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  • £137.95

    Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £27.95

    Sinfonietta No.1 (Concert Band - Score only) - Sparke, Philip

    Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

    Estimated dispatch 7-14 working days

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  • £37.95

    SYMPHONY No.2 (Novello Symphonic) Score only - Bedford, David

    Symphony No.2 contains four movements and a coda, all played without a break, following the traditional symphonic pattern. The Introduction presents the main thematic material of the piece which is characterized by rising and falling 5ths a semitone apart. The Quaver Machine has a repeated, relentless constant quaver pulse from the vibraphone. The harmony circles around only 3 chords and the section builds with more and more instruments being played in harmony and in canon. A shift in tonality gradually leads to Adagio, an almost opulently romantic presentation of the main theme with a rippling accompaniment. After a massive climax, the music leads to Finale with the main theme presented as an Ostinato gradually introducing the full band to another large climax. Gradually, everything quietens down for the Coda, a varied repetition of the Introduction but ending with a last reminiscence of the Adagio. Duration: 14 mins.

    Estimated dispatch 7-14 working days

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  • £75.00

    The Wand of Youth, Suite No.2, March (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although the Wand of Youth Suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier. The March is the first movement of The Wand of Youth, Suite No. 2. The arranger has presented this movement as an example of an excellent concert opener or warm-up march for a festival or contest performance because of its delicacy, yet determination.

    Estimated dispatch 7-14 working days

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  • £225.00

    The Wand of Youth, Suite No.1 (Complete) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul

    The Wand of Youth suites, subtitled Music to a Child's Play, were written in 1869 when Elgar was only twelve years old, music written for a play and acted by the Elgar children for a private family theatrical production. He noted the tunes down in a sketchbook and in 1907, forty years later, he rearranged with only minor changes and orchestrated them as the two suites titled The Wand of Youth, Suite Nos. 1 and 2. Although The Wand of Youth suites date from Elgar's mature years, he insisted on calling it Opus 1, because he wrote these pieces originally for piano many years earlier. Suite No.1 includes seven movements: 1. Overture; 2. Serenade; 3. Minuet (Old Style); 4. Sun Dance; 5. Fairy Pipers; 6. Slumber Scene; and 7. Fairies and Giants.

    Estimated dispatch 7-14 working days

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  • £109.99

    A Tribute to Amy Winehouse (Concert Band - Score and Parts) - Schaars, Peter Kleine

    On July 23 2011, the news of the death of Amy Winehouse shocked the entire world. What could have been one of the most impressive careers in the history of pop and modern soul, was halted by a tragic event which no one will forget. The best way to honour Amy Winehouse now is through her music. A Tribute to Amy Winehouse includes all of the songs which earned her cult status and made her unforgettable - You Know I'm No Good, Valerie, Love Is a Losing Game, Back to Black and Rehab.Duration: 6:37

    Estimated dispatch 7-14 working days

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  • £306.99

    Sinfonietta No.4 (Concert Band - Score and Parts) - Sparke, Philip

    Philip Sparke's Sinfonietta No. 4 is comprised of three parts that are played as an uninterrupted whole. The first movement begins with a lyrical fugato passage, framing a brisker and more rhythmical middle section. The second movement is slower and contains a long and expressive euphonium solo. The third movement is a salute to the sponsor of this commission: various percussion instruments conjure up sounds reminiscent of a carpenter's workshop, accompanied by a unison orchestral passage in a scat style.Duration: 18:45

    Estimated dispatch 7-14 working days

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  • £58.00

    Ain't No Stoppin' Us! (Concert Band - Score and Parts) - Smith, Robert W.

    A driving rock chart that will be a favourite of your entire concert band. As part of the new Barnhouse Jazz For Young Concert Band Series, this new tune by Robert W. Smith gives all sections of the band an opportunity to "rock". Accompanied by a rhythm section, Ain't No Stoppin' Us features a scorching melody complete with woodwind fills and soaring counter lines. An open solo section gives all students an opportunity to improvise in a very comfortable setting. This is a perfect choice for the spring concert or any school assembly. Be careful, this may be the one that students want to play year after year!Duration: 2.30

    Estimated dispatch 7-14 working days

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  • £54.95

    Fanfare for a Holiday Celebration (Concert Band - Score and Parts) - Smith, Robert W.

    Looking for the perfect opening or closing selection for your holiday program, well look no further! "Fanfare for a Holiday Celebration" is a gallant musical statement based upon holiday favorites. Beginning with "Joy to The World," Robert W. Smith has crafted a festive setting of "Hark, the Herald Angels Sing" before returning to the fanfare for the majestic conclusions. Scored in a bold fanfare format, your audience will take note from the downbeat. Program it as a closer and there'll be no question... the holiday season is here! Duration: 2.00

    Estimated dispatch 7-14 working days

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  • £94.00

    Finale (from Jazz Suite No.2) (Concert Band - Score and Parts) - Shostakovich, Dmitri - De Meij, Johan

    In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky. This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music. A bet among friends to make an orchestration of the popular song 'Tea for Two' in less then one hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!Duration: 2.15

    Estimated dispatch 7-14 working days

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