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  • £139.99

    Cyrano (Concert Band - Score and Parts) - Schwarz, Otto M.

    What are the true qualities of a person? Outward beauty or inner values? Or perhaps a balance of the two? This question has probably been posed by everyone at some time or another, and the answer is as challenging as it is subjective. This is also the theme of this work. The poet and soldier Cyrano de Bergerac is known for his big nose and his great intellect. The 17th century novelist harbours feelings for the beautiful Roxane but is sure that this love will never be reciprocated. Roxane herself falls in love with the cadet Christian de Neuvillette, who is certainly handsome but could be described as stupid. Cyrano de Bergerac writes love poems on behalf of Christian to win Roxane's heart. And then there is the Count Guiche, who is married but also wants to make her his mistress. Christian and Roxane eventually marry and the furious Count Guiche sends Christian and Cyrano, who serve together in the Captains of Gascony regiment, to the front and, some months later, on a suicide mission. Shortly before the battle, Roxane confesses to her husband that she no longer loves him so much for his beauty as for his inner values. Christian is dismayed and begs Cyrano to tell Roxane the truth, but he can't bring himself to do so. Christian de Neuvillette dies in battle and Cyrano de Bergerac remains silent about the true provenance of the letters. Only much later does the truth come to light: scarred by the war, Cyrano visits Roxane in the convent where she has been living since Christian's death and confesses his love for her. He ultimately dies in Roxane's arms.Duration: 8.30

    Estimated dispatch 7-14 working days

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  • £36.95

    Remember Me (Concert Band - Score and Parts) - Purcell, Henry - Wiffin, Rob

    An arrangement for wind band of Purcell's haunting Dido's Lament. This arrangement was made in the period of national mourning following the death of Her Majesty Queen Elizabeth II. I needed something as a reflective concert piece and chose to arrange Dido's Lament - the aria "When I am laid in earth" from the opera Dido and Aeneas by the English composer Henry Purcell (1659-1695). There have been various versions of this beautiful song from Stokowski's lush orchestration to Annie Lennox's more lateral slant. While not wanting to try and completely emulate the original, I did not want to stray too far from it. Purcell's style of Baroque music was uniquely English and, for the theoretically minded, this aria makes exemplary use of the passus duriusculus in the ground bass.- Rob WiffinDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £189.00

    The Painted Bird (Concert Band - Score and Parts) - De Meij, Johan

    A Cry against FascismThe Painted Bird, the controversial novel by Jerzy Kosinski (1933-1991), tells the story of a Jewish boy during World War II. For his safety, the child was sent to the Polish countryside by his parents. The title refers to a barbaric tradition among Polish farmers. The wings of a captured bird were painted in bright colours, after which the animal was released. Almost immediately, the bird was attacked and pecked to death by its peers. The boy underwent the same fate. Wherever he wandered, the local rural people cruelly mistreated him because of his distinctly different appearance. However, he survives the horrors and is reunited with his parents after the war. To escape the yoke of the Soviet occupation in his country, the Polish-Jewish Kosinski emigrated with counterfeit papers to the United States in 1957, where he became an American citizen in 1965. His landmark novel The Painted Bird was translated into thirty languages and sold millions of copies. Plagued by illness and accusations of betraying his country and plagiarism the writer ended his life in 1991.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £124.99

    A Hero's Tale (Concert Band - Score and Parts) - Appermont, Bert

    This composition is based on the life of the German cavalry general Hans Michael Elias von Obentraut (1574-1625), who was known for his nerve, loyalty and courage. The figure Van Obentraut is closely connected to the town of Seelze, where he died a heroic death and where a monument was erected in his honour. The work consists of four movements in which various aspects of this historical figure are featured.Duration: 10.30

    Estimated dispatch 7-14 working days

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  • £148.99

    Alexander VI (Movement I from Symphony No.1, The Borgias) (Concert Band - Score and Parts) - Schwarz, Otto M.

    The Borgia family is the subject of a so-called black legend, a pejorative term that has been used since the Middle Ages to refer to Spain and Spaniards. The Borgias' black legend is one of corruption, abuse of power, orgies, sex and murder. These rumours spread especially during the reign of Pope Alexander VI, a member of the family. Alexander was even referred to as the Antichrist. According to eyewitnesses, when he died Satan prowled the death chamber and a black dog, an envoy of the Devil, ran up and down the aisles of the Vatican. The brutal rule of Pope Alexander and his family led to a kind of demonization of the Borgia family. But it is precisely the lack of scruples, the brewing of poisons, the incest and various cruelties that continue to hold a certain fascination for us.Alexander VI: Rodrigo Borgia was born in 1431 near Valencia. He studied law in Bologna and, through his uncle Pope Calixtus III, he rose through the church hierarchy. As vice-chancellor of the Holy Roman Catholic church, he became one of the richest men in Europe. As a cardinal he fathered four children who he later legitimised when he became pope. His election to the papacy was funded by the sale of offices, extortion and bribes of all kinds. Through an alliance with Ascanio Sforza he was elected pope on August 11 1492 and named himself from then on Alexander VI, an allusion to Alexander the Great.Duration: 9.30

    Estimated dispatch 7-14 working days
  • £134.99

    Cleopatra (Concert Band - Score and Parts) - Deleruyelle, Thierry

    The Last Queen of Egypt. Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity's best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remains a mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises the Roman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra's femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love that Mark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third and last section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of the jealousy and ambition of Octavius, Julius Caesar's son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his own life. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History's most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directed by Philippe Rossignol, to mark its 90th anniversary. Duration: 10.00

    Estimated dispatch 7-14 working days

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  • £112.50

    To juletonar frao Hardanger (Two Christmas Tunes from Hardanger) (Concert Band - Score and Parts) - Tveitt, Geirr - Eriksen, Christian A.

    Two Christmas Tunes from Hardanger by Geirr Tveitt (1908-1981) was commissioned by The Norwegian Radio Orchestra, and their conductor Oivind Bergh. It is, like Tveitt?s main work A Hundred Hardanger Tunes, based on Norwegian traditional music from western Norway, and used modal harmony and bitonality. Geirr Tveitt was in the period 1947 and untill his death, one of the greatest Norwegian concert pianists and composers, and regurlarly toured Europe?s greatest orchestras with his own music. In addition to his famous Hardanger Tunes suite, he wrote ballets, operas and other large scale orchestral works. Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £59.95

    Phoenix Rising (Concert Band - Score and Parts) - Wiffin, Rob

    A brilliant overture reflecting the strength and renewal of the phoenix. The phoenix symbolises transformation, death and rebirth in its fire and this overture starts with great positivity as the main 'phoenix' figure is stated. The brass pronounces its emphatic fanfare intertwined with the spiralling woodwind figures and then the music bursts into an energetic fast tempo. There are contrasting darker episodes and a lyrical middle section before the phoenix finally re-emerges triumphant.Duration: 7.30

    Estimated dispatch 7-14 working days

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  • £224.99

    The Miracle (The Passion of Saint Margaret) (Concert Band - Score and Parts) - Appermont, Bert

    This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff's work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.Duration: 17.30

    Estimated dispatch 7-14 working days

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  • £250.00

    The England of Elizabeth,Three Portraits from (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    This suite was derived from Vaughan Williams' score for the film, The England of Elizabeth, written in 1955. It was the composer's tenth of his 11 cinematic efforts and designed to serve a more descriptive role than other such scores, since the movie was a documentary featuring no action scenes, but lots of images of paintings, buildings, and the like. Composer Muir Matheson adapted this three-movement suite, probably shortly after the composer's death in 1958, though publication of the manuscript would not come until 1964. The first movement is entitled Explorer, and refers to Sir Francis Drake. Its music is mostly festive and colourful, but features interior passages of exotic flavor, similar in style to that of Vaughan Williams' then-recent Symphony No.8. The second movement is entitled Poet and, at about seven minutes, is the longest of the three in this 16 to 17 minute work. It also contains probably the score's best music, hardly a surprising result since the poet in question is Shakespeare, one of the composer's favourites and an inspirational springboard for so many other of his works. The mood is mostly subdued and Vaughan Williams presents lovely, if slightly somber music in the opening, and follows it with a hearty, folk-like dance tune. The latter part of this movement depicts Shakespeare as a noble, heroic figure in English history. The last movement, Queen, is devoted to Queen Elizabeth. It has a regal yet muscular manner at the outset, and features a gentle but somewhat disengaged middle section. It returns to the splendor and colour of the opening to close the work. This suite is important because it distills some of the best music from the film into a logically assembled structure. Program notes extracted from those of Robert Cummings.

    Estimated dispatch 7-14 working days

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