Results
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£106.99Pacific Overture (Concert Band - Score and Parts) - Sparke, Philip
This effervescent overture has it all: majestic fanfare sounds, melodious passages and lively figurations. The main theme has the atmosphere of a sea shanty ? the work is called Pacific Overture for a reason! Turbulent waters and peaceful bays alternate until the vibrant fanfare from the beginning rounds the work off brilliantly.Duration: 6.00
Estimated dispatch 7-14 working days
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£85.00Dramatic Prelude (Flexible Ensemble - Score and Parts) - Smith, Claude T. - Earp, Joseph Benjamin
Dramatic Prelude begins with a dramatic fanfare, which is followed by an easily accessible melody; a del segno takes you back to the dramatic fanfare and an ending as exciting as the beginning. This flexible arrangement allows ensembles to perform the work with as few as twelve musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound.*The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.
Estimated dispatch 7-14 working days
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£124.95Scarlet and Gold (Concert Band - Score and Parts) - Wiffin, Rob
This work was commissioned to open the Scarlet and Gold Concert in 2015. The concert is given annually in London by the musicians of the Household Division (Guards) of the Army, renowned for the splendour of their uniforms. The piece is intentionally energetic, vivacious and brilliant in style, seeking to capture the sparkle of gold in the uniforms with a few strong and majestic seams of scarlet underpinning the texture. There are no specific military connotations in the music and the piece is a dynamic concert opener for any programme. In the original performance a fanfare team was added for dramatic effect but the piece is fully performable without fanfare trumpets.Duration: 5:00
Estimated dispatch 7-14 working days
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£32.95
Scarlet and Gold (Concert Band - Score only) - Wiffin, Rob
This work was commissioned to open the Scarlet and Gold Concert in 2015. The concert is given annually in London by the musicians of the Household Division (Guards) of the Army, renowned for the splendour of their uniforms. The piece is intentionally energetic, vivacious and brilliant in style, seeking to capture the sparkle of gold in the uniforms with a few strong and majestic seams of scarlet underpinning the texture. There are no specific military connotations in the music and the piece is a dynamic concert opener for any programme. In the original performance a fanfare team was added for dramatic effect but the piece is fully performable without fanfare trumpets.Duration: 5:00
Estimated dispatch 7-14 working days
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£74.00To Those Who Dream (Concert Band - Score and Parts) - Daehn, Larry
To Those Who Dream: Fanfare and Processional is a stately ceremonial work from the pen of beloved composer Larry Daehn. Commissioned by the New Glarus, Wisc. High School Band, where the composer taught for many years, this piece is based on poems and essays written by band members. This fanfare and processional has drama, nobility, enthusiasm, and warmth, and could be performed at graduation events, memorial concerts, or at festival. Everybody picks their own dream! Duration: 5.15
Estimated dispatch 7-14 working days
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£106.99Festival Prelude Ad Excel (Concert Band - Score and Parts) - Sparke, Philip
Festival Prelude 'Ad Excel' was commissioned by the AD Concert Band, from Solihull in the UK, to celebrate their 40th Anniversary in 2016. The title, Ad Excel, is a play on words: it is Latin for 'to excel' but also celebrates the band's anniversary as XL is 40 in Roman numerals. The work opens with a bright fanfare with frequent changes of meter. This leads to a playful main subject, played first by woodwinds, followed by full band. A bridge passage leads to a legato second subject, played twice. The bridge passage returns to introduce the both main melodies in new keys and instrumentations before a coda, derived from the opening fanfare, brings the work to a close. Duration: 5.00
Estimated dispatch 7-14 working days
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£106.99Song of Friendship (Concert Band - Score and Parts) - Sparke, Philip
Song of Friendship was commissioned by the Concert Band of Jumonji University, Saitama, Japan and their conductor, Yutaka Nishida. The commission marked the 50th year of Yutaka Nishida's involvement with bands as a player, conductor and radio presenter. The ceremonial Song of Friendship opens with an extended fanfare, largely featuring the brass section. This leads to the main theme, which develops slowly until it is played by the full band. A change of key signals a contrasting central section containing a quiet woodwind chorale, which grows until the return of the triumphant sounding main theme. Elements of the opening fanfare then close the work. Duration: 6.45
Estimated dispatch 7-14 working days
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£73.50Herald the Holidays (Concert Band - Score and Parts) - Smith, Robert W.
Open your next holiday concert with this fanfare and flourish for the concert band. Using familiar carols and holiday melodies, Herald The Holidays is a glorious and celebratory fanfare that musically proclaims the beginning of the season. Musically rewarding, yet quick to prepare, this is an excellent programming choice. Happy Holidays!Duration: 2.00
Estimated dispatch 7-14 working days
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