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£159.60Sci-Fi Suite of Dances - Bernhard Bogisch
1. Harvest Dance - Phoeboia II Like many of the inhabited planets Phoebia II was first colonized by the survivors of a spaceship crash. There is no certainty as to where these survivors originated from. In the late 21st century many spaceship were launched manned by people who were looking for a new future, away from an over-populated Earth. Some succeeded, some managed to return, some were never heard of again. In 2311 a survey ship had to make an emergency landing on Phoebia II and they found a triving colony there. Although the early history of the colony is shrouded in antiquity, certain aspects of the language, as well as physical features, seem to point to a south-east European origin. The harvest dance, in the aspects of rhythm, melody and harmony has many things in common with the music of what once were the countries of Macedonia, Greece and Turkey, little of which has unfortunately, been left due to primitive recording methods of the period.2. Ritual Seduction Dance - Rugel VWhen first discovered Rugel V was already a very civilized planet populated by a humanoid race and governed by a class of superior females. The first settlers from Earth were held as slaves but gained freedom over the years. It is assumed that this happened because the Earth people were all male and considered very attractive by the native females in comparison with the aboriginal males. The Earth males were evidently very attractive to the native women, who on their part used all their womanly wiles to entice them. We all know that Rugel V is now a very advanced and totally integrated society. The people have not forgotten their roots, and these Ritual Seduction Dances are performed on a regular basis in commemoration of the original Grand Seduction. Musically speaking Romanian origin influenced by native characteristics is virtually certain.3. Attack Dance - Planet Khi't'onThis is the only dance in this suite that is purely native. The natives people know as Khi't'och are now very civilized, but initial contact was difficult due to the difference in physical make-up between the two peoples. Suffice it to say that in the early stages Earth people referred to the Khi't'och as 'mosquito people'. We still don't know very much about them, other then that they have a history of violence but are now quite peaceful although they love to relive their past in a stylised way, not unlike the Maories of the former New Zealand, whose fearsome tattoos were later only painted on. This Attack Dance is, at best, an imitation due to the lack native instruments, and it was a very happy occasion for this composer when, at a concert at the House of Culture on Khi't'on, the Khi't'och showed their appreciation by clicking their feeding tubes and emitting loud shouts.4. Wedding Dance and Prayer - Planet B'lGarThere is little doubt that the people of this planet originate in the former country of Bulgaria. Several examples of similar pieces featuring the quaint 11/8 time signature have been found in old archives and recordings. Russian influence is also noticeable in the prayer the style of which is reminiscent of that of the now extinct sect of Raskolniky.
Estimated dispatch 7-14 working days
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£149.99Moses and Ramses - Satoshi Yagisawa
This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premired by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film "The Ten Commandments" (1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses' strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh's tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh's tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero's Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Estimated dispatch 7-14 working days
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£109.60
Ancient Tales - Kevin Houben
Ancient Tales Commissioned by Fanfare Ellona Ell (NL) in honor of their centennial anniversary 2023 Ancient Tales was written by composer Kevin Houben in honour of the 100th anniversary of Fanfare Ellona, an authentic village association from Ell that values fun and fellowship. The piece is a musical representation of some of the legends and sagas that took place in and around the rural village of Ell, which probably owes its name to the many alder trees that defined the landscape around the 15th century. The somewhat mysterious opening of this work refers to the story of the sunken church in the Weerbroekskuil, where, according to the legend, bells are heard ringing on Christmas night and spirits in the form of lights are seen flying above the swamp. Presented here is the chorale that Houben composed for this work, which is woven like a thread throughout the composition in the form of melodic cells and motivic developments. Subsequently, the work continues with cheerful, energetic passages that are alternated with lyrical and more quiet sections. With some surprising melodic twists and metrical variations, Houben gives a nod to the turbulent history the citizens of Ell knew at the time of the 80-year war when the peasant country was plagued by marauding soldiers and gangs of thugs. By building the Ellerschans the people of Ell showed their resilience, to which the composer refers by constantly returning to cheerful and danceable themes which, thanks to the refreshing choice of metre, give the whole a cheerful character. Ancient Tales is a charming and energetic composition that triggers the enjoyment of playing of many orchestra members and will appeal to a wide audience. Moreover, the work offers every group of instruments sufficient challenge, making it suitable as a competition piece. Hence, Ancient Times was selected by Vlamo as compulsory test piece for the VLOF 2024.
Estimated dispatch 7-14 working days
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£189.99Bassoon Concerto - Carl Maria von Weber
This work by Carl Maria von Weber and the BASSOON CONCERTO by W. A. Mozart are the two concertos most often played in the bassoon repertory. The late William Waterhouse asserted: The bassoon concerto by Weber ranks second only to that of Mozart in importance. The concertos by Mozart and Weber were in the repertoire used for the famous playing exams at the Paris Conservatoire, along with newly commissioned works by French composers. This transcription of the Weber for bassoon and small wind band has been completed by R. Mark Rogers.
Estimated dispatch 7-14 working days
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£193.20CASTRVM - Lionel Beltrán-Cecilia
CASTRVM is a symphonic episode inspired by four of the main civilizations that have coexisted over time in Ulldecona's Castle. With its melodies and sound effects, the composer tries to transport the listener through a trip to four uninterrupted movements, from the beginnings of this small settlement, creating a natural atmosphere recreated by the voice and the singing of birds to take us into the history with the first inhabitants, the Iberians, giving strength to the introduction of the composition, to move on to the time of the Andalusians, which with a melody in the form of a dance marked by percussion will transport us to take a walk in the surroundings of its circular tower. Next, and with strength, we arrive at the medieval and Christian period, marked in the score by the brass instruments, in this fragment we find moments that take us into the church of "Santa Mara de los ngeles", with melodies that evoke resonance and pomposity, continuing until we find the immense square tower, symbol of the fortress and homage, finally used as a prison and arsenal of those times. Then, there is a small slow march that will move us to some measures of strong stridency to finish with the whole section of low brass having its great moment of prominence, down to we reach the last part, Qna, a name that is recited during the musical piece and one of the names given in the past to the area that could be seen from the castle, where the change of location of the new town is recreated leaving the castle site, but always looking at it with respect and admiration as at the beginning of what is now the current Ulldecona, in this part, the composer plays a bit with a very well-known and significant melody for the inhabitants of Ulldecona, the "Jota Vieja", first making a reflex effect of all its melody and then only with the first six notes of this one, which builds a bridge until reaching the march and, later, the grand finale of this symphonic episode. The work was commissioned by Ulldecona Town Council and the Ulldecona Music Band, led by its conductor Joan Nadal i Girona, to commemorate the 800th anniversary of the donation of the Town Charter of Ulldecona "the old" (1222-2022), as part of the PATRIMONIUM 20.22 programme, "La Banda (Sonora) del Castell" (The soundtrack of the Castle).CASTRVM consists of: I.Iberians: stone and ironII.AndalusiansIII.The square tower: fortress and homageIV.Qna
Estimated dispatch 7-14 working days
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£99.99March of the Robot Army - Philip Sparke
March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held in Camposilvano in 2019) which has a different theme every year. The theme for 2019 was 'science fiction', so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromatic figures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change of key introduces a legato 'trio' melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting the first two themes in new guises before finishing the march with a flourish.
Estimated dispatch 7-14 working days
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£65.00Red River - Rob Wiffin
Red River is a piece full of raw energy. The title is about the feeling engendered by the name rather than a reference to a specific place. In the composer's mind it is a river coloured red by the dust of the earth in a hot, sun-drenched landscape. Full of fiery rhythmic drive and syncopation carried along by Latin percussion, performers will enjoy the vigour and verve of the music. Suitable for intermediate level (Grade 3/4) symphonic wind band. Red River is a piece full of raw energy. The title is about the feeling engendered by the name rather than a reference to a specific place. In the composer's mind it is a river coloured red by the dust of the earth in a hot,sun-drenched landscape. Full of fiery rhythmic drive and syncopation carried along by Latin percussion, performers will enjoy the vigour and verve of the music. Suitable for intermediate level (Grade 3/4) symphonic wind band.
Estimated dispatch 7-14 working days
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£154.99Majestic Waters - Thomas Doss
The area surrounding Zell am See is amongst the most beautiful spots on earth. Majestic Waters, which portrays water in in all its diverse conditions in and around Zell am See, was inspired by mountains, water and the overall impression of the landscape. This composition was commissioned by and is dedicated to Brgermusik Zell am See, conducted by Horst Egger, on the occasion of their 140th anniversary. A great piece for thematic programs or a spectacular option for your contest!The area surrounding Zell am See is amongst the most beautiful spots on earth. Majestic Waters, which portrays water in in all its diverse conditions in and around Zell am See, wasinspired by mountains, water and the overall impression of the landscape. This composition was commissioned by and is dedicated to Brgermusik Zell am See, conducted by Horst Egger, on the occasion of their 140th anniversary. A great piece for thematic programs or a spectacular option for your contest!
Estimated dispatch 7-14 working days
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£57.50Pop! - Tawnie Olson
Inspired by the ever-popular snack, Pop! is a grade 3 band piece by composer Tawnie Olson that imitates the sounds popping popcorn beginning with that first, single kernel to the exploding sounds of an overflowing pot. Through the use of imitation, additive processes, playful articulation, and the development of tune fragments, Olson crafted a piece that is relatable and great fun to play. Pop! also has an aleatoric passage that gives young performers the opportunity to co-compose by improvising sounds that suggest of pop of popcorn in the making. BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£209.99Dunamis - André Waignein
Major Yvon Ducene wanted a new lush and colourful composition for his Guides military band, with Andr Waignein as its composer. Early in 1979 the composer began his assignement and in October of the same year, the finished full score was on the music stands of this prestigious military band of the Belgian Army.The introduction (Grave) mirrors an atmosphere full of serenity in which the theme, played by the oboes and the English horn is predominant and immediately holds the listener spell-bound. It is taken up again as central element of the slow movement.The Allegro breaks away from the quiet passion of the introduction. Here, the band can really show its capabilities to thefull. Based on a very precise rythm, an idiom of sudden desperation and adversity develops which, fused with a crushing agression, culminates in a kind of eruption, soom calmed down by a Lento : peace and quiet has returned thanks to a melody by the horns and soon taken over by the clarinets. In the meantime, the saxophone - an instrument full of human emotion - express the main spatial dimension in contemporary psyche. Following a harmonic transition the brass-players take up the theme again in forte whilst the basses and the woodwinds interwine in technical arabesques.The movings of the mind and the heart get an audible and almost touchable shape in the ensuing Allegro, a movement characterized by a rhythmic dialogue in which the whole orchestra participates and where the exposition contains a wealth of sound and technical contrasts. The Lento finally uses the central theme of the slow movement again, with some occasional references to the two allegros. The last page is of unprecedented grandeur. All the instruments display their most beautiful sound which were named by Jacques Ferschotte, when speaking about Honneger, "harmonies d'intensits" harmonies of the unmeasurable.
Estimated dispatch 7-14 working days
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