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£87.00
Hoe Down -from Rodeo - Aaron Copland
Aaron Copland (1900-1990) has been called the Dean of American Composers. He was one of the first composers to use American folk idioms in his music. Hoe Down is taken from the ballad Rodeo, composed in 1942. From the ballet,Copland extracted Four Dance Episodes to form an orchestral suite for the concert hall: Buckaroo Holiday, Coral Nocturne, Saturday Night Waltz, and Hoe Down. Hoe Down uses the square-dance tunes of Bonaparte and McLeod's Reel.Polyrhtyhms are derived from the jazz idiom - thus, making the work light, humorous, and full of zest. (3:00)
Estimated dispatch 7-14 working days
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£64.99
Legends of the West - John Cacavas
The musical heritage of America owes a great deal to the folk music of the West. From the square dances to the mining songs, our culture has benefited immensely. This suite of pieces attempts to capture that feeling of those earlydays, both in spirit and in melody. (5:40)
Estimated dispatch 7-14 working days
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£43.99Appalachian Whisper - Jennifer Sutton McDonel
Written in the tradition of Appalachian folk music, the simplicity of the scoring and flexibility of instrumentation makes this an ideal choice for young ensembles. The delightful melody is passed around from section to section creating melodic interest for the players and your audience. The optional lyrics that are included allow the addition of a soloist or small choral ensemble to enhance the overall effect of this charming setting.
Estimated dispatch 7-14 working days
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£92.99Little English Suite - Clare Grundman
Published in 1968, this classic suite presents appealing and well-designed settings of four traditional English folk songs. Includes The Leather Bottel, a rollicking 6/8 melody, followed by Roving and We Met which provide a lyriccontrast, and finally The Vicar of Bray, which concludes the suite in a grand and stately style. Quality and timeless writing for any ensemble! Dur: 6:15
Estimated dispatch 7-14 working days
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£84.99
Dance of the Chabad Chassidim
As a musician, Armonia Serrano is very familiar with folk music. Drawing from her experience, she has made this appealing arrangement, which stays close to the original work. This catchy traditional melody makes it impossible for your audience to stay in their seats!
Estimated dispatch 7-14 working days
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£109.99
Simi Jadech - Willy Fransen
Simi Jadech is Hebrew for "give me your hand". This work was commissioned by the royal wind band "De Heidegalm Heusden- Berkenbos", Belgium. The composer based his composition on a Jewish folk song of the same name which is characterised by the typical Klezmer style. This is an excellent work, suitable for competitions or concerts. It has sufficient instrumentation throughout and can therefore be performed by most orchestras.
Estimated dispatch 7-14 working days
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£244.99
Zenith of Maya - Satoshi Yagisawa
By 200 B.C. the Mayan civilization was expansive, from the Yucatan Peninsula well into Central America. Their highly advanced technology still amazes us today, including their discovery of an accurate calendar derived from detailed astronomical observations and the use of the "0" in sophisticated mathematics.I. Royal ceremony and sacrifice of renewalThe first movement describes Mayan civilization at its zenith. An initial theme heralds admiration for a great king. A graceful choral then captures the magnificent setting of the Mayan world. After a folk melody for the populace, the agitated scene of a sacrificial ceremony is portrayed. The regal theme appears again in the coda, concluding in brilliance. This great civilization vanished in 10 A.D., leaving only remnants of a remarkably prosperous world. Thousands of ruins large and small remain locked in a dense world of jungle, with huge crumbled cities having lain forgotten for eight centuries.II. Glorious ruins still ariseII characterizes this civilization from glory, to destruction, to the present with its buried ruins. To begin, stone cities wait silently cloaked in jungle, steadfastly eluding discovery. As time passes slowly, the music reflects back to the glory of the Maya. Though wishing to turn back the hands of time for this incredible civilization, its fate and the gravity of its loss are carried forward in the profound silence of eternal loss. Finally, in the present, we marvel at the thousands of elegant remains, with a choral of praise for those with remarkable wisdom and strength, in a spectacular conclusion.(Satoshi Yagisawa)
Estimated dispatch 7-14 working days
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£202.99Gloriosa - Symphonic Poem for Band Movement 1 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£209.99
Gloriosa - Symphonic Poem for Band Mvt 2 & 3 - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly and eloquently states the case of cross-cultural conflict and resolution.I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokes the fervent prayers and suffering of the Crypto-Christians.II. CantusIII. Dies FestusCommissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century by Roman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized". For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually `Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis of Gloriosa."Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated dispatch 7-14 working days
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£67.95
Kum Ba Yah
One of the best known African folk melodies is given a variety of settings in this sensitive and imaginative arrangement. The scoring is colorful and the piece is a great way to introduce stylistic contrasts between the legato and marcato styles of playing. Duration: 2'
Estimated dispatch 7-14 working days
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