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£79.00Poem for Flute and Concert Band - Charles Tomlinson Griffes
Poem, originally for flute and piano, composed by Charles Tomlinson Griffes (1884 - 1920). This wind ensemble arrangement is designed to make this composition playable by most high school clarinetists and instrumentalists. Please note that the B-flat instruments are written with a key signature of 3 flats, not one of six sharps. This was done to keep the clarinets playing in a familiar key with ample accidentals to ease the reading of the parts. The bass clarinets and the bassoons play identical parts and can be substituted or augmented as desired. Though a minimum of two double bassists is ideal, an alternate part for tuba is also provided (also divisi).
Estimated delivery 7-14 working days
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£75.00Arietta (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated delivery 7-14 working days
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£75.00Hanedansen (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated delivery 7-14 working days
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£75.00Holberg Overture (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated delivery 7-14 working days
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£65.00Kehraus (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated delivery 7-14 working days
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£75.00Molinasque (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated delivery 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated delivery 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated delivery 7-14 working days
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£294.40Gloriosa - Symphonic Poem for Band (Complete) - Yasuhide Ito
A new acquisition by Bravo Music, this fresh printing of the 1990 masterwork by Yasuhide Ito features a newly engraved score, improved parts, good availability and value. This stirring and powerful homage to early Christianity in Japan profoundly andeloquently states the case of cross-cultural conflict and resolution.Commissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.Gloriosa is inspired by the songs of the Kakure-Kirishitan (Crypto-Christians) of Kyushu who continued to practice their faith surreptitiously after the ban of Christianity, which had been introduced to that southern region in the mid-16th century byRoman Catholic missionary Francisco Xavier. The worship brought with it a variety of western music.Though Christianity was proscribed in 1612 by authority of the Tokugawa Shogunate in Edo (today Tokyo), Kakure-Kirishitan continued advocating sermons and disguised songs. Melodies and lyrics such as Gregorian chant were obliged to be "Japanized".For example, the Latin word "Gloriosa" was changed to "Gururiyoza." This adaptation of liturgy for survival inspired Ito to write this piece in order to reveal and solve this unique cultural mystery.The composer explains:"Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan's only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in theNagasaki and Shimabara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually 'Japanized' during the 200 years of hidden practice of the Christian faith. That music forms the basis ofGloriosa."I. OratioThe Gregorian chant "Gloriosa" begins with the words, "O gloriosa Domina excelsa super sidera que te creavit provide lactasti sacro ubere." The first movement Oratio opens with bells sounding the hymn's initial phrases. The movement as a whole evokesthe fervent prayers and suffering of the Crypto-Christians.II. CantusThe second movement, Cantus showcases a brilliant blend of Gregorian chant and Japanese elements by opening with a solo passage for the ryuteki, a type of flute. The theme is based on San Juan-sama no Uta (The Song of Saint John), a 17th-century songcommemorating the "Great Martyrdom of Nagasaki" where a number of Kyushu Christians were killed in 1622.II. Dies FestusThe third and final movement, Dies Festus, takes as its theme the Nagasaki folk song, Nagasaki Bura Bura Bushi, where many Crypto-Christians lived.Gloriosa, fusing Gregorian chant and Japanese folk music, displays the most sophisticated counterpoint yet found in any Japanese composition for wind orchestra.
Estimated delivery 7-14 working days
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£98.00Pilatus: Mountain of Dragons (Concert Band - Score and Parts) - Reineke, Steven
A major work for advanced bands that utilizes the full resources of the modern concert band/wind ensemble. Solos for flute, alto sax, oboe, euphonium, horn, and trumpet. Vast dynamic contrasts as it builds from soft delicate sections of just a few instruments to huge tutti sections of massive symphonic proportions. A truly exception composition that is sure to become a standard of the band repertiore.Duration: 10.00
Estimated delivery 7-14 working days
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