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£95.95Slavonic Dances No. 7 op. 46 - Antonín Dvorák
This is a transcription of the famous Slavonic Dance of Dvorak. Such a pleasant melody and enjoyable composition. Steven Rosenhaus has stayed true to the original composition with no cuts or structural changes. The 1st trumpet's highest note is E.
Estimated dispatch 7-14 working days
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£435.40Symphony No 1 for Wind Band - Solitude Standing - Stig Nordhagen
The two movements in this symphony have quite similar structure and length, and this is no coincidence. As a composer, I try to create two musical stories that comes from the same starting point and thought, but they sound and feel different. Music often describes something you cant say in words. This composer stands in the middle of the symphony, here personalized as trombone solo (or euphonium) and tries "Solitude Standing" to make a bridge between the two parts. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£76.99Where dreams have no end - Johan Nijs
Every one of us has a place - or maybe more than one place -where we can hide away and dream. It is the place where you canwithdraw into yourself, undisturbed, and can muse on whateveris on your mind. Where Dreams Have No End, a composition byJohan Nijs, takes both listener and performer out of day-to-dayreality to the 'land of dreams' where the only limit to what happensis your own imagination. Live your dream with this compelling newconcert item.
Estimated dispatch 7-14 working days
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£84.99Jazz Waltz No. 1 - Otto M. Schwarz
Jazz Waltz No.1 takes it's influence from the tradition of American big bands with their vibrant bold sound. Following a short introduction from the complete band both the trumpet and saxophone are given the chance to shine with jazz solos, all played along with a lilting 3/4 swinging accompaniment. Both musicians and audienceswill love this spectacular work for concert band.
Estimated dispatch 7-14 working days
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£53.50March from Symphony No. 2 - Pyotr Ilyich Tchaikovsky
Here's the famous march from Tchaikovsky's Symphony No. 2 skillfully arranged for younger players. Opening and closing with a solo timpani, this arrangement provides a wide range of dynamic contrasts and variety in scoring. Fromthe delicate woodwind passages to the powerful full ensemble strains, this one works great! Dur: 2:45
Estimated dispatch 7-14 working days
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£60.99Allegretto (from Symphony No. 7) - Ludwig van Beethoven
From Beethoven's Symphony No. 7, this movement is one of the master's most recognizable and performed themes. Recently featured in the Oscar-winning film The King's Speech, here is a skilled and effective adaptation for youngbands by Robert Longfield. A great way to showcase the classical period of musical history on any program. Dur: 2:45
Estimated dispatch 7-14 working days
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£79.99Juba Dance (from Sym. No. 1) - Florence Price
Florence Price (1887-1953) is noted as the first African-American female composer of symphonic works, and is only in recent years beginning to receive the recognition so richly deserved. Her Symphony No. 1 was completed in 1932 and first performed in 1933 by the Chicago Symphony Orchestra. Here is a sparkling transcription for band of the third movement (Juba Dance). (Grade 4) Dur: 3:50
Estimated dispatch 7-14 working days
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£141.99
Til men no longer die in war - James L. Hosay
WWII history told in a bold, daring and impassionedmasterpiece of patriotic band literature! George C. Marshallwas without question one of the most profoundly influentialleaders of the 20th century. His strong and compassionatemilitary leadership and post-war policy guidance shapedthe world we live in today.This powerful musical expression with optional narrationtraverses many moods, from troubled to triumphant, withstirring intensity. Honor one of the greatest leaders of "TheGreatest Generation" with your performance of James L.Hosay's "'Till Men No Longer Die In War."Cross-curriculum tie-in with U.S. History
Estimated dispatch 7-14 working days
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£50.50
Menuetto from Symphony No. 40 in G Minor, K 500 - Wolfgang Amadeus Mozart
With the 250th anniversary of Mozart's birth quickly approaching, you will want to take a look at this arrangement by Robert Longfield. This classical minuet comes from the third movement of Mozart's Symphony No. 40, considered by many to be one of his greatest masterpieces. With this transcription, you can finally bring this work to life with your concert band!
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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