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£294.99Concerto for Horn and Band - Bert Appermont
Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armnica from Buol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.
Estimated dispatch 7-14 working days
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£244.99
Cantiphonia - Concerto For Euphonium - Bert Appermont
This spectacular three-part concerto (Contrasti, Romanza and Fugato) for euphonium and grand brass-band orchestra by Bert Appermont was composed upon request by the Swiss euphonium virtuoso Ueli Kipfer who created it in November 2004 with the Schweizer Armee Spiel conducted by Jan Cober. The composer was inspired more by its mood than the analysis of works by Mahler and Rachmaninov. This concerto, which is quite demanding for the soloist and a challenge for the orchestra, is probably one of the most innovative works by Bert Appermont to date. The composer also wrote an easier version of the solo part. More information can be found on our website.
Estimated dispatch 7-14 working days
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£174.99Concerto for Trombone - Jan Bosveld
Concerto for Trombone" was written especially for Jrgen van Rijen, the solo trombonist of the Royal Concertgebouw Orchestra Amsterdam. It is a composition without a story, consisting of four overlapping parts. The solo part was not written for Jrgen van Rijen technical skills, but rather for his expressive technique in the higher registers. According to Jan Bosveld, Jrgen van Rijen has additional merits that distinguish him from all other trombonists. "Concerto for Trombone" was premiered at the International Music Festival in Saas-Fee, Switzerland.The Reprsentations Orchester des Schweizer Armeespiel, conducted by Christopher Walter, accompanied him. This composition was made financially possible by the Music Lending and Information Centre (MUI), department of the library for the province of Gelderland in Arnhem, The Netherlands. Special thanks goes to mr. Bert Aalders, director of the MUI.
Estimated dispatch 7-14 working days
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£129.99Concerto No. 1 (for Wind Orchestra) - Richard L. Saucedo
Commissioned for the 2016 South Carolina All-State High School Band, Concerto No. 1 is a spectacular showcase for the entire ensemble rather than just a single soloist. Throughout this dynamic work the entire ensemble is featured,although there are also concerto type moments for solo instruments as well as chamber groups. The horns are also featured prominently throughout the piece. Dur: c. 8:45 (Recorded by the 2016 South Carolina Senior All-State Band,Richard L. Saucedo conducting)
Estimated dispatch 7-14 working days
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£39.95
Concerto for Horn No.2 in Eb - Rondo (Last Movement) - Score and Parts - Wolfgang Amadeus Mozart
Mozart's Horn Concerto No. 2 in Eb, completed on 27 May 1783 was possibly the first of the four horn concertos to be written despite its number. It was composed for Mozart’s lifelong friend Ignaz Leitgeb whom he liked to poke much fun as the original manuscript demonstrated in the concertos sub heading ‘Wolfgang Amad? Mozart has taken pity with the Leitgeb ass, ox and fool.' There are also comedic moments in this last movement towards the close where there are gaps in the music and an accelerated coda section.
Estimated dispatch 7-14 working days
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£7.95
Concerto for Horn No.2 in Eb - Rondo (Last Movement) - Score only - Wolfgang Amadeus Mozart
Mozart's Horn Concerto No. 2 in Eb, completed on 27 May 1783 was possibly the first of the four horn concertos to be written despite its number. It was composed for Mozart’s lifelong friend Ignaz Leitgeb whom he liked to poke much fun as the original manuscript demonstrated in the concertos sub heading ‘Wolfgang Amad? Mozart has taken pity with the Leitgeb ass, ox and fool.' There are also comedic moments in this last movement towards the close where there are gaps in the music and an accelerated coda section.
Estimated dispatch 7-14 working days
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£127.00
Finale from the Cello Concerto (CB) - Joseph Haydn - Bert Van Thienen
This cello concerto has remained unknown for almost 200 years until it was discovered in 1961 at a library in Prague. It has become one of Haydn' most popular works for the cello, lively and playful, with a sense of joy and energy.
Estimated dispatch 7-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£209.99Euphonium Concerto (Euphonium Solo with Concert Band - Score and Parts) - Yagisawa, Satoshi
This three-movement concerto (Allegro con brio, Espressivo and Vivacissimo) was commissioned by the famous Japanese euphonium player Tamao Araki. It demands a high level of instrumental proficiency from the soloist, while the accompaniment is less demanding and accessible for a band of an average level. Yagisawa's clever use of the euphonium's colourful sound palette with its beautiful melodic lines makes this composition a rare jewel. Duration: 15.00
Estimated dispatch 7-14 working days
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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