Results
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£35.95Romance (Concert Band - Score and Parts) - Wiffin, Rob
This simple little romance was written in the style of a Catalan folk song. It is entirely original but was undoubtedly influenced by the arrangements of Catalan folk songs for guitar by Miguel Llobet (1878-1938). Typical of the style, the tune is in 6/8 with a gentle lilt and has just one rather refined outburst of passion before retreating back into its shell. Duration: 3.30
Estimated dispatch 7-14 working days
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£91.00Nedslatt, Sorgemarsj (Dead End, Funeral March) (Concert Band - Score and Parts) - Olsen Vadsten, Oystein
An addition to the composer's series of folk music inspired pieces, has the slightly condescending title "Dead End". The piece is a funeral march and so also written for an occasion, where this style of music was a natural inspiration. It is built on a drum ostinato, which is followed by a melody in Norwegian folk music style. The repetitions in the melody line and rhythm, create a hypnotic effect, leaving us in a special state of mind, alternating between deep sorrow, bottomless despair and grateful gratitude. The piece has proven to be effective, both as a concert opener and as the last piece in a concert. Duration: 6.10
Estimated dispatch 7-14 working days
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£48.70First Sounds for Junior Band, Volume 1 (Flexible Ensemble - Score and Parts) - Wood, Stephen D.
4 Part Flexible Ensemble and PercussionIncludes:Three Warm-Ups For BandThree Folk Songs For BandStateside MarchChaconne and VariationsMorning Mood (Grieg)Fantasy on Three French Folk SongsTheme from Symphony No.9 (Beethoven)Brass BopA Christmas Fantasy
Estimated dispatch 7-14 working days
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£53.95Japanese War March (Concert Band - Score and Parts) - Rath, Eric
Based on the folk song, Kokirko Bushi. Kokiriko Bushi is long believed to be the oldest folk song in Japan. Normally, this song is presented in a serene setting, but has a new life as an up-tempo, war-like march. A vast array of authentic sounds is used, inspired by Japanese Noh Theater. Duration: 2:30
Estimated dispatch 7-14 working days
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£53.95The Cuckoo (Concert Band - Score and Parts) - Stalter, Todd
The Cuckoo is a traditional English folk song that is also common in Canada, Ireland, and Scotland. In the United States, it is most often associated with Appalachian folk tradition, and features the familiar bird's call, which is clearly heard throughout the piece. Duration: 2:15
Estimated dispatch 7-14 working days
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£36.95The Lark in the Morning (Concert Band - Score and Parts) - Wiffin, Rob
A vibrant folk dance set for full band. This is one of several folk tunes associated with this title. It's a jig in a minor key with suitable drumming which plays with and across (in hemiola style) the 6/8 rhythm. The setting is dramatic and intense while maintaining the feel of the jig. The outer sections are balanced by a quieter section which momentarily takes the heat out of the music before the dance takes over again and builds to a conclusion.Duration: 3.15
Estimated dispatch 7-14 working days
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£79.00As I Walked Through the Meadow (Concert Band - Score and Parts) - La Plante, Pierre
Pastorale on a Traditional English Folksong. Pierre La Plante is well-known for his mastery at creating concert band settings of folk tunes with Grainger-esque style. "As I Walked Through The Meadow" is a pastorale setting of a traditional English folk tune that, with careful attention to intonation and expressive playing, will give your ensemble's musicianship a chance to shine. The middle section is a variation on the main theme which returns, builds to a climax and ends quietly in a somewhat wistful manner. A beautiful choice for concert or contest change of pace. Outstanding music for wind band! Duration: 4.30
Estimated dispatch 7-14 working days
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£104.99Echoes from Russia (Concert Band - Score and Parts) - Van der Beek, Wil
To create the musical material of this medley, the arranger drew upon the rich arsenal of Russian folk songs and dances. Familiar traditional tunes have been combined with less well-known, but certainly no less interesting manifestations of folk music. In this attractive arrangement the following melodies are featured: The Volga Boatmen Song, The Jolly Chap, The Red Sarafan, The Forest Glade, The Nightingale and the Gopak. Duration: 7.30
Estimated dispatch 7-14 working days
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£53.50Green Bushes (MusicWorks Concert Band - Score and Parts) - Grainger, Percy Aldridge - Vinson, Johnnie
Through the years this well-known English folk song has been a favourite with composers including Ralph Vaughan Williams (English Folk Song Suite) and George Butterworth (The Bank of Green Willow). One of the best-known versions of Percy Grainger's 1921 setting for two pianos, and this delightful arrangement for young bands is based in part on Grainger's version.Duration: 2:45
Estimated dispatch 7-14 working days
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£140.00Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Noble, Paul
The following notes have been excerpted by the arranger from those presented in the Introduction by Imogen Holst, daughter of Gustav Holst: Holst wrote this work in the spring of 1932, while he was guest Lecturer in Composition at Harvard University. He had been asked by Nathaniel Shilkret to write 'a short radio piece, not longer than five or six minutes.' for a composers' series on folk music themes. Holst wrote to me on 13 May 1932, saying: 'On May 1 I started sketching a piece for Shilkret's Radio jazz band in New York. I finished the sketch on the 4th and the full score on the 8th... Shilkret wanted something on American airs but I've left them out because I prefer my own so he may reject the thing.' Shilkret was enthusiastic about the piece, but he was unable to use it for his series. 'I hate to give it up,' he told the composer, 'but I cannot play it because it is not based on a definite English or American folk theme.' Holst never revised his hurriedly-written work, probably because he had too many other things to write during the remaining two years of his life, when he was having to spend a good deal of his time in hospital. The autograph manuscript of his original full score is in the British Library, MS Add.47833. The work had no name: Holst referred to it either as his 'Jazz band piece' or as 'Mr. Shilkret's Maggot.' The score needed editing. There were gaps and patches, with incomplete dynamics and phrase marks. I made the version for orchestra and named it 'Capriccio' in spite of the viola's (now saxophone's) expressive opening, because from the moment of the marimba's first animated remark there can be no doubt about the mood of the music. - Imogen Holst (1968)
Estimated dispatch 7-14 working days
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