Results
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£84.50The Inferno (from The Divine Comedy) (Concert Band - Score and Parts) - Smith, Robert W.
The Inferno is the first movement of Robert W. Smith's four-movement work The Divine Comedy based on Dante Alighieri's literary classic of the same name. Dante's vision of hell consists of nine concentric circles divided into four categories of sin. This first movement of the epic work uses visual imagery with huge blocks of sound and explosive winds and percussion.Duration: 7:30
Estimated dispatch 7-14 working days
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£189.99Manhattan Pictures (Concert Band - Score and Parts) - Van der Roost, Jan
In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhythmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is extremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness and dynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.Duration: 13.00
Estimated dispatch 7-14 working days
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£44.951812 1/2 (Novelty Item) (Concert Band - Score and Parts) - Brand, Michael
Poor Tchaikovsky! First his music is mixed by with Frere Jaques and then it is subjected to all sorts of indignities from the percussion section. There cannot be many pieces in which the conductor shoots the first Horn player... Perhaps there should be more!
Estimated dispatch 7-14 working days
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£8.95
1812 1/2 (Novelty Item) (Concert Band - Score Only) - Brand, Michael
Poor Tchaikovsky! First his music is mixed by with Frere Jaques and then it is subjected to all sorts of indignities from the percussion section. There cannot be many pieces in which the conductor shoots the first Horn player... Perhaps there should be more!
Estimated dispatch 7-14 working days
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£36.95Mozart Serenade and Dance (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - O'Reilly, John
A simple setting of two magnificent Mozart melodies that will make an elegant addition to your first young band concert: the first is the Romance theme from the Serenade from 'Eine kleine Nachtmusik' and the second is a simple but delicate Wind Divertimento theme.stand the importance of playing with sensitivity and control. Truly a gem of a transcription! Duration: 2.30
Estimated dispatch 7-14 working days
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£154.99Alternances (Concert Band - Score and Parts) - Waignein, Andre
In 1984 the Corciano (Italy) Tourist Authority initiated a composition competition for wind band. For this event Andre Waignein composed "Alternances for Symphonic Band", a piece which won him the first prize in the competition. The opening of the work is based on a very tonal foundation. The English horn (or alto saxophone) introduces a rich and warm theme which is immediately taken up by the whole orchestra in a grandiose manner. The subsequent development shows off all the elements of the orchestra to the full. In the second movement, the English horn (or alto saxophone) comes to the fore again. A harmonic change gradually takes us back to the allegro of the first movement. The musical development is here dominated by exuberance, virtuosity and rhythm.Duration: 12:30
Estimated dispatch 7-14 working days
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£32.95Cimarron Overture (Concert Band - Score and Parts) - Williams, Mark
A bright selection with strong melodic themes that will impress your audience and keep your students motivated during rehearsals. The first theme features an interesting syncopated pattern that is accented by fun-to-play percussion parts. The second theme is a flowing, reflective melody that is played by the oboe and supported by clarinets and triangle accents. The Allegro first theme returns and builds to a powerful closing.
Estimated dispatch 7-14 working days
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£76.99Scarborough Fair, Variations on (Concert Band - Score and parts) - Custer, Calvin
First published in 1989, this work from the late Calvin Custer epitomises his command of orchestration and understanding of musical pacing. The familiar folk melody is stated first by a solo flute then followed by a remarkable series of variations starting with a brass choir accompanied by woodwind flourishes. An Andante variation features the woodwind choir accompanying solos by baritone and oboe, and this leads to a striking fugue variation and bold finish. Truly symphonic band writing at its best.Duration: 4:45
Estimated dispatch 7-14 working days
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