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£149.40Storsltt - Øystein Olsen Vadsten
"Storsltt" or in English "Grand Nordic Tune" is one of many original pieces written by composer ystein Olsen Vadsten. "Sltt" is a general term for music played to traditional Norwegian dances."Grand Nordic Tune" was a commissioned work for the Rlingen Musikklag's 70-year anniversary concert in 2022, where the piece was premiered. They wanted something a little pompous, and preferably something in the style of Nordic folk music, which the composer is known for. The title in Norwegian then was obvious, "Storsltt", which in Norwegian has a double meaning, both a big tune and, in a double meaning, pompous or magnificent.As usual, the starting point is a traditional Nordic dance form, and this time the choice fell on the distinctive Swedish "polska", which is played in . The dance, despite its name, reportedly has no connection to Poland, but is entirely of Scandinavian origin. It has been danced for centuries, and has also been called the devil's dance, because it had a hypnotizing effect on people, so that they could not stop, but danced themselves to death. Hence people thought that it must have been the devil who caused it.Traditionally, there is a lot of repetition in this type of music, which contributes to this hypnotic effect.
Estimated dispatch 7-14 working days
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£102.99Evening Rise - Bert Appermont
This work is based on five folk songs from different cultures. Each song brings its own atmosphere and character, giving rise to a musical journey across the world in one continuous whole. Featuring Evening Rise (America), Lo Yisa Goy (Israel), Sakura (Japan), Finnegans Wake (Ireland) and Siyahamba (South Africa). The Native American song Evening Rise functions as a sort of chorus and thus creates a certain unity; each time the melody is arranged in a different way.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£124.99Shamadan Dance - Thomas Doss
This work has been written within the framework of the Obertne project by the Bezirksblasmusikverband Linz-Land (Austria). It was dedicated to Anton Forstner as a thank you for his years of support to wind music in the Linz-Land District. The Shamadan is an old oriental folk dance full of symbolism in which a female dancer - often on the occasion of a wedding - balances a candelabra on her head as a token of spiritual light. In this work, the euphonium takes up the role of the dancer. At the very beginning, the soloist already has the opportunity to shine in an unaccompanied recitative. Next, the soloist and band alternate, and in the course of the work the band also plays an important part with various technical highlights. More variation is created with a solo passage accompanied by percussion and hand claps, culminating beautifully in a grand tutti towards the end of the piece. Challenging music with much to enjoy!
Estimated dispatch 7-14 working days
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£59.99Cutting of the Hay - Percy Aldridge Grainger
Concert bands everywhere will be thrilled to perform these new editions of Percy Grainger folk song settings, arranged for band by Brian S. Wilson. Originally published for voice and piano, both have been scored for band with the distinctive orchestration techniques that create the Grainger sound.
Estimated dispatch 7-14 working days
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£72.99March-Ohara - Satoshi Yagisawa
This work, composed as ceremonial music, was to be part of a march medley for the participants' entry for the 2019 Inter-High School Championships, held in Kagoshima Prefecture in Japan. It was given its world premiere by the Kagoshima Prefectural Shoyo High School Symphonic Band under the direction of their teacher, Junya Tateishi. This work, fusing Japanese folk songs with march music, will have a wide appeal much like its sister works March-Bou-Shu and March-Chagu-Chagu, also published by De Haske Publications (Hal Leonard Europe).
Estimated dispatch 7-14 working days
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£244.00Sinfonietta No. 3 "Zwlfmalgreien Sketches" Op. 56 - Franco Cesarini
In composing the Sinfonietta No. 3 "Zwlfmalgreien Sketches" , Franco Cesarini was inspired by the municipality of Zwlfmalgreien made up of twelve towns, villages and scattered districts which were incorporated into the city of Bolzano (South Tyrol, Italy), over one hundred years ago. The peculiarity of these places, different from each other, but all characterized by rare beauty have contributed to the creation of this 3-movement piece.The first movement - City Life- illustrates activities, tourists and shopping in some of the villages, followed by Mountain Shadowsa slow movement that describes the mountain hamlets where there is little sun in winter. The third and last movement - Classic Vineyards- is lively, in vivid contrast to the previous one. Lots of sun and warmth of the typical wine regions, with echoes of folk dances and Bacchic festivals coming from far away.
Estimated dispatch 7-14 working days
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£60.99Songs of the Sea
Sea shanties have long been a source of tuneful melodies and rollicking rhythms. Johnnie's setting for band features a wide variety of styles and textures, and is a great choice for contest or festival. Included are traditional folk melodies from The Drunken Sailor, The Bonnie Ship the Diamond, Rolling Down to Old Maui, and Wellerman.
Estimated dispatch 7-14 working days
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£48.60O Northern Star - Stephen Pollock
O Northern Star was originally composed for saxophone by Stephen Pollock, reminiscent of many an old folk song from the British Isles. Here, it has been arranged for Concert Band by Ryan Westberry.
Estimated dispatch 7-14 working days
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