Results
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£110.00Nade (Concert Band - Score and Parts) - Rydland, Frode
This is the finale from the original soundtrack of the opening ceremony of the XVII Olympic Winter Games in Lillehammer, Norway, 1994. The piece was composed by Knut Reiersrud, Iver Kleive and Marilyn Mazur. It features them all as musicians; Marilyn Mazur (percussion), Knut Reiersrud (guitar) and Iver Kleive (organ) together with Linda ?vreb? (vocals), Odd Lund (piccolo trumpet), Kjell Erik Arnesen (french horn) and The Boys Choir of Oslo Cathedral.
Estimated dispatch 7-14 working days
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£150.00Cockaigne Overture (In London Town) (Concert Band - Score and Parts) - Elgar, Edward - Noble, Paul
Cockaigne Overture was composed when Edward Elgar received a commission from the Royal Philharmonic Society, and he reported that the new piece was "cheerful and Londony, 'stout and steaky'...honest, healthy, humorous and strong, but not vulgar." The first performance was in the Queen's Hall, London, on 20 June 1901, conducted by the composer. He dedicated the work to his "many friends, the members of British orchestras." The music was an immediate success and became one of Elgar's most popular works. In its 15 minutes or so, the overture gives a lively and colourful musical portrait of Edwardian London. 'Cockaigne' was a term used by moralists at that time as a metaphor for gluttony and drunkenness, while Britain adopted the name humorously for London, and from it we get the Cockney. Cockaigne or Cockayne /ka' kein/, the word origin tracing back to the 13th century, is a land of plenty in medieval myth, an imaginary place of extreme luxury and ease where physical comforts and pleasures are always immediately at hand and where the harshness of medieval peasant life does not exist. The work presents various aspects of turn-of-the-century London and Londoners. It begins with a quiet but bustling theme which leads into an unbroken sequence of snapshots: the cockneys, the church bells, the romantic couples, a slightly ragged brass band (perhaps the Salvation Army) and a contrastingly grand and imperious military band. The broad theme representing Londoners has been stated as the first occurrence of Elgar's trademark direction, 'nobilmente.' The work ends in a characteristically Elgarian blaze of sound, including an optional full organ.
Estimated dispatch 7-14 working days
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£75.00Resonemus Laudibus (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks
Resonemus Laudibus is a 14th-century carol which was widely known in medieval Europe, and is still performed today. David Willcocks' arrangement brings a modern excitement to the piece, which would not have been out of place all those centuries ago. The Latin text is translated: 1. Resonemus laudibus cum jocunditatibus ecclesiam fidelibus. Let us make the church resound with the joyful praises of the faithful. Apparuit quem genuit Maria He whom Mary bore has appeared. 2. Deus fecit hominem ad suam imaginem et similitudinem. God made man in his own image and likeness. 3. Deus fecit omnia caelum, terram, maria cunctaque nascentia. God made all things, heaven, earth, the seas and all creation. 4. Ergo nostra concio in chordis et organo benedicat Domino. Therefore let our congregation praise God with strings and organ. 5. Et Deo qui venias donat et laetitias nos eidem gratias. And to God, who gives favours and happiness, we give thanks. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£110.00Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul
For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.
Estimated dispatch 7-14 working days
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£225.00Lord, Thou Hast Been Our Refuge (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Lord, thou hast been our refuge (2008) was written for the annual City United Guilds service in St Paul's Cathedral for SATB choir, solo trumpet, and organ. This impressive and stately setting of verses from Psalm 90 culminates in a jubilant, maestoso final section. The arrangement is written to accompany the chorus, or may be performed by band alone. The trumpet solo is haunting, and will be a showcase for that performer. The work would suit any festive service or concert.
Estimated dispatch 7-14 working days
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£110.00Now Thank We All Our God (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
This powerful setting by John Rutter of one of the world's most beloved hymns is a perfect vehicle for the Concert/Wind Band with Chorus and audience participation, and may be performed by band alone. The extended Festival Fanfare may be omitted, or may be shortened as desired. The organ and harp parts are optional.
Estimated dispatch 7-14 working days
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£64.95Fantasia in C BWV 570 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Sterk, Jordan
This arrangement of the baroque organ work by Johann Sebastian Bach preserves all of the rhythms and style of the original, but transposes to the key of B-flat for more accessibility. Duration: 2:30
Estimated dispatch 7-14 working days
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£89.99The Pageant of London (Concert Band - Score and Parts) - Bridge, Frank
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes of Big Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and makes a fine alternative to Holst's two suites, which were composed around the same time. Duration: 15.00
Estimated dispatch 7-14 working days
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£75.00Rondo in E flat (Concert Band - Score and Parts) - Bull, John - Noble, Paul
This arrangement for Concert Band is based on the organ adaptation (Rondo in D) of the string orchestration (Rondo in G). Regardless of the key, it is a delightful piece representing music of the late Renaissance that recalls the English folk dances of an earlier century. An excellent teaching piece for 6/8 meter and rondo form, this presentation in E-flat falls comfortably under the fingers of band instrumentalists. The music is attributed to John Bull, but may have been written much later by noted organist, Richard Ellsasser.
Estimated dispatch 7-14 working days
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£110.00Toccata (from Symphony No.5) (Concert Band - Score and Parts) - Widor, Charles-Marie - Noble, Paul
The Toccata from Symphony No.5 has become a favorite showpiece of master organists, and is the first of the toccatas characteristic of French Romantic organ music. This Concert Band arrangement is faithful to the original score, with the woodwind arpeggios segmented and presented divisi to facilitate the technical demands. The power and magnitude of this composition lends itself well to the medium of the Concert Band.
Estimated dispatch 7-14 working days
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