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£204.99
Credentium - Jan Van der Roost
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There followsa rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations.
Estimated dispatch 7-14 working days
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£94.99
Pilgrims' Swing - Graham Lloyd
The Andante from the first movement of Mendelssohn's Italian Symphony (often nicknamed Pilgrims' March) contains the most beautifully haunting melody supported by the simplest of bass lines and counterpoint figures. As a young musician, Graham Lloyd was so fascinated by this music he bought the orchestral score to study the notes, which at the time made little sense to him. However, he did notice that the bass line was similar to a "walking bass" line in a standard swing tune.In this composition Graham Lloyd uses Mendelssohn's original bass line, melodic line and counterpoint figures but gives them a swing feel. Who knows, maybe if Mendelssohn had been born a hundred yearslater, he could have become one of our big band leaders!
Estimated dispatch 7-14 working days
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£248.99
Refraction - Jan Hadermann
Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour.
Estimated dispatch 7-14 working days
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£45.95
Temple of Darkness - Rob Grice
Temple of Darkness was conceived as a concert piece to be performed within the first year of beginning instruction. Every effort has been made to give young players the experieince of performing a mature-sounding composition with little technical demand. Only the first notes learned in most beginning method books are utilized in this composition. Rhythms are the whole note, half note, quarter note, and eighth note. Percussion plays a vital musical role without placing too many demands on the developing percussionist.
Estimated dispatch 7-14 working days
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£37.95
In Quiet Times - James Swearingen
This beautiful ballad offers plenty of opportunities for focusing on musicality with little concern for technical demands. The humble melody in the clarinets and horn is answered first by flutes then trumpets, before the glorious key change. As beautifully as it began, the piece fades back to a quiet time. Sure to work with virtually any instrumentation, and a truly musical experience! (2:00)
Estimated dispatch 7-14 working days
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£60.99Soldiers Song - Patrick Millstone
As long as we can remember, trumpets and percussion have been the instruments most closely associated with the army and its soldiers. Just think of the medieval herald who publicly proclaimed all the king's important announcements. This work opens with a festive fanfare which immediately calls for your attention. No tidings of disaster, but a festive parade of soldiers passing by while whistling merrily. This idea was the composer's starting point when writing this cheerful little piece.
Estimated dispatch 7-14 working days
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£84.99
Creamy and Crispy - Marc Cunningham
This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back tothe walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows.
Estimated dispatch 7-14 working days
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£72.99Nature's Way - Gunther Schuller
From the composer: Nature's Way for intermediate level band was commissioned by BandQuest, a project initiated by the American Composers Forum. Their mission is for major composers of national reputation to write works of high quality that take into consideration the (still comparatively limited) levels of musical development--both technical and conceptual--typical of such ensembles. I eagerly accepted the commission and the challenges implied thereby--that is, to reign in my creative imagination to some extent and limit the technical/conceptual demands to a more moderate level than is to be found in my previous compositions for band. Nonetheless, since the process of rehearsing, studying and performing a work created specifically for the school student market is--and must be, in my view--primarily educational, it was very clear to me that my work would (and should) challenge the players at least to their top levels, and even a little beyond that. Thus Nature's Way in no way represents a compromise of my personal style, nor my long held concepts of form, continuity, texture, and instrumentation. I have known for a long time that young, inquisitive minds are eager to learn from new experiences, from previously never encountered challenges, that is to say, to be pushed--gently--to rise above their present levels of achievement. That's what education is all about. BandQuest, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog.
Estimated dispatch 7-14 working days
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£95.95Voyage of Endurance - Amy Webb
The composition starts out with a "jaunty" little tune as the ship sails into the open seas. It encounters storms, calm seas, restless sailors and everything imaginable. It is exciting, suspenseful, and just fun good music. The 1st trumpet's highest note is A.
Estimated dispatch 7-14 working days
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£149.40
Andante - Theme from 6th Symphony "Pathetique" - Pyotr Ilyich Tchaikovsky
The 6th symphony is probably Tchaikovsky`s most important work. It was played for first time just a few days before the composer's death in 1893.This Andante-theme is taken from the first movement of the symphony.For the conductor:Play cue-notes when neccesary for balance. Incalzando means "a little faster".
Estimated dispatch 7-14 working days
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