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  • £37.83

    March - Step Forward (Military/Concert Band) Rob Bushnell

    This attractive march by English composer Rob Bushnell was awarded 2nd Place in the Band and Bugles of The Rifles Composition Competition 2021. This published version of the march is the same as that entered in the competition, however, additional parts not required for the competition entry have been added to cover more of the standard concert band instrumentation. PDF download includes full score and parts. Instrumentation: Bugles Bb Piccolo/Flute Oboe 1-2 Clarinet in Eb Clarinet in Bb 1-3 Alto Clarinet Eb Bass Clarinet Bb Alto Saxophone Eb 1-2 Tenor Saxophone Bb Baritone Saxophone Bb Bassoon Horn 1-4 Trumpet/Cornet Bb 1-3 Trombone 1-2 Bass Trombone Euphonium Tuba Snare Drum Cymbals Bass Drum

    In stock: Estimated dispatch 1-3 days
  • £41.62

    Be Thou My Vision (Wind Band) Traditional arr. Andrew Wainwright

    VIEW SCORE PDF A highly evocative arrangement of the popular hymn, also known as Slane. The arranger Andrew Wainwright responds to the ethereal quality of the tune with an exquisite layering of texture. The three-verse setting grows to a glorious climax on the final verse, before dying away to a serene ending. The arrangement was commissioned by the Nebraska Brass Band and its Musical Director Glenn Greet, and it is now available here for wind band. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com To view a video of Dallas Brass Band performing the brass band version of this work please visit www.youtube.com/watch?v=mUyDYnOkXuE Difficulty Level: Medium Instrumentation: Flute 1-2 Oboe English Horn Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Percussion 1-3

    In stock: Estimated dispatch 1-3 days

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  • £37.83

    The Spirit of St Louis (Wind Band) Andrew Wainwright

    The winner of the RWCMD Cory Band Composition Prize 2018, this exciting and descriptive work is now available for wind band. The music tells the story of the first solo non-stop transatlantic flight (by Charles Lindbergh), including the moments before Lindbergh's upcoming attempt at the expedition, the turbulence that he experienced along the journey and finally the exultation of completing his mission. This will be a highly captivating piece for your band's concert programme that is also challenging and engaging for your musicians. Includes score and full set of parts. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Piccolo Flute 1-2 Oboe English Horn Bassoon 1-2 Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone 1-2 Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass (optional) Timpani Percussion 1-3

    In stock: Estimated dispatch 1-3 days

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  • £85.00

    Sir Roger de Coverley - Frank Bridge

    Frank Bridge (1879 - 1941) was one of the leading English composers of his time. In October 1922 he adapted his popular string quartet Sir Roger de Coverley for full symphony orchestra and Sir Henry Wood agreed, at the last minute, to include it in the last night of the Queen's Hall Promenade Concerts at the end of that month. This elaborate and colourful orchestral version has never been widely performed, but has now been brilliantly transcribed by Alastair Wheeler to provide a miniature dance poem for grade 5 level concert band. Bridge's lively treatment of one of England's most famous traditional dance melodies will make a fitting end to any concert, with the strains of Auld Lang Syne introduced by Bridge as a nod towards Sir Roger de Coverley's traditional function as the final dance of a Christmas Ball, as it was in Old Mr. Fezziwig's party in Dickens' A Christmas Carol.

    In stock: Estimated delivery 1-3 days
  • £100.00

    The Pageant of London - Frank Bridge

    Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes of Big Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band 'legend' Timothy Reynish makes a fine alternative to Holst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and also by the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.

    In stock: Estimated delivery 1-3 days
  • £70.00

    Whirlegigg - Kenneth Hesketh

    Whirlegigg is the middle English word for a contraption that continuously spins. A great fascination with many inventors of the medieval period was to develop a perpetual motion machine constantly turning and giving off energy. This idea is particularly apt for this piece. A simple ternary structure gives ample opportunity for both boisterous and reflective material with gyrating accompanimental figures never far away. The machine almost stops near the end, but finally musters one last burst of excitement and energy to bring the work to its close.

    In stock: Estimated delivery 1-3 days
  • £70.00

    Scramble! - Nigel Hess

    Commissioned in 1994 by the Royal Air Force, 'Scramble!' Is a concert overture for symphonic wind band inspired by images of the RAF's airfields during the Battle of Britain, immortalised for ever in such films as Reach for the Skies.The pastoral opening depicts the lull before the storm: the young pilots sitting in wicker chairs outside their barracks on a sunlit morning. The peace is, of course, deceptive, suddenly amid siren sounds, there is a shout of 'Scramble!', and a rush to the waiting planes. In no time at all the squadron is airborne, heading for a skirmish over the English Channel and beyond. A lyrical central section featuring a solo cornet depicts the stillness many pilots described as they flew to engage the enemy, before the battle breaks out once more. For those who returned, it would be only a short while before, once again, they would hear the familiar shout of 'Scramble!'

    In stock: Estimated delivery 1-3 days
  • £110.00

    All Creatures of our God and King (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    All Creatures of Our God and King is an English Christian Easter hymn by William Henry Draper, based on a poem by St. Francis of Assisi. It was first published in a hymn book in 1919. The words of the hymn were initially written by St. Francis of Assisi in 1225 in the Canticle of the Sun poem, which was based on Psalm 148. The words were translated into English by William Draper, who at the time was rector of a Church of England parish church at Adel near Leeds. Draper paraphrased the words of the Canticle and set them to music. It is not known when Draper first wrote the hymn but it was between 1899 and 1919. The hymn is currently used in 179 different hymn books. The words written by St Francis are some of the oldest used in hymns after Father We Praise Thee, written in 580 AD. Like Ye Watchers and Ye Holy Ones, Draper's text is usually set to the tune of Lasst uns erfreuen, a German Easter hymn published by Friedrich Spee in 1623 in his book Auserlesene Catholische Geistliche Kirchengesng. This tune became widespread in English hymn books starting with a 1906 arrangement by Ralph Vaughan Williams. John Rutter also wrote a piece of music for the hymn. Despite the hymn being initially written by Draper for Whitsun (the Anglican and English designation for Pentecost), it is mostly used in the ealier weeks of the Easter season. This setting by John Rutter begins with a rousing fanfare for trumpets and trombone, which segues in to the first verse of the hymn. There are seven verses included, but the director has the option of deleting verses as desired.

    Estimated dispatch 7-14 working days

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  • £75.00

    Down in Yon Forest (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

    Down in Yon Forest is a traditional English Christmas carol dating to the Renaissance era, ultimately deriving from the anonymous Middle English poem known today as the Corpus Christi Carol. The carol has been arranged in modern English by John Rutter. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

    Estimated dispatch 7-14 working days

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  • £75.00

    In Dulci Jubilo (Concert Band with Optional Choir - Score and Parts) - Noble & Rutter

    One night in 1328, the German mystic and Dominican monk Henrich Suso (or Seuse) had a vision in which he joined angels dancing as the angels sang to him Nun singet und seid froh or In Dulci Jubilo. In Suso's biography (or perhaps autobiography), it was written: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: 'In dulci jubilo', etc. In Dulci Jubilo is among the oldest and most famous of the macaronic songs, one which combines Latin and a vernacular language such as English or German. Five hundred years later, this carol became the inspiration for the 1853 English paraphrase by John Mason Neale, Good Christian Men, Rejoice. Perhaps the earliest English version appeared c.1540. That popularity has endured for nearly 700 years. It's the rare contemporary collection of Christmas carols that doesn't contain a carol based on this ancient jewel.

    Estimated dispatch 7-14 working days

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