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£74.99Contrapunctus IX - Johann Sebastian Bach
Composed in the last year of Bach's life, "Contrapunctus IX" is an exciting double fugue that has been adapted to provide an exciting and challenging work for the modern concert band-wind ensemble. Full of independence throughout, every part is important and all sections get plenty of chances to shine in this powerful arrangement which will be a true showcase for better bands. An impressive choice for any concert or contest performance!
Estimated dispatch 7-14 working days
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£85.50Carolina's Majesty - David Shaffer
Carolina's Majesty captures the grace and beauty and of the Blue Ridge Mountains. Opening with a dialogue between brass section fanfares and lyrical woodwind statements the piece quickly develops into a soaring melody first heard in the woodwinds and then passed through the brass section. The slower middle section weaves the flowing melodic material between all choirs of instruments and a unique fugue inspired by the opening melodies leads us to a majestic and energetic conclusion. With emphasis on melodic development throughout the composition, this powerful composition is an excellent choice for any concert or contest setting.
Estimated dispatch 7-14 working days
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£58.50Yellow - Robert W. Smith
"Yellow" is a delightful and energetic selection for concert and festival performance. As the third movement from "Krisanna's Colors," the piece is inspired by her color choice used to describe a bright, happy and energetic day. The infectious melody is presented throughout the band including a fugue statement. You may consider programming "Yellow" (Mvt. 3) along with "Blue" (Mvt. 2) for even greater effect. An excellent choice for your concert/festival program!
Estimated dispatch 7-14 working days
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£109.99Catedrales - Bert Appermont
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.The work "Catedrals" opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme "Salve Regina" which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is basedentirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Estimated dispatch 7-14 working days
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£68.99
Fairy Tail Suite - Tsutomu Tajima
This work was complete in January 2013 to commemoration the 50th anniversary of the Iwate Prefecture Band Association. Conditions at the request were as follows:1: Does not have to be particularly relating to Iwate. It should be something that would be widely familiar to the whole country. 2: Should suit the contest piece requirements. 3: Must be a song that can be used at a graduation ceremony for student procession and recessional.4: Must include vocal parts with a beautiful melody.5: Must be a march.6: Must be a song that would be loved by many.They are difficult requests. I hope to satisfy at least one of them.We selected Yanagida Kunio's book "Tono Monogatari" as the cornerstone of the work, chose four stories that fit the image, and stuck close to the source of the story. Then, "prelude music" was added, making it a suite consisting of five movements.I. "Prelude" What kind of story will it be? An exciting opening expresses such a feeling.II. "Zashikiwarashi" Spirit that brings good fortune and wealth. It appears at midnight and makes mischief, something silly, not serious. Zashikiwarashi moves quickly, dances, plays its games, hiding and reappearing often. These characteristics are considered cute and the music depicts such a mischievous Zashikiwasi.III. "Oshirasama" A girl and her horse love each other. Her father forbids this, and kills the horse. The beautiful daughter clings to the horse and cries. Eventually, the daughter and the horse rise to heaven, slowly and gradually, remembering former happy days. The music captures this ascension to heaven.IV. "Yamanba (Mountain witch)" Run away, run away, its chasing, still chasing. Run away, and still chasing. The girls hides. Yamanba searches. It keeps chasing, endlessly, following her everywhere. Chasing, chasing, and finally... Seriously and comically depicting the chase situation in fugue style.V. "Kappa" Staring into the distance. It looks gallant. What is it looking at? Staring beyond the mountain? Perhaps it is longing for hope and happiness. This is an homage, a march, and cheering song for Kappa who never gives up and embraces dreams and hope.It is my wish that many people become familiar with this song.(2013.3.31 Tsushima Tashima)
Estimated dispatch 7-14 working days
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£279.99Analecta Varia - Harrie Janssen
Harrie Janssen composed Analecta Varia in memory of Henk van Lijnschooten (1928-2006). He has been of great influence on the Dutch music for wind instruments. As a conductor and as a member of the jury, but above all as a prominent composer. Consists of eight sound studies that can also be performed separately. In each part a particular orchestral aspect is the central point. The eight parts 1. Choral: ensemble in monophonic texture. 2. Air: relatively free line patterns combined with a constant pulse. 3. Pavana: constant rhythmicity culminating in an orchestral tutti. 4. Lullaby: dissonant harmonyabove an organ point in a filigree instrumentation. 5. Chaconne: color and virtuosity combined with a rigid pasacaglian theme. 6. Interlude: antithesis woodwind/brass and followed by a synthesis of the before. 7. Fugue: ensemble in a polyphonic texture. 8. Epilogue: final canto in a preponderating strong dynamic, where a constant euphony has to be pursued.
Estimated dispatch 7-14 working days
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£228.70Konsertouverture - Viktor Widqvist
This piece was composed in 1937 in the composer's later part of life. Here, Widqvist shows his broad competence as a composer by using both classic marching and late-romantic thematic elements with exciting harmonic twists. In addition, you can find a perfect fugue where the composer shows that he masters this advanced composition technique. One can imagine that Widqvist wanted to show off his entire repertoire of knowledge to take the lead in the unspoken competition with colleague and friend Sam Rydberg. Rydberg had several years earlier composed a concert overture with a similar form. However, this piece is simpler in its design and lacks the technical brilliance that Widqvist shows in his contrapuntal treatment and harmonious diversity.The concert overture was re-orchestrated in 1939 by the composer for symphony orchestra, and it is this version and the original score for a large military orchestra that form the basis for this edition. My aim has been to keep all of Widqvist's original intentions, but still make use of all the possibilities of the modern symphonic wind orchestra. The composer's own arrangements for symphony orchestra have been of great help in this work.- Niclas Blixt -
Estimated dispatch 7-14 working days
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£82.50Exploration - Jim H. Johnson
An uplifting and energetic work that utilizes catchy themes, excellent orchestration, and creative harmonies to capture the excitement of the human spirit when we push the boundaries and limits of discovery. A brass and percussion fanfare opening builds into a memorable and engaging main theme. The lyrical middle section features creative harmonies and lush scoring. The piece concludes with a powerful and triumphant ending that will lift the audience out of their seats! An excellent opportunity to showcase your ensemble's technical and musical skills as well as give your players experience in counterpoint and fugue.
Estimated dispatch 7-14 working days
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£72.95
Philharmonic Phun Phest - Joseph Compello
This is a clever medley of classical favorites that kicks off with a grandiose setting of the opening of Bach's Toccata and Fugue in D Minor, continues with excerpts from Johann Strauss' beloved Blue Danube Waltz and the opening theme of Mozart's Eine Kleine Nachtmusik and concludes with the rollicking Can-Can from Gait?? Parisienne. A light-hearted medley that is a delight to experience and a perfect way to introduce these classic pieces to young performers. Duration: 2'20 Key: Bb Ranges: Trumpet - D, Horn - D, Trombone - C
Estimated dispatch 7-14 working days
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£123.95Symphonic Overture - Charles Carter
Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three-part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the exposition concludes, the contrapuntal texture gives way to a homophonic quality which closes the piece.The coda, as is characteristic, utilizes material from the first theme.
Estimated dispatch 7-14 working days
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