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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£76.99Doctor Who: Through Time and Space - Murray Gold
Composer Murray Gold has contributed a new dimension of dramatic and evocative musical themes to the long-running and iconic BBC television series Doctor Who.Spanning a period from 2005 to the present, this masterful setting for Concert Band includes familiar themes for the Doctor, along with the alien monsters Cybermen and Daleks, and also memorable companion themes for Rose and Martha. (The signature Theramin part heard on the main theme is optional, but an app for this sound is easily obtained online.)
Estimated dispatch 7-14 working days
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£228.70Prelude Festivo - John Brakstad
Prelude Festivo is intended to be performed in concerts and in competitions as well. The work includes solo passages for most instrument groups. Duration 7 minutes. Form: Fast slow fast. The piece is built around two themes. Theme 1 (Allegro con spirito) is the first one presented as a clarinet solo after a fanfare-like opening. Theme 2 is hinted at in the opening bars, but presented fully in the slow (Andante) section (bar 141). This theme is developed and also appears as melodic and rhytmic fragments throughout the composition. In the concluding section (bar 196) both themes are played in conjunction before the piece concludes with the fanfare theme from theopening bars. The solos for cornet and euphonium may be played by saxophone soli cued in at bars 114 and 128. Parts that are marked piu mosso ed leggiero should be played in a cheerful light staccato style in contrast to Andante cantabile.
Estimated dispatch 7-14 working days
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£76.99Amazing Amadeus - Wolfgang Amadeus Mozart
2006 celebrates the 250th anniversary of the birthday of possibly the greatest composer that has ever lived, Wolfgang Amadeus Mozart (1756-1791). With a prolific output of symphonies and concertos as well as chamber and keyboard works his music is timeless and suitable for any occasion. Michael Friedmann has taken some of the most famed themes, La ci darem la mano from Don Giovanni, Romance from Eine kleine Nachtmusik, a theme from The Marraige of Figaro, Alleluja from Exultate Jubilate, Papageno?s bell tune from The Magic Flute, an Adagio and Ah, vous dirai-je, maman to craft a wonderful ode to Mozart to celebrate his anniversary and, with this magnificent compilation, you areable give any concert a beautiful touch of ?the master at work?.
Estimated dispatch 7-14 working days
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£64.99Space and Beyond
As man continues to be fascinated with the world outside his own, here's a new medley that will appeal to all audiences. John Moss' exciting collection includes four of the most recognized themes identified with the world beyond. Includes: Also Sprach Zarathustra, Star Trek, Mars (from The Planets), and Star Wars Main Title and Throne Room themes.
Estimated dispatch 7-14 working days
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£113.30
Rumanian Folk Dances - Béla Bartók
Bla Bartk (1888 - 1945) showed from the beginning of his career an interest in popular music. He began studying music at the age of five and eventually focused on composition and piano. He collected a lot of popular songs, especially during his studies in Hungary, but also music from Romania and Slovakia. This had a lot of influence on his style. In his compositions, Bartk uses many Hungarian popular themes and rhythms, and even his own original works always refer to the same rhythmic and melodic folk character. At the beginning of the twentieth century, Bartk detached himself from romanticism and began to delineate his style on harmonic procedures based on diminished and augmented intervals, on bitonality, and on marked percussiveness, characteristics that are at the core of popular music.The Romanian Dances are a collection of seven folk dances, originally composed for piano (1915, the first six) and then transcribed for a small symphonic orchestra (1917). Of purely modal language, like almost all Bartk's music, each dance comes from a different area of Romania (Stick Dance, Sash Dance, In One Spot, Horn Dance, Romanian Polka, Fast Dance of Belnyes, and Fast Dance of Nygra).
Estimated dispatch 7-14 working days
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£117.00Lincoln Portrait - Aaron Copland
Lincoln Portrait was commissioned by Andre Kostelanetz for the Cincinnati Symphony Orchestra in 1942. A stirring tribute to an eminent American, it includes fragments of songs from the Civil War era, sweeping original themes, anda narration drawn from Lincoln's own words. This transcription by Walter Beeler has become a staple in the repertoire for wind bands, and provides an impressive way to help celebrate the 200th anniversary of Lincoln's birth. Audioused with permission from the Mark Records CD: Northshore Concert Band Live at the 2001 Midwest Clinic - John Lynch, conductor - Dr. William Warfield, narrator (Score Only - 48006216/$15.50)
Estimated dispatch 7-14 working days
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£131.99
Instrumentalstze (Aus Dem Oratorium "Saul") - Georg Friedrich Händel
Handel's Oralorio "Saul", composed in 1739, contains a series of instrumental movements which provide commentary on the action. Composers have often written works in the form of suites from these movements. Handel's blocks of polyphonic music are also particularly suitable for wind band. His orchestral suites were usually performed in Ihe open air. Many of his themes rank among the great inventions of musical history. They give his music dignity and greatness and at the same time they remain popular in character. The instrumental movements from 'Saul' are suitable for concerts, including those in churches, for serenades and for contests from intermediate to advanced level.
Estimated dispatch 7-14 working days
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£91.20King Arthur - Antonio Petrillo
The legendary figure of Arthur, British leader, is mainly the result of folklore and literary invention. According to the tales Arthur, who in the most ancient sources is called "Warlord," defended Great Britain from the Saxon invaders between the fifth and sixth centuries. In the introductory measures of the piece, we can hear the basic themes developing freely one after the other. The first movement (Allegretto - march) describes Arthur with his most faithful riders galloping on his horse for simple rides in the woods or hunting moments. The second movement (Vivace - gigue), describes court dances to celebrate his victories over the Saxons. The third and last movement (Moderato - grandiose) portrays the special relationship between Arthur and Excalibur, the magical and mysterious sword that only he managed to extract from the rock before being proclaimed king. Excalibur's scabbard is said to have the power to protect King Arthur from being wounded in battle.
Estimated dispatch 7-14 working days
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£110.00Mount Everest - Kees Vlak
This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.
Estimated dispatch 7-14 working days
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