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£355.99
Cyrano - Piet Swerts
This delightful new composition takes its inspiration from the classic French swash buckling tale of Cyrano de Bergerac and his fight to win the love of the beautiful maiden Roxane. The subject was a perfect departure point for composing a symphonic poem with a variety of musical aspects reflecting the story. Lyricism (the theme of Roxane), dramatic episodes, as well as Debussy-inspired impressionist moments are some of the elements that give the band and its conductor the chance to expose themselves as a versatile ensemble being able to create colour, to sing and to play like virtuosi. This work is sure to become a standard item in the concert band repertoire.
Estimated dispatch 7-14 working days
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£332.99
Cantica de Sancto Benedicto - Jacob de Haan
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Estimated dispatch 7-14 working days
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£76.99
Trattamars - Matthias van Nispen tot Pannerden
The Trattamars (Tratta March) was originally written for 'Il trattamento miracolo', an ensemble of five, performing light-hearted musical acts for the young and the old. This march is played when the members of the group appear on stage. The Dutch composer of the march, Matthias van Nispen tot Pannerden, studied classical saxophone as well as band conducting and composition at the Brabant Conservatory in Tilburg. He is a baritone saxophonist with the Orkest van de Koninklijke Luchtmacht (Band of the Royal Netherlands Air force). He is also active as a freelance conductor and composer.
Estimated dispatch 7-14 working days
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£122.50
Weapon Dance
Ferenc Erkel (1810-1893) was a composer, pianist, conductor and teacher, a leading figure in 19th century Hungarian music, creator of Hungarian national opera. In his operas based on Hungarian history (Btori Mria: 1840, Hunyadi Lszl: 1844, Bnk bn: 1861, Dzsa Gyrgy: 1867, etc.), blending elements of the style of Bellini, Meyerbeer and Verdi with verbunkos he created a distinctively Hungarian opera genre. The 'Weapon Dance' is a popular ballet interlude in his opera Dzsa Gyrgy, and in Jzsef Pcsi's transcription youth wind orchestras can now add it to their repertoire.
Estimated dispatch 7-14 working days
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£67.50
Four Chants about Saint Stephen the King
Jnos Galli (1921-2006) was a conductor, composer, music teacher, a well-known and highly respected personality in Hungarian wind music life. As a music teacher he directed numerous string and wind ensembles and choirs, made hundreds of transcriptions for wind orchestras, and instrumented works for ensembles of all sizes and formations. The most important of his works are his series of volumes of marches, folksong arrangements and church music. He was excellent at instrumentation. For its fine sound and easy playability we recommend to youth wind bands and their conductors this work of his composed in memory of the king who founded the Hungarian state.
Estimated dispatch 7-14 working days
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£62.95
In Glory Triumphant - Robert Longfield
Melodic and rhythmic inventiveness abound in this extensive work for the serious band conductor. Skillful scoring features various textural settings between the woodwind and brass sections. This dramatic work is perfect for your major festival needs, and sure to find its way onto many state lists.
Estimated dispatch 7-14 working days
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£37.95
O Tannenbones
Show off your trombone section with this upbeat, delightful swing setting of the beloved German carol O Tannenbaum, as arranged for Concert Band by Timothy Loest. Expertly scored, this fun-filled arrangement will keep your students fully engaged and your audience smiling. The spooky middle section presents a clever stylistic twist in which the trombones begin to haunt the band while supported by a variety of percussion instruments, including brake drum and flex-a-tone. Easy to put together and fun to perform!For concert or symphonic band, available here is the conductor's score and set of parts.
Estimated dispatch 7-14 working days
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£60.99
Just for Friends - Jerry B. Bensman
The rock ballad Just for Friends is a gem for the conductor and the band. A marvellous number that allows the bandleader to show off the qualities of various solo-instruments.
Estimated dispatch 7-14 working days
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£109.99
Boreas - Jan Bosveld
In Greek mythology, Boreas is the God of the North Wind. When thinking of the north wind we particularly think of the bleak wind coming from the freezing cold north, but in Homers' work we see a more varied picture. As shown in the following two stories, Boreas often does play the role of a storm wind that blows forth heavy dark clouds while whipping up the dark waves of the tempestuous sea to mountainous heights. When the stake of the fallen Patroclos refuses to burn, Achilles begs for some wind. When Iris, the swift messenger of the Gods, asks the winds for assistance, they raise themselves up with tremendous roaring and rush to Troy. Upon theirarrival they blow the divine fire of Patroclos' stake far up into the sky. When Troy was destroyed, the Greeks returned home. After many wanderings, Odysseus, however, ends up with the beautiful nymph, Calypso, who keeps him as a prisoner. As ordered by Zeus, Calypso frees him and sends him off on a handmade wooden raft. At sea, Odysseus is threatened by the aggressive sea god, Poseidon, who stirs up the winds and thrashes the waves with his trident. The goddess, Athena, stems the violence of all the winds except for the north wind, and thus it is Boreas, who sends Odysseus to the land of the hospitable Phaiakes. Jan Bosveld composed Boreas for OLTO, a music association in Loenen, The Netherlands, for which he had served as conductor for many years. Turbulent movement in both tempo and dynamics characterize this composition. The result is a whirling piece that races by in a positive manner. Boreas is in de Griekse mythologie de god van de noordenwind. Bij noordenwind denken wij vooral aan de gure wind uit het ijskoude noorden, bij Homerus echter zien we een meer gevarierd beeld. Natuurlijk speelt Boreas, zoals uit de twee onderstaande verhalen blijkt, meestal de rol van de stormwind die de zware zwarte wolken voor zich uit blaast en de donkere golven van de onstuimige zee torenhoog opzwiept.
Estimated dispatch 7-14 working days
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£279.99
Analecta Varia - Harrie Janssen
Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.
Estimated dispatch 7-14 working days