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£53.95
Chorale and Mystic Chant - Timothy Loest
The theme is presented in different textures and students will explore the basic components of a fugue in an easy setting. Listeners and performers alike will be excited by the rhythmic drive of the percussion. In addition, consider using the opening as a daily chorale to work on intonation with your ensemble.
Estimated dispatch 7-14 working days
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£78.99Benjamin Franklin and the Art of Music - Robert W. Smith
Benjamin Franklin's love for the art of music was well documented in American history. Robert W. Smith has selected three musical moments in Ben Franklin's life and created this unique composition for the concert band. Beginning with a setting of "My Plain Country Joan." a song composed as an anniversary gift to his wife, Franklin's jovial personality is evident through the timelessness of his music. The second section is based on Franklin's glass armonica. The delicate and ethereal sounds of this beautiful instrument provide a quiet moment of reflection for all. The finale is based on Franklin's "magic squares." an arrangement of numbers in a square where all rows, columns and diagonals add to the same sum. Robert W. Smith extracted the melody based on the numeric sequence in a 3 x 3 magic square. The resulting musical statement and fugue truly shows the close relationship between mathematics and music. An amazing concept, an amazing cross-curricular piece!
Estimated dispatch 7-14 working days
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£83.50Earhart - Robert W. Smith
The legend of Amelia Earhart continues to capture the imaginations of aviators and historians worldwide. Earhart, a pioneer in aviation and in women's rights, began her final journey in the United States and crossed multiple continents. Robert W. Smith has drawn upon Earhart's final flight to create this unique musical composition. Following the opening "takeoff," the composer was inspired by the indigenous sounds of the various continents in Earhart's flight path. From a unique fugue inspired by the music of Central and South America to a lyrical statement from the Dark Continent, the listener is transported on a musical journey that will capture the imagination. Following a dark and powerful percussion statement with Asian overtones, the journey ends not in tragedy but in celebration as the original flight theme returns. An excellent choice for any concert setting!
Estimated dispatch 7-14 working days
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£50.50Valiance: A Heroic Overture for Band - Robert W. Smith
Robert W. Smith's majestic and powerful original work for the beginning band will be a valued addition to your concert or festival program. Bold and exciting, "Valiance: A Heroic Overture for Band" is composed using only a one octave range for each instrument. Teaching opportunities abound including a short fugue that leads to the dramatic conclusion. An excellent addition to the beginning band repertoire!
Estimated dispatch 7-14 working days
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£159.99Ouverture To The Three Angels - Jelle Tasseyns
This overture was written in 2000 and pays homage to the composer Paul Hindemith. The composition is based on "Es sungen drei Engel. The song dates back to the 12th century and was originally a Christmas carol. Mahler used this melody in his 'Des Knaben Wunderhorn' and in the finale of his third symphony. Paul Hindemith also uses this melody as a chorale in the 'Engelkonzert' of his 'Mathis der Maler' symphony. This melody is not only used extensively in the 'Overture to The Three Angels', it also forms the main theme of the entire central piece. In this central piece, the melody can first be heard as a fugue by the woodwind instruments and then by the brass instruments andultimately ends in a grand tutti which features all the themes of the entire work. The first and the last part of the composition are not based directly on the chorale melody but constitute a contemporary commentary of the central part. These are not literal references but rather the sounds of the heralds.
Estimated dispatch 7-14 working days
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£267.99Between the Two Rivers - Philip Sparke
Between the Two Rivers was commissioned by Fanfare 'Prins Hendrik', from Aalst in the Netherlands. The title derives from the fact that the town of Aalst lies between two tributaries of the River Dommel. The community is a highly religious one, so the famous Luther chorale, Ein' Feste Burg, was an obvious choice for Philip Sparke to use as the theme for this new work. It takes the form of a theme with four contrasting variations. Variation 1 is a moto perpetuo, variation 2 has a slower march like feel, variation 3 is a sinister slow movement and the final variation is in the form of a lyrical fugue. Between The Two Rivers is sure to become a major work in modern concert bandrepertoire.
Estimated dispatch 7-14 working days
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£294.99Concerto for Horn and Band - Bert Appermont
Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armnica from Buol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£104.99Jubilant Prelude - Toon Hagen
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 7-14 working days
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£279.99Analecta Varia - Harrie Janssen
Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.
Estimated dispatch 7-14 working days
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