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£97.00Four Scottish Dances - Malcolm Arnold
These dances were composed early in 1957, and are dedicated to the BBC Light Music Festival. They are all based on original melodies but one, the melody of which is composed by Robert Burns. This Classic Band Edition is the definitive wind ensemble orchestration of worldwide renown, as referenced in the composer's own Program Notes:"The first dance is in the style of a slow strathspey -- a slow Scottish dance in 4/4 meter -- with many dotted notes, frequently in the inverted arrangement of the 'Scottish snap.' The name was derived from the strath valley of Spey. The second, a lively reel, begins in the key of E-flat and rises a semitone each time it is played until the bassoon plays it, at a greatly reduced speed, in the key of G. The final statement of the dance is at the original speed in the home key of E-flat.The third dance is in the style of a Hebridean song and attempts to give an impression of the sea and mountain scenery on a calm summer's day in the Hebrides. The last dance is a lively fling, which makes a great deal of use of the open string pitches of the violin (saxophones in the band edition)."
Estimated dispatch 12-14 working days
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£139.99The Golden Age - Kees Schoonenbeek
The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II Adis espaoles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed theRepublic. However, the Spanish continued the war. Only with the Treaty of Mnster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing.
Estimated dispatch 7-14 working days
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£122.20Stjernen og Rosa (The Star and a Rose) (Concert Band - Score and Parts) - Hannevik, John Philip
The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist. After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style. An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics. Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the Latin text for Adeste Fideles: Stella duce, Magi, Christum adorantes. The Rose is of course from the lyrics in the chorale Lo, how a Rose.Duration: 10.30
Estimated dispatch 7-14 working days
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£148.99Alexander VI (Movement I from Symphony No.1, The Borgias) (Concert Band - Score and Parts) - Schwarz, Otto M.
The Borgia family is the subject of a so-called black legend, a pejorative term that has been used since the Middle Ages to refer to Spain and Spaniards. The Borgias' black legend is one of corruption, abuse of power, orgies, sex and murder. These rumours spread especially during the reign of Pope Alexander VI, a member of the family. Alexander was even referred to as the Antichrist. According to eyewitnesses, when he died Satan prowled the death chamber and a black dog, an envoy of the Devil, ran up and down the aisles of the Vatican. The brutal rule of Pope Alexander and his family led to a kind of demonization of the Borgia family. But it is precisely the lack of scruples, the brewing of poisons, the incest and various cruelties that continue to hold a certain fascination for us.Alexander VI: Rodrigo Borgia was born in 1431 near Valencia. He studied law in Bologna and, through his uncle Pope Calixtus III, he rose through the church hierarchy. As vice-chancellor of the Holy Roman Catholic church, he became one of the richest men in Europe. As a cardinal he fathered four children who he later legitimised when he became pope. His election to the papacy was funded by the sale of offices, extortion and bribes of all kinds. Through an alliance with Ascanio Sforza he was elected pope on August 11 1492 and named himself from then on Alexander VI, an allusion to Alexander the Great.Duration: 9.30
Estimated dispatch 7-14 working days
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£80.00Clarinet Concerto (The Fallen) (Clarinet Solo with Concert Band - Score and Parts) - Wilson, Jeffery
The three movements are 'Conflict', 'The Fallen' and 'Resolution', themes that are freely interpreted musically. In 'Conflict', the solo clarinet begins with an ascending figure based on octave leaps, while the accompaniment contrasts with marcato quavers and harsh dissonances. The melody features seventh intervals, and while the movement is marked 3/4 the accompaniment is often 6/8. This is more evident in the second theme where the clarinet line moves much more by step. The development takes these ideas and the cadenza comes from yet more conflict between the now calm clarinet and dissonant clashes in the accompaniment. 'The Fallen' is the slow movement and poignantly features notes from 'The Last Post' in the opening and a beautiful working of 'David of the White Rock' later on. The final movement 'Resolution' is a Rondo in 6/8, brighter but with hints of the initial conflict through the sevenths in the meno mosso sections which interrupt the flow. Another long cadenza takes short ideas from the piece before the work comes to a triumphant end with all four E notes across the whole range, echoing the beginning. Wilson set out to write a concerto for a versatile instrument and has found ways to exploit its capabilities while keeping tonal centre. There are frequent altissimo notes within all three movements. Wilson does use the very low notes, most notably in the cadenzas, but much of the work is high, presumably to allow the clarinet to carry over the wind band accompaniment. A good command of all notes right up to A sharp an octave above the stave is needed, plus technique to travel to and from altissimo notes (legato). The piece is around 25 minutes long. Printing is clear and the piano accompaniment comes as a spiral bound volume.
Estimated dispatch 7-14 working days
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£139.99The Golden Age Wind Band Set (Score & Parts)
The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ?Adios espa?oles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed the Republic. However, the Spanish continued the war. Only with the Treaty of M?nster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing. 0:11:30
Estimated dispatch 7-14 working days
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£8.00The New Bennett Band Book - Harold Bennett
The Bennett Band Books, published in four volumes starting in 1923, were used to teach literally millions of young band musicians in the middle of the twentieth century the march form and style. The pieces utilized in this book are: Activity, Summit, Success, Project, Courage, Mister Joe, Genius, Improvement, At Sight, Little Rastus, Laurel and Aline. These delightful marches, composed by famous march composer Henry Fillmore using the pseudonym Harold Bennett, have been given new life by arranger Larry Clark. The original essence of these marches is retained and only the instrumentation and some range issues have been altered to fit the needs of today's developing bands. This collection includes twelve of the Bennett marches along with a helpful march warm-up section composed by Larry Clark to help you teach the march form and style to young students. There is the added benefit of a full recording of each march performed by a professional band on the CD that is included in the conductor's score. This is a valuable collection for any level band to use for marches at contest/festival performance or for sight-reading purposes.
Estimated dispatch 12-14 working days
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£56.00The Band At The Opera
The Band at the Opera is a medley of four of the most popularly known opera excerpts: The Toreador Song from Bizet's Carmen, the conclusion of Vesti la giubba from Leoncavallo's Pagliacci, The Anvil Chorus from Verdi's Il Trovatore, and the finale of the Overture to Rossini's William Tell.
Estimated dispatch 12-14 working days
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£114.99The Many Moods of Christmas - Robert Shaw
This all-new setting of Robert Russell Bennett's enchanting Many Moods of Christmas, Suite No. 1 for wind band alone, consists of approximately eight of the original twelve minutes of the original suite for band with chorus. It is the third offering in an ongoing series which will bring all four of these suites to the repertory of band conductors. This arrangement includes Sinfonia (fanfare) and Good Christian Men, Rejoice, Silent Night, Pat-a-pan, concluding with a rousing rendition of O Come, All Ye Faithful.
Estimated dispatch 7-14 working days
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£56.50The Pines of the Appian Way - Ottorino Respighi
Completed in 1924 Respighi's masterwork consists of four contrasting movements. The final movement, "The Pines of the Appian Way," depicts the advancement of the Roman Legion as it gradually marches towards the listener. It is one of the most glorious and stunning orchestral crescendos in all of classical music. Perfectly arranged for young band by Michael Story! (2:29) This title is available in SmartMusic.
Estimated dispatch 7-14 working days
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