Results
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£53.95Goin' on a Sleigh Ride (Concert Band - Score and Parts) - Albrecht & O'Reilly
Hear the clip, clop of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown in for fun). After an opening fanfare, we hear a sprightly 4/4 arrangement of Over the River, a repeat of the fanfare, then bouncy Jingle Bells before building to a final fanfare. Sally Albrecht's vocal arrangement works wonderfully with the straightforward band arrangement by John O'Reilly. Duration: 2.30
Estimated dispatch 7-14 working days
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£2.25Goin' on a Sleigh Ride (2-Part Choral Octavo) - Albrecht, Sally K.
Hear the clip, clop of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown in for fun). After an opening fanfare, we hear a sprightly 4/4 arrangement of Over the River, a repeat of the fanfare, then bouncy Jingle Bells before building to a final fanfare. Sally Albrecht's vocal arrangement works wonderfully with the straightforward band arrangement by John O'Reilly. Duration: 2.30
Estimated dispatch 7-14 working days
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£2.25Goin' on a Sleigh Ride (3-Part Mixed Choral Octavo) - Albrecht, Sally K.
Hear the clip, clop of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown in for fun). After an opening fanfare, we hear a sprightly 4/4 arrangement of Over the River, a repeat of the fanfare, then bouncy Jingle Bells before building to a final fanfare. Sally Albrecht's vocal arrangement works wonderfully with the straightforward band arrangement by John O'Reilly. Duration: 2.30
Estimated dispatch 7-14 working days
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£144.95Symphony Ad 78 (Concert Band - Score and Parts) - Jacob, Gordon
A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
Estimated dispatch 7-14 working days
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£28.95
Symphony Ad 78 (Concert Band - Score Only) - Jacob, Gordon
A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£106.99Pacific Overture (Concert Band - Score and Parts) - Sparke, Philip
This effervescent overture has it all: majestic fanfare sounds, melodious passages and lively figurations. The main theme has the atmosphere of a sea shanty ? the work is called Pacific Overture for a reason! Turbulent waters and peaceful bays alternate until the vibrant fanfare from the beginning rounds the work off brilliantly.Duration: 6.00
Estimated dispatch 7-14 working days
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£85.00Dramatic Prelude (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£124.95Scarlet and Gold (Concert Band - Score and Parts) - Wiffin, Rob
This work was commissioned to open the Scarlet and Gold Concert in 2015. The concert is given annually in London by the musicians of the Household Division (Guards) of the Army, renowned for the splendour of their uniforms. The piece is intentionally energetic, vivacious and brilliant in style, seeking to capture the sparkle of gold in the uniforms with a few strong and majestic seams of scarlet underpinning the texture. There are no specific military connotations in the music and the piece is a dynamic concert opener for any programme. In the original performance a fanfare team was added for dramatic effect but the piece is fully performable without fanfare trumpets.Duration: 5:00
Estimated dispatch 7-14 working days
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