Results
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£104.99Sketches for Flute (Flute Solo with Concert Band - Score and Parts) - Waignein, Andre
This solo work for flute and wind orchestra takes the form of musical sketches that deal with specific aspects of the flute within the orchestra, such as tone, technique, range and character. Beginning with soft tones, in due course the piece builds around a virtuoso motif. The orchestra also continually plays an important role by providing a harmonically and rhythmically balanced accompaniment.Duration: 7.00
Estimated dispatch 7-14 working days
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£75.00Arietta (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£75.00Hanedansen (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£75.00Holberg Overture (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£65.00Kehraus (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£75.00Molinasque (from Masquerade Suite) (Concert Band - Score and Parts) - Halvorsen, Johan - Noble, Paul
Masquerade Suite was composed by Johan Halvorsen, one of the best-kept secrets of Norway. Not only was he an accomplished violinist and conductor, but also he was among the most prominent Norwegian composers in the generation following Edvard Grieg. His compositions develop the national Romantic tradition of his friends Grieg and Svendsen, but his was a distinctive style marked by brilliant orchestration inspired by the French Romantic composers. The original version of Masquerade Suite had nine movements. Paul Noble has selected five of the most suitable movements for band transcription and grouped them into this beautiful suite. The U.S. Navy Band in Washington, D.C. gave the premiere performance of this work. The first movement, Holberg Overture, sets the mood, pace, and musical themes for the entire suite, with rousing opening themes, followed by a grand fugue in the development section. This is clearly a piece for accomplished bands, giving all wind players a real workout. Each of the succeeding movements has a distinctive style, making the suite a significant addition to the repertoire of the Concert Band. Especially noteworthy is the Arietta, the easiest of the movements, and can easily stand alone with its haunting flute and oboe melodies and dramatic crescendo, the crisp solos in the Molinasque, and the final movement, which is very much like a circus march, fast, lively and short!
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£98.00Pilatus: Mountain of Dragons (Concert Band - Score and Parts) - Reineke, Steven
A major work for advanced bands that utilizes the full resources of the modern concert band/wind ensemble. Solos for flute, alto sax, oboe, euphonium, horn, and trumpet. Vast dynamic contrasts as it builds from soft delicate sections of just a few instruments to huge tutti sections of massive symphonic proportions. A truly exception composition that is sure to become a standard of the band repertiore.Duration: 10.00
Estimated dispatch 7-14 working days
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£75.00Fiesta (Concert Band - Score and Parts) - Anderson, Keiron
This piece is a celebration and can be played at any happy occasion. It was written to celebrate 30 years of the Nottingham Symphonic Wind Orchestra in 2017. The music grows from syncopated rhythms and a five note motif which is use to form melody and chords. There is a strong rhythmic undercurrent in percussion and in the interplay between sections. The motif is clearly heard in the flutes and clarinets in an imitative section before the key changes to form a second theme on the oboe then the flute. These secondary themes are still formed from the original motif before the music recapitulates the multi time signatures from earlier in the piece. The relentless pace drives the music to a flourish of upper woodwind and a syncopated brass coda. Duration: 4.30
Estimated dispatch 7-14 working days
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