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£46.95Stay Cool - Vince Gassi
If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to "hang out" with a very hip melodic "hook" offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!
Estimated dispatch 3-5 working days
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£170.00Second Symphony - Alfred Reed
Commissioned in the late Fall of 1975, work on the SECOND SYMPHONY was not begun until the Summer of 1977, when the score was completed in sketch form in three months, July through September. The instrumentation was begun in the late Winter of that same year and the Full Score completed on March 27th, 1978. The first performance took place in Fairchild Auditorium on the campus of Michigan State University on May 6th, 1978, by the Michigan State University Symphonic Band under the direction of Kenneth G. Bloomquist. The symphony is a single-movement work embracing three distinct sections. The first, marked is a freely constructed passacaglia built on a flowing theme derived from the tone row that underlies the entire score: Bb-F-E-Ab-G-D-Db-C-Cb-Gb-Eb-A, and which is developed in alternating variations leading to a powerful climax at its close. The second section is, in reality, a tense, hard-driving double fugue characterized by a constant march-like rhythm underlying the further development of the original theme and its countersubject in both duple and triple meters. This section, marked also ends in an overwhelming climax and then dies away, preparing for the third and final section. This final portion of the music, marked is based upon two long, lyric themes, also derived from the row, that alternate with occasional reminders of some of the thematic material from the second section, now transformed into a rich, glowing and relaxed tonal tapestry woven together from the myriad of tonal colors available in contemporary scoring practice for the winds. At the very end, after a fortissimo re-statement of the theme in its original form as derived from the row, there is a gradual ebbing of the flood of tone from the full ensemble as the various choirs drop out one by one, leaving only a dark, warm color of low Clarinets, Baritone and Tuba, hinting at the opening of the symphony, together with a last reminder of the original motif in the Bells and Vibraphone, suggesting, for the work as a whole, an arch-form.
Estimated dispatch 3-5 working days
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£112.00Hillandale Waltzes - Victor Babin / arr. Dennis Nygren
"Hillandale Waltzes" for clarinet and piano was composed by Victor Babin, a well-known pianist, educator, and a pupil of Franz Schreker, towards the end of World War II (1947). The composition was dedicated to Standard Oil heiress Ann Archbold, who kindly housed the Babins in her Hillandale mansion in Washington, D.C., near Georgetown University. The work was subtitled "Eight Waltz Movements Composed on a Theme by Johann N. Hummel." Hummel used this melody twice in both a piano duet and a work for oboe and orchestra. The Babins were very familiar with the former piece, having frequently performed it. In addition to the edition for clarinet and piano, which is also available from the publsher, American clarinetist Dennis Nygren has also arranged this edition of "Hillandale Waltzes" for solo clarinet, 16 winds, double bass, and percussion.
Estimated dispatch 3-5 working days
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£139.00Kanskje kommer Kongen - Øystein Dolmen
"Kanskje kommer Kongen" ("Perhaps the King is Coming") is yet another example of Knutsen and Ludvigsen's creativity and imagination.The arrangement begins with a short fanfare in the introduction. From letter B, the melody is carried by horn and trombone with a majestic character.Ensure good precision in the accompaniment. From letter C, the style is Latin-inspired, resembling Samba. Alternative percussion solutions are possible here.From letter D, there is a pizzicato effect in 8th-notes, with sonorous melodic lines. The style becomes majestic and elevated again from letter E,then returns to the Latin style from letter F until the end.Reid Gilje
Estimated dispatch 7-14 working days
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£79.99Hero - François Rousselot
Hero", a piece commissioned by the Orchestre d'Harmonie de Digoin, expresses the concept of heroism in its most comprehensive sense. The composition opens with a majestic introduction, where the rhythmic motif played by the brass section gradually fades, giving way to a more lively Allegro. A new theme unfolds through the skillful use of different tempos, keys, and timbres, culminating at the end of the composition in a grandiose finale.
Estimated dispatch 7-14 working days
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£84.99Magic Feeling - Marc Jeanbourquin
To mark its centenary, the "Musikgesellschaft Hinterkappelen-Wohlen" decided to commission a light-hearted work comprising different styles brought together in one setting. With this in mind, Marc Jeanbourquin composed a piece with a theme based on a short 5-note ascending motif. He developed this theme in various styles - funk, ballad, Celtic and, finally, rock. Everything comes together at the end of the piece with this "magical" ascending motif. Will the musicians conjure and retain a magical spirit full of energy and vitality through playing Magic Feeling? - most certainly!
Estimated dispatch 7-14 working days
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£159.99Traversada - Oliver Waespi
The crossing of a mountain pass is called traversada in Romansh. Such a crossing bears uncertainties and dangers, but also hope and new opportunities. Whoever sets out for a traversada is leaving behind what's familiar in the quest for new places and people. The piece Traversada, based on a Romansh song about farewell and uncertain reunion, musically depics such a journey. At the offset, off-stage soloists introduce fragments of the melody after which a dramatic narrative unfolds. An intense musical shift leads to a calm section, featuring the original melody in pulsating, muted sound colours. Towards the end, the whole structure is gradually rebuilt andleads to an exuberant ending, where the vibrant melodic motifs reemerge.
Estimated dispatch 7-14 working days
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£174.10Do Dat Thing - Harry Connick Jr.
Harry Connick Jr. is an American pianist, singer, composer and actor from New Orleans. He has released many albums and perform frequently with his own big band. "Do Dat Thing" is a real "feel-good" song composed in New Orleans style. The tempo must not be too fast. A kind of rough, heavy groove is preferred. When staccato is notated, the 8th notes have to be straight. The notations in the Drums-part is optional. From 35, the rhythm in the bass-line is meant as information for the musician. Be aware of the dynamics from the beginning (not too loud) to give it a "lift" at the end of the piece.
Estimated dispatch 7-14 working days
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£60.50Sirena - Jorge L. Vargas
Works in 3/4 at this level can end up being the fan-favorite on your concert program and in your classroom! Composer Jorge Vargas brings us a fun, accessible, and catchy new work for the developing band that will have your musicians asking to play this over and over! This is going to be a hit!
Estimated dispatch 7-14 working days
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£154.90
Summer Dances - Adam Gorb
'Summer Dances' is a joyful work in three short movements celebrating my favourite season where people are happiest outdoors. Each movement is a celebration the first movement 'Summer Day' celebrates the open air, with a bold and arrogant melody in 10/8 time, whose rhythm dominates the movement. The next movement 'Summer Night' could be described as a 'Beach Habanera' led by a sensuous trumpet melody. The movement ends with an ambiguous harmonic build-up, which is resolved at the start of the finale 'Summer Party' with a folk like theme that is passed round the ensemble, building up, (with suggestions of the first movement theme) to a riotous and festive ending. Summer Dances was commissioned by HAFABRA Music, Louis Martinus in collaboration with Biblioservice Gelderland/Music department MUI, Arhnhem, the Netherlands. Regarding interpretation suggestions: Movement 1) Lively but not too fast very much a piece for the full ensemble, up until the final six bars when things become more subtle and intimate maybe sunset.... Movement 2) Very laid back and sexy. The movement should be thought of as a wonderfully promising 'first date' or 'wedding night', with great possibilities with the unresolved chord at the end of the movement.... Movement 3) As fast as is comfortably possible. The start should be delicate and chamber music like, but increase in general excitement, particularly from figure 31. Something should be saved up for a true fortissimo at 34.
Estimated dispatch 7-14 working days
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