Results
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£169.99Tales and Legends from Savoy (Concert Band - Score and Parts) - Aulio, Maxime
Maxime Aulio was so enthralled by Monique de Huetras' book Contes et l?gendes de Savoie, which contains tales and legends from the depths of the earth to the tops of the mountains, that he had to translate it into music. Music presents the perfect medium to add colour to the stories and life to the characters. Like voices from the past The Bilberry Fairy and the Chamois, The Magic Stick and The Lady from Val de Fier all appear for a while, and time stands still as you are told The Legend of Duvallon.
Estimated dispatch 7-14 working days
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£164.95Roman Trilogy (Prestige Concert Band - Score and Parts) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra).
Estimated dispatch 7-14 working days
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£37.95
Roman Trilogy (Prestige Concert Band - Score only) - Ellerby, Martin
This work falls into three movements, all concerned with the subject of the Italian capital city of Rome, rather like previous tributes to other European citites in Paris Sketches, Venetian Spells and The Cries of London. The emphasis is on atmosphere and drama, be they respectful or joyful! It is acknowledged that Ottorino Respighi has influenced this work though his own eternal Rome tributes are not challenged here, rather saluted and celebrated.The three movements are: 1. Collosea di Romaan evergrowing march mood, builds in intensity and density as we approach the mighty Colosseum, the amphitehatre of Classical Rome, where deadly spectacles were once played out. We should not forget that countless thousands died here whilst even more laughed in the name of entertainment: their memory is reflected in the coda. In its unique way this icon of Rome is one of the most tragic historical places.2. Capella Sistinathe Sistine Chapel of the Vatican City is observed in a series of chorales and interludes. The visitor can look 360o around and be presented with a series of Biblical representations and commentaries. The music attempts to reflect these contrasting panels whilst ultimately bowing to the glory of this magnificent artistic creation. The coda is enigmatic, inconclusive - a single viewing cannot reveal all the mysteries and beauties within. 3. Fonatani di Trevitime for laughter and fun! The Trevi Fountain is one of Rome's finest and visually overboard locations! This is indicated as a Burletta: 'a la dolce vita' which means 'the sweet life'. This burletta (meaning 'little joke') makes use of tarantella and saltarello rhythms and features a pair of tambourines which are associated with these forms. La Dolce Vita was also a film by the renowned Italian director Federico Fellini featuring a memorable scene in the Trevi with a wet Enita Ekberg: something modern day visitors are discouraged from emulating!Duration: 11:15Recorded on Polyphonic QPRM161D ROMAN TRILOGY (TheRoyal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£87.12Up From Earth's Center
This brilliant programmatic work from the pen of Rob Romeyn is an incredible display of beauty, sensitivity, emotion and vigorous intensity. The journey begins on the morning of the great 1868 Hawaii earthquake. Peaceful and beautiful sounds of the black sand beach of Punalu'u are heard as the sun rises. The music then develops, first with a statement of the traditional melody "The Earth Is Our Mother" to remind us to respect Mother Earth and be mindful of her incredible powers. As the tempo quickens we are musically transported into the events of the fateful day, as the earthquake and resulting Tsunami ensued. As the movement of the earth subsides, we return to the beach of Punalu'u as Mother Earth begins her renewal of new life. Certain to become a classic for concert and festival use, this is music of highest quality!
Estimated dispatch 7-14 working days
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£19.95VIZCAYA (Prestige Concert Band Extra Score) - Vinter, Gilbert - Lamb, Kevin
Extra Score. Vizcaya, in common with some other of Vinter's 'lighter' pieces started life as an orchestral work. Always interested in national music of other countries Gilbert wrote an atmospheric piece Fete Basque describing a festival in the Basque region of South-West France. This intoxicatingly optimistic piece, full of Mediterranean sunshine, has been arranged for wind band by Kevin G. Lamb. (Grade 5) Performance time 9'06" (Recorded on QPRM148D VIZCAYA, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£99.95
VIZCAYA (Prestige Concert Band Set) - Vinter, Gilbert - Lamb, Kevin
Score and Parts. Vizcaya, in common with some other of Vinter's 'lighter' pieces started life as an orchestral work. Always interested in national music of other countries Gilbert wrote an atmospheric piece Fete Basque describing a festival in the Basque region of South-West France. This intoxicatingly optimistic piece, full of Mediterranean sunshine, has been arranged for wind band by Kevin G. Lamb. (Grade 5) Performance time 9'06" (Recorded on QPRM148D VIZCAYA, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£134.99Dionysos - Thomas Doss
This work is based on the story of Dionysus, the god of wine. It depicts village life in the valley of Mount Olympus. A fight disturbs cheerful dancing at the wine festival and the music becomes increasingly dominated by the main theme that depicts Dionysus himself. This impressive programmatic work is suitable for concerts or contests, and offers challenges throughout the music.
Estimated dispatch 7-14 working days
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£164.99Early Hungarian Dances - Ferenc Farkas
The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form of tablature notation. My interest in this music was first captured in the 1940s. I was so fascinated that I decided to give these melodies new life. I fitted the little eight-bar dances together into ternary and rondo forms, and leaning on early Baroque harmony and counterpoint, I attempted a reminiscence of that atmosphere of the provincial Hungarian Baroque.
Estimated dispatch 7-14 working days
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£107.50Up From Earth's Center - Rob Romeyn
This brilliant programmatic work from the pen of Rob Romeyn is an incredible display of beauty, sensitivity, emotion and vigorous intensity. The journey begins on the morning of the great 1868 Hawaii earthquake. Peaceful and beautiful sounds of the black sand beach of Punalu'u are heard as the sun rises. The music then develops, first with a statement of the traditional melody "The Earth Is Our Mother" to remind us to respect Mother Earth and be mindful of her incredible powers. As the tempo quickens we are musically transported into the events of the fateful day, as the earthquake and resulting Tsunami ensued. As the movement of the earth subsides, we return to the beach of Punalu'u as Mother Earth begins her renewal of new life. Certain to become a classic for concert and festival use, this is music of highest quality!
Estimated dispatch 7-14 working days
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£141.99Jalan-Jalan - Shin'ya Takahashi
Jalan-jalan was inspired by the music of Bali, Indonesia based upon its unique melodies, modes and rhythms. As part of the independent archipelago "Ryukyu", Okinawa (southernmost Japan) had an active exchange with Bali that included cultural and musical influences. Jalan-jalan means "walkabout" or "walking journey" in Indonesian. It describes a walk in the so-called Isle of the Gods, encountering Bali's beautiful scenery and daily life. Its four themes include "Dawn," "Morning Market," "Beach in Early Afternoon" and "Kecak Dance (a form of Balinese dance and music drama, performed primarily by men) in Torchlight."An imposing pesante introduction will properly establish this song's mood. Boldly balance winds and percussion to the prominent timpani solo. At Allegro Vivo, observe the lighter abbreviated scoring and balance melody/countermelody at E. Melodies are elongated at the Grazioso, and tenor/bass rhythm figures need enough separation to be felt. The urgent-feeling Presto must initially be reserved except for the percussive "slaps"; same thing again at O. The daunting rhythmic figure at Q is actually a chattering effect-combine the two elements to teach continuity and placement. Don't "over blow" the ending, but continue to emphasize unique rhythmic elements.(Shin'ya Takahashi)
Estimated dispatch 7-14 working days
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