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£104.99Little Concerto (Flexible Solo with Concert Band - Score and Parts) - Waignein, Andre
Little Concerto is a most useful solo item due to the fact that the key and the range of the solo part mean it can be performed by several different instruments, from flute to baritone. Little Concerto consists of three movements: an Allegro written in classical style, which alternates between tutti and soli passages; a second movement, sweet and calm, to fully display the richness of the solo instrument's sound colours and finally an Allegro giocoso. It is a fairly simple piece and is therefore particularly suitable for young or inexperienced soloists who want to display their artistic skills.Duration: 7.00
Estimated dispatch 7-14 working days
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£256.99Clarinet Concerto (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Sparke, Philip
Mozart originally wrote this concerto for a clarinet with an extended lower range, compared to the conventional instrument. As early as 1802, published versions appeared with registral changes, which made the concerto playable on instruments without the extra keys. When producing an edition for the conventional clarinet there are two choices to be made about the 'extra' notes - is it better to maintain the musical line, and hence transpose whole phrases or passages up an octave, rather than single notes, or is the chalumeau tone more important, in which case it may possibly be better to alter one or two notes to keep the correct octave. In this edition Philip Sparke has usually gone for the former so the 'sequences' make musical sense, but have taken the second option in some places. This fantastic work will prove popular with soloist, band and audience alike.Duration: 28:30
Estimated dispatch 7-14 working days
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£54.95Christmas Concerto No.3 (Flexible Solo with Concert Band - Score and Parts) - Smith, Robert W.
This work features three Christmas favourites woven together and featuring one or more soloists in your band. Solo parts are provided for all members of the ensemble. Carols included in the concerto are "Deck the Halls," "God Rest Ye Merry, Gentlemen," and "Jingle Bells." A wonderful new holiday treat - combine it with Christmas Concerto No.1 and No.2.Duration: 2:15
Estimated dispatch 7-14 working days
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£48.95Haydn Trumpet Concerto (2nd Movement) (Trumpet Solo with Concert Band - Score and Parts) - Haydn, Joseph - Harnsberger, L. C.
Haydn's Trumpet Concerto is probably the most-performed trumpet concerto ever written. The second movement is known equally for both its beautiful melody and wonderful use of trumpet as a solo instrument. In this adaptation, the key is lowered to avoid the high notes of the original, sixteenth notes are eliminated by using a 3/4 time signature and difficult passages are simplified-making it ideal for younger soloists. Let your star trumpet player shine with this well-crafted adaptation of a repertoire standard.Duration: 4.00
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£32.95
Euphonium Concerto (Concert Band - Score only) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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£144.95Trombone Concerto (Concert Band - Score and Parts) - Bourgeois, Derek
Bourgeois, Derek'?Trombone Concerto?is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto." Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit.?
Estimated dispatch 7-14 working days
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£28.95
Trombone Concerto (Concert Band - Score Only) - Bourgeois, Derek
Bourgeois, Derek'?Trombone Concerto?is a substantial twenty-minute piece in three movements, "Allegro," "Adagio," and "Presto." Because trombonists from the worlds of pop and jazz would attend the premiere as well as classical artists, Bourgeois decided to make his new concerto musically ecumenical, and it was deliberately tailored to have an appeal wider than the usual classical audience. The third movement, in particular, was a great hit.?
Estimated dispatch 7-14 working days
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£109.99Concerto Dynamico (Concert Band - Score and Parts)
Concerto Dynamico is a sparkling work opening with a majestic introduction in which the whole band presents the main theme. The volume together with the broad melodic lines, create a robust opening that leads to a dazzling allegro. Syncopated rhythms produce a cheerful note, supported by the percussion. A charming andante follows, in which various instrument groups play the main theme. In the succeeding moderato marziale, the same theme can be heard as in the last allegro giocoso, but with another rhythm. Concerto Dynamico ends with a shortened repeat of the slow middle movement. 07:00
Estimated dispatch 7-14 working days
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£174.99
Concerto for Trombone Wind Band Set (Score & Parts)
Concerto for Trombone" was written especially for J?rgen van Rijen, the solo trombonist of the Royal Concertgebouw Orchestra Amsterdam. It is a composition without a story, consisting of four overlapping parts. The solo part was not written for J?rgen van Rijen technical skills, but rather for his expressive technique in the higher registers. According to Jan Bosveld, J?rgen van Rijen has additional merits that distinguish him from all other trombonists. "Concerto for Trombone" was premiered at the International Music Festival in Saas-Fee, Switzerland.The Repr?sentations Orchester des Schweizer Armeespiel, conducted by Christopher Walter, accompanied him. This composition was made financially possible by the Music Lending and Information Centre (MUI), department of the library for the province of Gelderland in Arnhem, The Netherlands. Special thanks goes to mr. Bert Aalders, director of the MUI. 14:15
Estimated dispatch 7-14 working days
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