... Perhaps there should be more!
Estimated dispatch 7-14 working days
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£36.95Mozart Serenade and Dance (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - O'Reilly, John
A simple setting of two magnificent Mozart melodies that will make an elegant addition to your first young band concert: the first is the Romance theme from the Serenade from 'Eine kleine Nachtmusik' and the second is a simple but delicate Wind Divertimento theme.stand the importance of playing with sensitivity and control. Truly a gem of a transcription! Duration: 2.30
Estimated dispatch 7-14 working days
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£154.99Alternances (Concert Band - Score and Parts) - Waignein, Andre
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event Andre Waignein composed "Alternances for Symphonic Band", a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement, the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the first movement. The musical development is here dominated by exuberance, virtuosity and rhythm.Duration: 12:30
Estimated dispatch 7-14 working days
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£32.95Cimarron Overture (Concert Band - Score and Parts) - Williams, Mark
A bright selection with strong melodic themes that will impress your audience and keep your students motivated during rehearsals. The first theme features an interesting syncopated pattern that is accented by fun-to-play percussion parts. The second theme is a flowing, reflective melody that is played by the oboe and supported by clarinets and triangle accents. The Allegro first theme returns and builds to a powerful closing.
Estimated dispatch 7-14 working days
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£76.99Scarborough Fair, Variations on (Concert Band - Score and parts) - Custer, Calvin
First published in 1989, this work from the late Calvin Custer epitomises his command of orchestration and understanding of musical pacing. The familiar folk melody is stated first by a solo flute then followed by a remarkable series of variations starting with a brass choir accompanied by woodwind flourishes. An Andante variation features the woodwind choir accompanying solos by baritone and oboe, and this leads to a striking fugue variation and bold finish. Truly symphonic band writing at its best.Duration: 4:45
Estimated dispatch 7-14 working days
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£179.99Spartacus (Concert Band - Score and Parts) - Van der Roost, Jan
Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical structures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his love by giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad and wide character and refers slightly to film music. In this part of the composition, a special attention is given to the orchestration. The final section is more aggressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolises the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhythmically.Duration: 13:50
Estimated dispatch 7-14 working days
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