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  • £59.99

    Firefly (Concert Band - Score and Parts) - Dobson, Simon

    Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining up-tempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, "Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to." It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes.

    Estimated dispatch 7-14 working days

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  • £60.99

    Arikara (Concert Band - Score and Parts) - Meredith, James

    Inspired by the Arikara (uh-RIK-a-RAH) tribe of Native Americans based in North Dakota, this work by James Meredith is an evocative piece without portraying any specific event or story. Opening with a plaintive flute solo supported by an exotic percussion backdrop, the piece features a chorale-like statement in the winds before moving to the faster and more rhythmic main section. Mixing early American imagery with striking dissonances, this is an effective and unique offering with limited technical demands.Duration: 4:50

    Estimated dispatch 7-14 working days
  • £72.99

    Forever Free (Fanfare-Overture for Band) (Concert Band - Score and Parts) - Fuchs, Kenneth

    Commissioned to celebrate the sesquicentennial of the state of West Virginia, Forever Free incorporates indigenous elements of the state's musical heritage, capturing a robust and celebratory spirit. Cast in a single movement in three sections, the title is inspired by the state motto, "Montani semper liberi" ("Mountaineeers forever free"). The work is unified at the outset and closing by a ceremonial fanfare that is based on thematic figures from the state song West Virginia Hills. A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence, before all thematic elements are combined for the buoyant and festive conclusion.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £450.00

    Henry V, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul

    The Suite from Henry V is an arrangement for Concert Band and optional narrator, adapted from the 1963 orchestral arrangement of William Walton's musical score from the 1944 film Henry V. The suite, originally arranged for orchestra by Muir Mathieson, is in five movements, and occupies a very significant role in the history of music and of Shakespearean studies. Performances exist in a variety of formats because the adaptation of the narration to a film suite is subject to choice. To be chronologically correct, the order of movements from the original suite has been altered to adhere to the narration of the play. And the choice of speeches has required considerable research by classicists who are familiar with the writings of Shakespeare. It has been the endeavour of this arranger to research and present this suite in as authentic a manner as possible, understanding that it might well become the standard by which Concert Bands of the future will adapt and present this music. The arranger is indebted to Anna Warren, a resident of Twickenham and a graduate in Modern Languages (French and Italian) and History from the University of Bristol and a postgraduate from The Institute of Education, the University of London, for her knowledge and insight into the formation of the narration.

    Estimated dispatch 7-14 working days

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  • £89.99

    Shorewood Overture (Concert Band - Score and Parts) - Sweeney, Michael

    Combining an extravaganza for players of all levels creates an exciting spectacle for parents, while providing much needed incentives for the younger players. Shorewood Overture is specifically designed to be performed by multi-level bands and, rather than the typical massed band number where everyone plays at once, this ingenious overture allows each level to be featured briefly by itself, along with sections where everyone plays together. In addition, the Level 3 parts include cues that allow the piece to be performed by a single ensemble.Duration: 4:20Note: Level 2/Level 1 versions are not playable separately

    Estimated dispatch 7-14 working days
  • £152.99

    In Memoriam: For the Fallen (Narrator with Concert Band - Score and Parts) - Sparke, Philip

    In Memoriam: For the Fallen was commissioned by Bolsover District Council for the Bolsover Brass Summer School 2014. It is a setting for narrator and band of Laurence Binyon's (1869-1943) poem, For the Fallen, which was first published in The Times in September 1914. Binyon was dismayed at the outbreak of war and especially concerned by the large number of casualties suffered by the British Expeditionary Force in the early months of the battle on the Western Front. Too old to enlist, he volunteered as a hospital orderly in France. The poem is known world-wide as the famous fourth stanza (They shall grow not old...) has become a regular part of Remembrance Day and ANZAC Day services. In Memoriam: For the Fallen is a musical accompaniment to the poem, shadowing the mood of each stanza.Duration: 7.30

    Estimated dispatch 7-14 working days

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  • £72.99

    Drums of the Saamis (Concert Band - Score and Parts) - Hazo, Samuel R.

    Drums of the Saamis was commissioned by the Medicine Hat Concert Band Society of Medicine Hat, Alberta, Canada. The piece chronicles the merger of the First Nation (first natives) and modern Albertan cultures. The opening tribal drums followed by the haunting melody simulating the traditional wooden flute comprise two themes that are the foundation for the entire piece. Both elements are developed, varied and enhanced throughout as the listener senses the increasing influence of modern day Alberta through the use of modern sounding chords and rhythms. By the end, the marriage of the old and the new is complete. This powerful work closes as it began; a restatement of themes representing the musical and historical foundation of the region.Duration: 5:00

    Estimated dispatch 7-14 working days
  • £54.95

    Nuttin' for Christmas (Concert Band - Score and Parts) - Bennett & Tupper - Story, Michael

    Made famous by both Art Mooney and His Orchestra and by Stan Freberg, this solidly-scored holiday novelty has been performed and recorded over the years by numerous artists, including Eartha Kitt, Smash Mouth, and The Plain White T's. A classic holiday tune certain to bring smiles!Duration: 2:00

    Estimated dispatch 7-14 working days

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  • £76.95

    Classical Gas (Mallet or Guitar feature with Concert Band - Score and Parts) - Williams, Mason - Ford, Ralph

    Composed and performed by Mason Williams in the late '60s and more recently by Tommy Emmanuel, this classic rock tune is sure to be well received by the performers and audiences alike. Choose to feature your outstanding guitarist or mallet percussionist on the solo with the rousing band accompaniment. There are a variety of solo options at different difficulty levels to make this revered chart accessible to a wide variety of soloists. It's a Gas!Duration: 3:15

    Estimated dispatch 7-14 working days

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  • £225.00

    Five Variants of Dives and Lazarus (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul

    Five Variants of Dives and Lazarus is a Concert Band arrangement from the original work for string orchestra and harp by Ralph Vaughan Williams. The composition is based on the folk tune Dives and Lazarus, one of the folk songs quoted in Vaughan Williams' English Folk Song Suite. The ancient theme on which these variations are based goes back to the sixteenth century, and is known by various titles. Dives and Lazarus is a story told by Jesus in the Gospel of Luke. It tells of an unnamed rich man and a poor beggar named Lazarus. In the Latin Bible, the unnamed rich man is referred to as Dives from dives, the Latin word for rich. This work, based on the tune that Vaughan Williams had loved all his life, which came from the very soil of England, ageless and anonymous, was played at the composer's funeral service in Westminster Abbey on 19th September 1958.

    Estimated dispatch 7-14 working days

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