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  • £94.00

    Lyric Waltz (from Jazz Suite No.2) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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  • £438.00

    Jazz Suite No.2 (Complete Edition) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!

    Estimated dispatch 7-14 working days

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  • £72.99

    Passacaglia (from Suite No. 7) - Georg Friedrich Händel

    Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful transcription by RobertLongfield, Handel's Baroque gem serves as a vehicle to showcase the colors and timbres of the modern concert band. Dur: 4:30

    Estimated dispatch 7-14 working days
  • £64.99

    Where No Band Has Gone Before - Neeck

    The title says it all as you and your band embark on an exciting and harrowing musical adventure to the edge of the galaxy! An ethereal introduction leads to a heroic and vigorous, march-style theme, which gradually builds in intensity to a compelling climax. Bold thematic material, along with special instrumental effects, heighten the intensity and drama of the work. Perfect as a contest piece, or even that change-of-pace moment in your concert, "Where No Band Has Gone Before" provides an appealing and dazzling musical showcase for your band.

    Estimated dispatch 7-14 working days
  • £59.00

    Where No Band Has Gone Before (Concert Band - Score and Parts) - Neeck, Larry

    The title says it all as you and your band embark on an exciting and harrowing musical adventure to the edge of the galaxy! An ethereal introduction leads to a heroic and vigorous, march-style theme, which gradually builds in intensity to a compelling climax. Bold thematic material, along with special instrumental effects, heighten the intensity and drama of the work. Perfect as a contest piece, or even that change-of-pace moment in your concert, "Where No Band Has Gone Before" provides an appealing and dazzling musical showcase for your band. Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £72.99

    Passacaglia (from Suite No.7) (Concert Band - Score and Parts) - Handel, George Frideric - Longfield, Robert

    Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful transcription by Robert Longfield, Handel's Baroque gem serves as a vehicle to showcase the colours and timbres of the modern concert band.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £58.50

    Prelude No.20 (Concert Band - Score and Parts) - Chopin, Frederic - Brubaker, Jerry

    Frederic Chopin's Prelude No.20 is familiar since it was used as introductory material for Barry Manilow's "Could It Be Magic." The rich chordal style in a minor key evokes a mildly sombre mood and will be a satisfying program addition. Duration: 3.00

    Estimated dispatch 7-14 working days

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  • £50.50

    Gymnopedie No.1 (Concert Band - Score and Parts) - Satie, Erik - Bullock, Jack

    The Gymnopedies, originally written for piano, are French composer Erik Satie's most famous works. In traditional Satie style, Gymnopedie No.1 is characterised with a joyously simple melody in 3/4 time with a rich harmonic structure that is not technically demanding. A classic arrangement at the beginning level!Duration: 2:40

    Estimated dispatch 7-14 working days

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  • £58.50

    Belwin Very Beginning Band Kit No.1 (Concert Band - Score and Parts)

    Four brand new original band composers have been joined to create an excellent choice for your entire first concert. Accommodating your beginners' endurance, all of these four short works appear on a single two-page spread. You can play them all at one concert or one-at-a-time in different programs. This great new kit includes Paul Cook's "In the Calm of the Starry Sky," Jack Bullock's "The Bermuda Triangle," a trumpet feature by Lew Davison called "Our Tumultuous, Trustworthy, Terrific Trumpeters," and closes with Jerry Burns' "The Soul of Our School." The Belwin Very Beginning Band Kit No.1 will be a great, value-packed addition to your library.Duration: 3:30

    Estimated dispatch 7-14 working days

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  • £98.00

    March (from Jazz Suite No.2) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite No.1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music.Duration: 3:00

    Estimated dispatch 7-14 working days

     PDF View Music