Results
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£39.95The Floral Dance (Military Band Set) - Moss, Katie - Broadbent, Derek
Single Page Conductor part
Estimated dispatch 7-14 working days
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£94.30ZORBA'S DANCE (Intermediate Concert Band) - Theodorakis, Mikis - Woodfield, Ray
From Zorba the Greek. Grade: Medium.
Estimated dispatch 7-14 working days
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£36.95Chorale and Dance (Concert Band - Score and Parts) - Feldstein & O'Reilly
Duration: 2.30
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£349.99Symphonic Dances - Yosuke Fukuda
Symphonic Dances for Wind Ensemble was commission by the Central Band of the Japan Air Self Defense Force. The suite's five movements present "dances of the world". While the energetic quality and spirituality of each dance should be captured, the collection is still intended to entertain. Each movement is complete and can be performed accordingly.I. Renaissance DancesAn homage to European flavor and style from the time of Gervaise, Susato and Praetorius, after the introduction, the steps of courante, pavane, galliard, and branle appear. Please perform with vigor and contrast!II. TangoThis section is more an earthy and piquant Argentine romance than an elegant continental tango. Perform the alto saxophone theme and solis for each section very passionately!III. HoedownHere is the scene of the rodeo and a free-spirited western swing feel. The introductory clarinet solo can be done ad libitum. Maintain the mood by swinging slightly throughout. Present this movement playfully!IV. Spirituals (Bon-Odori-Uta)This is a requiem on the Bon-Okuri ceremony guiding ancestors back to the spiritual world. The initial piccolo motif repeats a chant in the rhythm of bon odori (a bon dance) and develops as a variation on Owara-bushi, a beautiful folk song from Toyama prefecture. The traditional bon odori have evolved into summer festival entertainment.V. Belly DanceThe belly dance is typically Arabic, its music performed by strings and drums.All should play with passion and flamboyance and a sense of bacchanalia and abandon. Employ a heavy sense of rhythm, also with a "Darbuka" (traditional Turkish goblet drum) if possible. Additionally, a "big-bang" coda is not only allowed, but encouraged!(Yosuke Fukuda)
Estimated dispatch 7-14 working days
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£137.00Dances From The Oprichnick - Peter Ilyich Tchaikovsky
These dances display Tchaikovskys remarkable grasp of symphonic writing and are among the very best of his dance sequences. Carefully transcribed for band, they are taken from the opera "The Oprichnik." The Oprichnik were the personal bodyguards of Tsar Ivan the Terrible. The opening dance features various woodwind solo passages that display a hauntingly poignant Slavic flavor. The second dance begins vigorously and surges forward with ever-increasing accelerandi that lead to a fiery conclusion.
Estimated dispatch 7-14 working days
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£82.50Sugar Plum Samba - Peter Ilyich Tchaikovsky
American pop culture is full of examples of the merging and melding of different artistic styles that end up with surprising and entertaining results. This work for young band is no exception as the timeless music of Tchaikovsky often heard at the holidays trades in ballet shoes for guiros and timbales. Many of the original rhythms of the ballet music have been altered to convey an authentic-sounding samba dance style. Holding true to the form of the original work, this setting of Dance of the Sugar Plum Fairy presents a decidedly different twist on a holiday classic, allowing students to learn to play a wonderful Latin dance style.
Estimated dispatch 7-14 working days
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£154.99Piccola Suite Italiana - Franco Cesarini
With this new suite for concert band Franco Cesarini draws on the rich repertoire of folk songs from the Friuli Venezia Giulia region of northern Italy. Between the 16th and 17th Century this rural region developed the 'furlana', a brilliant dance in 6/8 time. This catchy dance soon spread throughout Europe and became more cultivated. Franois Couperin (1668-1733), Georg Philipp Telemann (1681-1767) and Johann Sebastian Bach (1685-1750) all composer of the 18th century composed 'furlane' and in the 20th Century Maurice Ravel used a 'furlana' dance his Tombeau de Couperin. Franco Cesarini follows this great tradition by using the 'furlana' as the basis for this major new concertwork.
Estimated dispatch 7-14 working days
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£150.70Knut Liten og Sylvelin
Ballad is a type of Norwegian folk song that originally means "dance song" from the Latin word ballare ("to dance").This arrangement is heavily inspired by the version of the Norwegian folk-rock band Gte, which has achieved great success with the song both on record and stage.This arrangement features shorter soloistic passages on several instruments and expanded use of percussion. Energetic music that is perfect for any entertainment concert!
Estimated dispatch 7-14 working days
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£64.99Siciliano and Tarantella
This distinctive work by Michael Oare is based on two Italian dance forms dating back to the Baroque period. Siciliano opens with a delicate 6/8 melody in the flutes which is developed and passed around to various sections of the band. In contrast, Tarantella is a brash and uptempo dance featuring a rhythmic pulse accompanying the flowing melodic lines. Quite a nice pairing of tunes with historical importance.
Estimated dispatch 7-14 working days
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