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  • £66.00

    Variations on Mein junges Leben hat ein End - Jan Pieterszoon Sweelinck

    Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.

    Estimated dispatch 7-14 working days
  • £58.50

    Yellow - Robert W. Smith

    "Yellow" is a delightful and energetic selection for concert and festival performance. As the third movement from "Krisanna's Colors," the piece is inspired by her color choice used to describe a bright, happy and energetic day. The infectious melody is presented throughout the band including a fugue statement. You may consider programming "Yellow" (Mvt. 3) along with "Blue" (Mvt. 2) for even greater effect. An excellent choice for your concert/festival program!

    Estimated dispatch 7-14 working days

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  • £109.99

    Catedrales - Bert Appermont

    Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.

    Estimated dispatch 7-14 working days

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  • £68.99

    Fairy Tail Suite - Tsutomu Tajima

    This work was complete in January 2013 to commemoration the 50th anniversary of the Iwate Prefecture Band Association. Conditions at the request were as follows:1: Does not have to be particularly relating to Iwate. It should be something that would be widely familiar to the whole country. 2: Should suit the contest piece requirements. 3: Must be a song that can be used at a graduation ceremony for student procession and recessional.4: Must include vocal parts with a beautiful melody.5: Must be a march.6: Must be a song that would be loved by many.They are difficult requests. I hope to satisfy at least one of them.We selected Yanagida Kunio's book "Tono Monogatari" as the cornerstone of the work, chose four stories that fit the image, and stuck close to the source of the story. Then, "prelude music" was added, making it a suite consisting of five movements.I. "Prelude" What kind of story will it be? An exciting opening expresses such a feeling.II. "Zashikiwarashi" Spirit that brings good fortune and wealth. It appears at midnight and makes mischief, something silly, not serious. Zashikiwarashi moves quickly, dances, plays its games, hiding and reappearing often. These characteristics are considered cute and the music depicts such a mischievous Zashikiwasi.III. "Oshirasama" A girl and her horse love each other. Her father forbids this, and kills the horse. The beautiful daughter clings to the horse and cries. Eventually, the daughter and the horse rise to heaven, slowly and gradually, remembering former happy days. The music captures this ascension to heaven.IV. "Yamanba (Mountain witch)" Run away, run away, its chasing, still chasing. Run away, and still chasing. The girls hides. Yamanba searches. It keeps chasing, endlessly, following her everywhere. Chasing, chasing, and finally... Seriously and comically depicting the chase situation in fugue style.V. "Kappa" Staring into the distance. It looks gallant. What is it looking at? Staring beyond the mountain? Perhaps it is longing for hope and happiness. This is an homage, a march, and cheering song for Kappa who never gives up and embraces dreams and hope.It is my wish that many people become familiar with this song.(2013.3.31 Tsushima Tashima)

    Estimated dispatch 7-14 working days

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  • £72.95

    Philharmonic Phun Phest - Joseph Compello

    This is a clever medley of classical favorites that kicks off with a grandiose setting of the opening of Bach's Toccata and Fugue in D Minor, continues with excerpts from Johann Strauss' beloved Blue Danube Waltz and the opening theme of Mozart's Eine Kleine Nachtmusik and concludes with the rollicking Can-Can from Gait?? Parisienne. A light-hearted medley that is a delight to experience and a perfect way to introduce these classic pieces to young performers. Duration: 2'20 Key: Bb Ranges: Trumpet - D, Horn - D, Trombone - C

    Estimated dispatch 7-14 working days
  • £123.95

    Symphonic Overture - Charles Carter

    Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three-part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the exposition concludes, the contrapuntal texture gives way to a homophonic quality which closes the piece.The coda, as is characteristic, utilizes material from the first theme.

    Estimated dispatch 7-14 working days
  • £53.95

    Chorale and Mystic Chant - Timothy Loest

    The theme is presented in different textures and students will explore the basic components of a fugue in an easy setting. Listeners and performers alike will be excited by the rhythmic drive of the percussion. In addition, consider using the opening as a daily chorale to work on intonation with your ensemble.

    Estimated dispatch 7-14 working days
  • £228.70

    Konsertouverture - Viktor Widqvist

    This piece was composed in 1937 in the composer's later part of life. Here, Widqvist shows his broad competence as a composer by using both classic marching and late-romantic thematic elements with exciting harmonic twists. In addition, you can find a perfect fugue where the composer shows that he masters this advanced composition technique. One can imagine that Widqvist wanted to show off his entire repertoire of knowledge to take the lead in the unspoken competition with colleague and friend Sam Rydberg. Rydberg had several years earlier composed a concert overture with a similar form. However, this piece is simpler in its design and lacks the technical brilliance that Widqvist shows in his contrapuntal treatment and harmonious diversity.The concert overture was re-orchestrated in 1939 by the composer for symphony orchestra, and it is this version and the original score for a large military orchestra that form the basis for this edition. My aim has been to keep all of Widqvist's original intentions, but still make use of all the possibilities of the modern symphonic wind orchestra. The composer's own arrangements for symphony orchestra have been of great help in this work.- Niclas Blixt -

    Estimated dispatch 7-14 working days
  • £145.50

    Afternoon Games - Eric Ewazen

    OLD SETTLERS' PICNIC is a is a four-movement suite for Band by Eric Ewazen, arranged by Virginia Allen; each movement is published separately. Composed with high school performers in mind, the suite was inspired by an 1890s photograph and descriptions of a Wisconsin town's "Old Settlers" celebration. AFTERNOON GAMES are depicted with a Vivace scherzo in 6/8. The running and skipping leads to an extended fugue for a copycat game before returning to the opening theme.

    Estimated dispatch 7-14 working days
  • £71.50

    Bach's Toccata and Minuet - Johann Sebastian Bach

    Two of Bachs most popular and best known compositions, Toccata and Fugue in D Minor and Minuet in G are combined for the first time in this work, enabling young performers to enjoy playing two of the most famous musical themes ever written. ( 2 minutes 10 seconds)

    Estimated dispatch 7-14 working days