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£60.99
The Best of Rooms - Randall Thompson
This arrangement of Randall Thompson's unaccompanied choral piece, The Best of Rooms, was transcribed by Barbara Lambrecht. As a student, Barbara fell in love with Thompson's music after hearing the Texas All State Choir sing his Testament of Freedom. Years later, as a school band director, she joined her church choir and "discovered" The Best of Rooms. Charmed not only by the music but also the text, she arranged this gem for wind band so that a new generation of musicians, in this case instrumentalists, could experience the genius of Randall Thompson. Two wind band versions are available: Version A opens with clarinet choir and oboe solo, while Version B opens with horn quartet. Whether for choir (Catalog No. 2672) or band, the music is lush, warm, lyrical, and mystical. Duration: 4:00
Estimated dispatch 7-14 working days
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£25.00
Midwinter (SATB Choral Octavo - Pack of 15) - Vilhelmsen, Ingebjorg
This arrangement for full band can be performed both with and without choir.Midwinter is a Christmas song about how the holiday can be a highlight even in the darkest winters. The piece was originally written for brass quartet and choir, for Oslofjord Brass and Vivo Vokal's Christmas concert in 2019.If the piece is performed together with a choir, the dynamics of the band must be balanced with regard to the size of the choir, possibly using sound amplification if necessary.Duration: 4.00
Estimated dispatch 7-14 working days
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£109.99
Christmas Celebration, A - Alfred Reed
Festival Christmas medley for concert band with mixed choir, women's choir, brass choir, harp and organ. Includes: Good King Wenceslas It Came upon the Midnight Clear Joy to the World Deck the Hall Angels We Have Heard on High The First Noel Silent Night Fanfare and Processional O Come, All Ye Faithful.
Estimated dispatch 7-14 working days
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£174.10
Norge i rdt, hvitt og bltt - Lars-Erik Larsson
Norge i rdt, hvitt og bltt ("Norway in Red, White and Blue") was commissioned by the Oslo Fagott Choir (yes, that is indeed a gay men's choir) for a concert with The Staff Band of the Armed Forces in 2015. I was given artistic licence to write a more modern and somewhat 'eclectic' arrangement for this originally Swedish melody written by Lars-Erik Larsson, which became something of a national liberation anthem when Nazi occupation ended in May 1945 - then with new lyrics by Finn B, Bias Bernhoft and Arild Feldborg.After the premiere in Oslo, and a music video with Oslo Fagott Choir and The Staff Band, broadcasted by Norwegian Broadcasting Corporation (NRK) on Constitution Day during coronavirus lockdown in 2020, I was approached by many to write an instrumental version of the arrangement for concert band. This version is now available through Norsk Noteservice.- Petter S. Kragstad -
Estimated dispatch 7-14 working days
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£332.99
Missa Katharina - Jacob de Haan
Missa Katharina is a mass - comprising of the standard movementsKyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. In additionto this the composer has added additional instrumental movements- Prelude, Offertory, Postludium and the massmovements Alleluiaand Amen. Missa Katharina was primarily written for choir, sopranosolo and concert band but can also be performed with a choir,accompanied by an organ or piano only. If there is no good solosoprano voice available, the sopranos canalso sing the sopranopart tutti, standing before the choir. A truly flexible work that willbe equally at home performed in the church or in the concert hall.Choral parts available separately.
Estimated dispatch 7-14 working days
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£72.99
The Seal Lullaby (Flexible Ensemble - Score and Parts) - Whitacre, Eric - Ambrose, Robert J.
An arrangement of the Whitacre classic created during the COVID-19 pandemic as part of The Creative Repertoire Initiative. Arranged withwith maximum flexibility in mind, the work can be performed by any of the following ensembles: concert band (with as few as six wind players), brass ensemble, clarinet choir, saxophone choir, woodwind choir.Duration: 6.45
Estimated dispatch 7-14 working days
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£332.99
Missa Katharina Wind Band Set (Score & Parts)
Missa Katharina is a mass - comprising of the standard movementsKyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei. In additionto this the composer has added additional instrumental movements- Prelude, Offertory, Postludium and the mass movements Alleluiaand Amen. Missa Katharina was primarily written for choir, sopranosolo and concert band but can also be performed with a choir,accompanied by an organ or piano only. If there is no good solosoprano voice available, the sopranos can also sing the sopranopart tutti, standing before the choir. A truly flexible work that willbe equally at home performed in the church or in the concert hall. Choral parts available separately. 0:35:00
Estimated dispatch 7-14 working days
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£168.50
The Last Flower of Autumn - Philip Sparke
In this work for male voice choir and concert band, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sdergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition with extensive instrumentation echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Extra Male Voice Choir parts can be ordered through edition number AMP 516-050.
Estimated dispatch 7-14 working days
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£95.99
5 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£144.99
A Century of Music - Etienne Crausaz
This work was commissioned by the Concordia wind band and the cho male choir, based in Mige (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and 'sprituoso' atmosphere throughout this impressive, highly colourful and energetic work. This work was commissioned by the Concordia wind band and the cho male choir, based in Mige (Valais, Switzerland), to mark their respective centenaries. The piece is a sanguine sounding work entirely based upon variations in several keys of a main hymn. This creates a festive and 'sprituoso'atmosphere throughout this impressive, highly colourful and energetic work.
Estimated dispatch 7-14 working days