Results
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£121.00Fantasie - Georges Hue
An enigmatic and recognized work of the Impressionist period, this concert selection was originally scored for flute with orchestra. John Bourgeois creative rescoring for soloist and wind ensemble has been performed by professional and military bands throughout the country. It is a work par excellence for the accomplished flautist and an unforgettable feature in a live performance setting.
Estimated dispatch 7-14 working days
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£121.00Dances For Sem Yeto - Gary P. Gilroy
Commissioned and premiered by the Solano County Honor Band Association to commemorate their 50th anniversary with the composer conducting. Mysterious samplings from the percussion section open while an American Indian flute presents the first theme. As with other works by Gilroy, the composition explores an extensive variety of percussion timbres to keep the piece interesting and always changing. After the introduction, the spirit of the work changes to a lively and festive dance with constantly changing meters which makes the piece come alive. This then winds down to an Indian lullaby, the simple and pensive melody providing a relaxing and welcome change before a dramatic a return to the original festive dance with a slightly modified setting. The final moments of the work are quite fierce with bold and intense percussion accompanying tight harmonies and complex rhythms for an exciting and driving ending..
Estimated dispatch 7-14 working days
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£71.50Stars and Stripes Forever Trio - John Philip Sousa
Americas most famous march, written by the most famous band leader in the world, has entertained and inspired players and audiences since its first performance in 1897. This setting for young bands includes the most famous themes from this great march (the introduction and the trio) so young bands can enjoy performing this world-renowned work. Two versions of the famous piccolo solo are included, one advanced and one easier, so you can feature either a star soloist or the entire flute section.
Estimated dispatch 7-14 working days
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£104.50Flight Of The Monarch - Larry MacTaggart
A graceful flute solo over an airy background of woodwinds and percussion introduces this colorful and evocative concert work. Contrasting with this lyric opening is the energy and vitality of the main body of material, creating a wonderful depiction of the flight of the monarch butterfly against the backdrop of the beautiful Nebraska countryside. Dedicated to the Papillion Area Concert Band and founding member Gene Brong, this selection is ideal for any contest or concert event.
Estimated dispatch 7-14 working days
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£82.50A Scottish Sunrise - Travis J. Weller
The Celtic hymn Morning Has Broken is used as thematic material for this vivid depiction of sunrise on the Scottish landscape. A lush and serene opening with optional flute solo depicts the quiet calm just moments before dawn. A building fanfare ushers in the rising sun, reaching its peak just as the sun breaks through in full glory. The opening strains of the hymn are stated by various sections as a lilting original jig adds to the festive atmosphere, bursting forth together for a rollicking conclusion.
Estimated dispatch 7-14 working days
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£82.50Valdres March - Johannes Hanssen
This classic Norwegian march has been a programming favorite for generations. It has been arranged here for developing bands so an even wider range of groups can perform it. All the good-natured character and appealing musical qualities of this musical gem are retained in a very playable and stylish setting. As an added bonus, optional advanced parts for flute, clarinet, and trumpet are included should you have more accomplished players that you want to showcase. These parts can be used to inspire players or help groups with players of various grade levels.
Estimated dispatch 7-14 working days
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£104.50Ancient Apparitions - John Prescott
Travel back to the time of the oldest human civilizations, whose very existence seem to us today as ghosts of a long-dead past. A solo flute and solo trumpet provide musical invitations for listeners to transport themselves to these ancient times while the band answers with antiphonal response. This work continues to gain momentum as ghostly apparitions from ancient times swirl in and out of sight like spinning wisps of mist. The specters - and the music - gain strength and substance as they approach the unyielding vortex of an exciting conclusion.
Estimated dispatch 7-14 working days
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£71.50As Moolinght Falls - Travis J. Weller
This beautiful work uses lyrical themes, rich scoring, gentle percussion, and dynamics to paint a picture of quiet reflection of the day that has passed, then builds to a dramatic climax before peacefully fading into the night. There are several opportunities for flute and clarinet solos. A perfect choice for concert or contest, this work provides an excellent opportunity to teach breath control, phrasing, tone, and ensemble playing.
Estimated dispatch 7-14 working days
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£140.80Concerto pour Harpe - Serge Lancen
It was his charming wife Raphale, a fine harpist, who drew Serge Lancen's attention to the harp. He has written various works for this instrument, such as: 'Pour Raphale', 'Duo Concertant' for harp and flute, 'Crpuscule' for two harps, 'Concerto Champtre' for solo harp and chamber orchestra, and many pieces in a lighter vein for harp quintet and this Harp Concerto. The initial cadenza was inspired by Camille Saint-Sans Second Piano Concerto a work which Serge Lancen studied as a young boy. The Harp Concerto can be played with a symphonic band, a string orchestra or the piano.This work, dedicated to his wife, was premiered in July 1990 during the First Le Havre International Wind Band Festival , by Marie-Pierre Cochereau and the Le Havre Municipal Symphonic Band, conducted by Philippe Langlet.
Estimated dispatch 7-14 working days
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£214.80Skies - Oliver Waespi
Program notes by Oliver Waespi on his composition Skies:Skies is the plural of Sky. We may wonder are there several skies? Is the sky we all long for not the same for everybody? While travelling on foot and "in the open air" I have observed the firmament often in quite different shapes, so that I can say I have indeed experienced the sky in different ways. Years ago I already wanted to portray "my sky" in music; I finally have been able to realise this long-cherished dream.This composition deals with the sky, more precisely with my sensual and emotional experience of the sky in all its aspects. Two point of views are combined in this composition: one showing the sky as it presents itself to me, the other showing the sky as I observe it. The music was bom simultaneously by intemal and extemal inspiration: it describes nature but also the emotional and spiritual experience of nature. To me, the experience of nature is not abstract, but it is connected with concrete ages, places or people from my neighbourhood. This is why I have combined several parts of this composition with certain landscapes.The sky presents itself in different landscapes in the most varied ways: for the sensual experience, there is no sky as such. The indications of places spread all over the score, are primarily clues for myself; they represent certain atmospheres, which I have experienced especially in England and Scotland. They can however also be useful to the musicians and the audience, providing they know those landscapes and the celestial atmospheres linked to them.The music is independent from the atmospheres described in the subtitles, as those are rather connected to a tragic nature, and so the music is not based on any program. Musically spoken, the composition has a symphonic structure, which means that the complete musical material is derived from three contrasting main themes. In the first part, the description of a noctumal sky ("Night") two themes are developed in an organic way; the first, rather "dusky", is to be found with the horns, the second, "in bright daylight", with the oboe and flute, the third, "more quiet" , with the brass instruments. In the next part, we have clouds and rain over the Isle of Skye (one of the Hebrides islands in Scotland) and here several elements of the first theme are still more developed. Then we get an increasingly dark mood, which is released, in heavy chords. Then suddenly, the sun breaks through and the music gets a majestic character. We have a new shape of the initial theme, first with the French horns and then with the trombones. The music gets a quicker tempo and flows into a quick movement describing the winds and waves at sea ("Wind and Waves"). Three themes are gathering and some variations are developed. The music gets more and more energetic and, after a climax, calms down again. Then we have a kind of "summer pastoral" which suggests summer at the South coast of Cornwall ("South Coast of Penwith Peninsuia in Summer"). This is certainly not the hotte st summer in Europe, but still it is beautiful in this country that is blessed with so much rain. In the "pastoral" , the sea is already sketched in broad outlines in the French horn solo. The magnificence of an aftemoon at the seaside is developed at the end of the composition ("Noon at Treen Cliff', a rock protruding in the sea next to Porthcumo at the South Coast of Cornwall); here the music gets stronger and stronger and after a majestic climax it vanishes completely.
Estimated dispatch 7-14 working days
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