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£164.95Sinfonietta No.2 (Concert Band - Score and Parts) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£32.95
Sinfonietta No.2 (Concert Band - Score only) - Sparke, Philip
Commissioned by the National Youth Orchestra of Great Britain and first performed by them on 6th August 1992.1. Overture: VivaceA bustling opening movement in sonata form. After an introduction in which a syncopated theme is tossed around the band, the first subject proper gives way to a more legato second theme. A scherzando bridge passage leads to the recapitulation.2. Serenade: Lento ExpressivoA short introduction leads to a sonorous theme from the middle of the band. A slightly more rhythmic central 5/8 section leads to a short cadenza-like duet for two alto saxes which reintroduces the opening of the movement.3. Finale: Molto VivaceA fast and furious finale which fails to settle long enough for a real theme to develop as motivic ideas are thrown from player to player. Eventually a violently syncopated tune emerges from the middle of the band but this is interrupted by a reflective interlude. In time the faster music returns and the movement hurtles to a close.Duration: 16.10Recorded on QPRM124D MIGHTY VOICE, Great British Music for Wind Band Vol.3
Estimated dispatch 7-14 working days
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£109.99A Tribute to Bach Wind Band Set (Score & Parts)
Johann Sebastian Bach could not have wished for a better accolade. A Tribute to Bach is a daring arrangement of Bach's Partita no.2 for pianoforte and a homage to the grandmaster of Baroque in a modern orchestration. Arranger Axel Norman has achieved this by adding percussion tastefully to the original. The woodwind section of the band, however, plays the leading parts. 06:30
Estimated dispatch 7-14 working days
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£228.70Symfoni nr. 1 'Fatum' - Symphony No. 1 "Fate" - Johan Halvorsen
Johan August Halvorsen (1864-1935) was born in Drammen and played violin and several brass instruments. He played in both orchestra and wind bands and in 1881 he became a student at Brigademusikken in Oslo. After a brilliant violinist career he proved himself talented as a conductor and composer. From 1899 he became conductor and composer at the National Theatre, where he wrote many of his most famous works. It was in this period in 1924 he wrote Fatum. Fatum means destiny and like Beethoven he opens the symphony with a motif he uses in all four movements. This work shows that Halvorsen was a great composer and a traditionalist.
Estimated dispatch 7-14 working days
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£109.99A Tribute to Bach - Axel Norman
Johann Sebastian Bach could not have wished for a better accolade. A Tribute to Bach is a daring arrangement of Bach's Partita no.2 for pianoforte and a homage to the grandmaster of Baroque in a modern orchestration. Arranger Axel Norman has achieved this by adding percussion tastefully to the original. The woodwind section of the band, however, plays the leading parts.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£52.50
No Stop Rock - Carmine Pastore
A Grade 1 rock anthem! It's a perfect way to keep your beginners motivated while you drill them on that new concept called "eighth notes." Lots of repetition of simple eighth note figures will help your young band players enter the fascinating world of the divided beat with ease.This solid minor key rock-type piece will also help to keep your audience attentive by letting them hear a bit of a style they are so accustomed to. The overwhelming rhythmic nature of the piece also makes it a possible choice for use with an elementary level massed band. When faced with more than 100 beginners at a time, one likes to do music that has a beat they can hang on to! Whether it's for asmall one-school band or a giant massed group, this one is sure to work for you.
Estimated dispatch 7-14 working days
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£309.99Symphony No. 9, Op. 160 - James Barnes
Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.
Estimated dispatch 7-14 working days
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£75.00
A Festive Overture - Kenneth Hesketh
A Festive Overture is bravura in nature, with important solos for upper winds and trumpets. The outer sections are busy and colourful and frame a more expansive, but no less urgent, middle section which develops a large arching oboe and clarinet theme. The work ends as it began, with excitement and exuberance.
In stock: Estimated delivery 1-3 days
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£62.00No Regrets
This adventurous piece opens with a burst of sound that foreshadows the spirited nature of the composition. The percussion section plays a leading role through a quiet, but restless, expansion of the opening motive. A stately brass chorale is followed by hauntingly quiet passages, transitioning to an aggressive outburst of percussion and winds. Every section will experience exciting moments leading up to the energetic coda the concludes in a major key.
Estimated dispatch 12-14 working days
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