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£59.40The Star Spangled Banner - Swearingen, James
From the powerful opening statement to the full and glorious ending, this new and spectacular rendition of our national anthem will captivate your audience's attention right from the very start. A solid approach to scoring allows this creative setting to be highly suitable for all occasions. In addition, the optional parts for both full choir and organ make this arrangement of our nation's song a special choice for that district band and choir festival. Incredibly satisfying and strongly recommended!
Estimated dispatch 7-14 working days
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£65.50TIDINGS! (Advanced Concert Band) - Wagner, Douglas E.
Looking for a tour de force for all your choirs this Christmas? Look no further -- TIDINGS! is an exciting medley of favourite carols ('O Come, All Ye Faithful,' 'He Is Born,' 'Silent Night' and 'Joy to the World') hat can be performed with choir, organ, handbells... even a band, if one is available!Duration: 3:37
Estimated dispatch 7-14 working days
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£104.99Arioso Cantabile - Jan Van der Roost
This composition exudes serenity and tranquillity, but also intensity and expressiveness - giving it similar qualities to earlier works by Van der Roost, like Canterbury Chorale and Adagio for Winds. Long melodic lines characterize the main themes that arise in different registers and develop through varying keys. The band rather sounds like an organ: the varying timbres and broad musical phrases fully justify the comparison with this majestic instrument. There is no bombast, and the work contains no exaggerated technical or rhythmic tours de force. On the contrary, from a lush richness it moves towards a softening final passage that culminates in a slowly fading final chord: following the many warm harmonies and grand melodies, this work concludes in a contemplative mood.
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
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£137.99Morning Star Variations - Bert Appermont
This composition is based on the beautiful chorale melody Wie schn leuchtet der Morgenstern (How beautifully the morning star shines). Like the chorale fantasias by Bach and Buxtehude, this is a fantasia in which the original theme is usedand altered throughout the work in various ways. Slow passages are alternated with fast ones, and finally a grand tutti arrives in which the original chorale theme sounds joyfully in a majestic finale. For extra colour and dimension, an optionalorgan part has been added, that can be used when the circumstances are appropriate. On the full score, the various organ entries are indicated.
Estimated dispatch 7-14 working days
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£95.00The Pageant of London - Frank Bridge
Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge's best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The music is tuneful, approachable and, in the words of wind band 'legend' Timothy Reynish makes a fine alternative toHolst's two suites, which were composed around the same time. Reynish has introduced this work to concert bands right across the world. It has been performed in USA and the Far East, recorded by the celebrated Kosei Wind Orchestra of Japan and alsoby the BBC National Orchestra of Wales in the Chandos edition of Bridge Orchestral Music.
Estimated dispatch 7-14 working days
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£79.99Gloriana - Jay Bocook
Commissioned by Furman University for the inauguration of its 12th president, Jay Bocook's Gloriana is based on The Faerie Queene, an incomplete English epic poem written by Edmund Spenser and dedicated to Queen Elizabeth I. Inthe poem, Queen Elizabeth is represented as the faerie queene herself, Gloriana. This stately work for winds and percussion has a regal quality enhanced by soaring melodies and punctuated with fanfare-like brass figures. Theoptional organ part provides an added dimension to the overall uplifting effect. Dur: 3:20 (Recorded by the Furman University Wind Ensemble - Leslie Hicken, conductor)
Estimated dispatch 7-14 working days
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£202.99Missa Tornacum - AndrĂ© Waignein
Flicien Doyen, the President of the Tornacum Royal Choir Circle of Tournai (Belgium) and a close friend of the composer commissioned this Mass. Missa Tornacum was originally composed for mixed choir and organ, gave a memorable performance of thepiece in the Chartres Cathedral in France.Although it does not include the Credo, the work is composed according to the traditional structure of a Mass in five parts : Kyrie, Gloria, Sanctus, Agnus Dei, and Ite missa est. En the first two parts, adialogue is created between the choir and the band. It is followed by the Sanctus cycle ("Sanctus" - "Hosanna" - "Benedictus"), which is remarkable for the contrasts between the tone colorscharacterizing each of its three parts. The fourth part,Agnus Dei, takes on a tone of serene intimacy. A free counterpoint draws this section to a close by fading into an almost imperceptible quietness. Ite missa est begins with a series of imitations, which develop into a majestic and cheerful passagemarking the end of the Mass. Choir parts are available separately.
Estimated dispatch 7-14 working days
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£76.99
Scenes of Russia - Johan Nijs
This delightful concert work takes you on a journey to two of Russia's most famous cities. In the first movement, Moscow, you are treated to world famous sights such as Red Square, the Kremlin, and the famous water organ in GorkyPark. In the second movement you visit the ancient city of St. Petersburg, which has acted as an inspiration for many artists and composers, including Tchaikovsky, Dostoyevsky and Pushkin. Add the sparkle of a little Russianspirit to any concert with this descriptive composition. Dur: 5:00 (Grade 2)
Estimated dispatch 7-14 working days
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£66.00Variations on Mein junges Leben hat ein End - Jan Pieterszoon Sweelinck
Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.
Estimated dispatch 7-14 working days
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