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  • £50.50

    Menuetto from Symphony No. 40 in G Minor, K 500 - Wolfgang Amadeus Mozart

    With the 250th anniversary of Mozart's birth quickly approaching, you will want to take a look at this arrangement by Robert Longfield. This classical minuet comes from the third movement of Mozart's Symphony No. 40, considered by many to be one of his greatest masterpieces. With this transcription, you can finally bring this work to life with your concert band!

    Estimated dispatch 7-14 working days
  • £274.99

    Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán

    I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."

    Estimated dispatch 7-14 working days

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  • £593.99

    Symphony No. 2 - Views of Edo - Franco Cesarini

    Edo is the ancient name for the city of Tokyo. Inspired by a series of woodcuts by the artist Utagawa Hiroshige (1797-1858) entitled 'One Hundred Famous Views of Edo', Cesarini's symphony is based upon a few traditional Japanese melodies. The composition is divided into five movements in arch form: a structure in which the individual sections are arranged symmetrically around a centre. Each movement takes its title from a print from the 'One Hundred Views'.

    Estimated dispatch 7-14 working days

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  • £228.70

    Symfoni nr. 1 'Fatum' - Symphony No. 1 "Fate" - Johan Halvorsen

    Johan August Halvorsen (1864-1935) was born in Drammen and played violin and several brass instruments. He played in both orchestra and wind bands and in 1881 he became a student at Brigademusikken in Oslo. After a brilliant violinist career he proved himself talented as a conductor and composer. From 1899 he became conductor and composer at the National Theatre, where he wrote many of his most famous works. It was in this period in 1924 he wrote Fatum. Fatum means destiny and like Beethoven he opens the symphony with a motif he uses in all four movements. This work shows that Halvorsen was a great composer and a traditionalist.

    Estimated dispatch 7-14 working days

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  • £109.99

    A Tribute to Bach - Axel Norman

    Johann Sebastian Bach could not have wished for a better accolade. A Tribute to Bach is a daring arrangement of Bach's Partita no.2 for pianoforte and a homage to the grandmaster of Baroque in a modern orchestration. Arranger Axel Norman has achieved this by adding percussion tastefully to the original. The woodwind section of the band, however, plays the leading parts.

    Estimated dispatch 7-14 working days
  • £60.99

    Solveig's Song (from Peer Gynt Suite No. 2) - Edvard Grieg

    Composed by Edvard Grieg in 1875, music from Peer Gynt was originally incidental music for Henrik Ibsen's five-act play. The beautiful Solveig's Song is from the second orchestral suite later extracted by Grieg. Johnnie's tender setting opens with a lyric theme scored for the trumpet section. A brief andante section features the woodwinds before returning to the opening melody this time richly scored for full band. A beautiful work for teaching lyric style playing.

    Estimated dispatch 7-14 working days
  • £37.95

    Rockin' a Round

    Everyone loves a round, and your audience will too when you put Rockin' a Round on your next concert. John O'Reilly has taken some of the most famous rounds and placed a fun rock-style beat underneath. Your audience's toes will be tapping in no time! Correlated with Yamaha Band Student, Book 1, page 12.

    Estimated dispatch 7-14 working days

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  • £122.50

    A Patriotic Salute - James L. Hosay

    No one writes more exquisitely patriotic music than James L. Hosay, the former head arranger for "Pershing's Own" United States Army Band in Washington D.C. Dedicated to the memory of Mr. Hosay's mentor, Dr. Sydney Berg, this moving symphonic setting of THE STAR SPANGLED BANNER is a rich and compelling way to bring a your concert to a close. Of course it works equally well anywhere the National Anthem would be appropriate for performance.The unusual 4/4 meter setting with artfully crafted reharmonizations and lush counterpoint gives each listener cause to reflect on the importance and meaning of this melody to patriotic Americans everywhere.Inspired!

    Estimated dispatch 7-14 working days
  • £67.50

    Theme from Symphony no. 4 - Felix Mendelssohn Bartholdy

    Mendelssohn for band! Mendelssohn is known for the beauty of his melodic themes, and this one from the "Italian" Symphony certainly fits that category. THEME from SYMPHONY #4 gives impressions of the people and landscapes of this beautiful country. A bucolic sense pervades the score and translates into a restful and uplifting musical experience.Douglas Court has done a marvelous job in bringing the orchestral textures to the young band stage. His considerable experience with directing young bands and his many fine compositions expressly for musicians at this level give him the ability to make the music as playable as it is authentic. Don't miss it!

    Estimated dispatch 7-14 working days

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  • £79.99

    Scherzo from Symphony No. 5 - Dmitri Shostakovich

    The second movement of Shostakovich's masterful and subversive Fifth Symphony, written as his career as a composer in communist Russia teetered in the balance, could suggest a barely literate composer from the Bureau of Artists coming to the great Shostakovich to demonstrate, through a most grotesque dance, how simple it is to compose great music under the Soviet System. This transcription of the Scherzo movement was produced by Mark Rogers, who also transcribed the complete symphony. In the transcription of the complete work, all of the music remains in the original key, while in this publication, the second movement is transposed down a whole tone to G minor. Other than the transposition and the removal of some of the more rarely found instruments (E flat clarinet, contrabassoon and harp), the music is intact, and represents the composer's intentions in every way. Conductors who choose to perform this piece will introduce their players to this important voice in Twentieth Century music and bring major issues about political life and its impact on creative life to their students in the most relevant fashion.

    Estimated dispatch 7-14 working days