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£83.50Earhart - Robert W. Smith
The legend of Amelia Earhart continues to capture the imaginations of aviators and historians worldwide. Earhart, a pioneer in aviation and in women's rights, began her final journey in the United States and crossed multiple continents. Robert W. Smith has drawn upon Earhart's final flight to create this unique musical composition. Following the opening "takeoff," the composer was inspired by the indigenous sounds of the various continents in Earhart's flight path. From a unique fugue inspired by the music of Central and South America to a lyrical statement from the Dark Continent, the listener is transported on a musical journey that will capture the imagination. Following a dark and powerful percussion statement with Asian overtones, the journey ends not in tragedy but in celebration as the original flight theme returns. An excellent choice for any concert setting!
Estimated dispatch 7-14 working days
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£50.50Valiance: A Heroic Overture for Band - Robert W. Smith
Robert W. Smith's majestic and powerful original work for the beginning band will be a valued addition to your concert or festival program. Bold and exciting, "Valiance: A Heroic Overture for Band" is composed using only a one octave range for each instrument. Teaching opportunities abound including a short fugue that leads to the dramatic conclusion. An excellent addition to the beginning band repertoire!
Estimated dispatch 7-14 working days
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£140.50Four Dances - wind band score & parts - Leonard Bernstein
1. Scherzo 2. Mambo 3. Cha-cha 4. Cool (Fugue)
Estimated dispatch 7-14 working days
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£294.99Concerto for Horn and Band - Bert Appermont
Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armnica from Buol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.
Estimated dispatch 7-14 working days
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£159.99Ouverture To The Three Angels - Jelle Tasseyns
This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 7-14 working days
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£72.99Ascend - Samuel R. Hazo
Composed for Tapp Middle School in Powder Springs, GA and premiered at the 2005 Midwest Clinic in Chicago, Ascend is a driving and energetic work designed to sound great with younger bands. The combination of mixed meters and syncopation gives the main theme a unique edge, and there is a brief 3-part fugue woven into the texture of the piece. Sure to provide a rewarding and varied musical experience for your players. Dur: 3:05 (Includes Full Performance CD)
Estimated dispatch 7-14 working days
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£60.99Fright Night
Halloween is always one the highlights of the fall season. Why not add a little drama and excitment to your fall concert with some classic scary themes? Featuring Toccata and Fugue in D Minor, Funeral March of the Marionette,Theme from Jaws, Addams Family Theme, Night on Bald Mountain and Thriller, this may very well become the hit of the concert!
Estimated dispatch 7-14 working days
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£52.95'Tis the Season (Concert Band - Score and Parts) - Beck, Brian
Delight your holiday audiences with a charming and colourful set of variations on this popular Christmas carol. A jolly setting leads to a Spanish bolero, a march, and a Bach-style fugue, ending with a traditional setting full of holiday spirit!Duration: 2.15
Estimated dispatch 7-14 working days
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£150.00Prologo e Fantasia (Concert Band - Score and Parts) - Walton, William - Noble, Paul
William Walton's last 'original' work of note was the Prologo e Fantasia in 1981-2, commissioned by Mstislav Rostropovitch and the National Symphony Orchestra in Washington D.C. It was first performed in London by Rostropovitch and the National Symphony Orchestra. The work consists of three sections. The first movement forms the Prologo, which is slightly reminiscent of the French Overture. The Fantasia opens briskly with characteristic Waltonian energy, and leads, after a climax, into the thematically connected final section Fuga finta (or 'make-believe fugue'). Note to conductors: orchestra performances of this work vary significantly, from a total length of just under five minutes in one performance to over six minutes and forty seconds in another. The audio presented with this arrangement is somewhat in the middle of the timings. So the metronomic markings may not necessarily be taken literally.
Estimated dispatch 7-14 working days
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