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  • £144.99

    Serenata - Jan van der Roost

    While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!

    Estimated dispatch 7-14 working days

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  • £84.99

    Rhapsody - Arpad Balazs

    rpd Balzs (*1937) composed the first version of Rhapsody for Hungarian cimbalom and concert band in 2001; in 2021, on the encouragement by a Japanese marimba player he arranged the solo part for marimba, and therefore the opportunities for the work to be played have significantly widened. The Rhapsody follows the one-movement structure created by Franz Liszt. The beginning solo section of the cimbalom (or marimba) returns before the coda as a pillar of the form. The composition, which can be divided into five sections, develops and works with a Lydian tetrachordal motif (G-A-B-C sharp) in different characters, stretching the span of music from a simple, children's song-like appearance to an obstinate ritual dance. In conclusion, the Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music.

    Estimated dispatch 7-14 working days
  • £53.50

    Counting Stars - Ryan Tedder

    Recorded by the American band OneRepublic, this catchy pop hit has already demonstrated staying power in popularity and also on the charts. Sean O'Loughlin uses the uptempo dance groove from the original and trades the melodybetween woodwinds and brass in an effective version for band.

    Estimated dispatch 7-14 working days
  • £53.50

    The Irish Baker

    Two fiddle traditions are combined in this lively setting for concert band. The American bluegrass favorite Angelina the Bakeris creatively combined with the style of a Celtic dance tune! After a flowing and lyric openingstatement, the drones and rhythms of an Irish jig take the band and the audience on an exuberant romp. Dur: 2:30

    Estimated dispatch 7-14 working days
  • £84.50

    Natya

    Broaden the horizons of your students with music inspired from India and used as the basis of this effective new concert band work. Your students get the opportunity to vocalize syllables in an authentic manner for this style of music. Kevin Mixon has gained a following for his skills in writing multicultural band music while keeping the authenticity of the music intact. Your students will truly feel the spirit of Natya, a Sanskrit word meaning dance and/or drama, as the two are inextricably linked in much of Indian tradition.

    Estimated dispatch 7-14 working days
  • £72.99

    Lola Flores - Alfred Sadel

    The lively dance style of the Paso Doble (double-step) is inherent in Spanish culture and claims its roots from the excitement and drama of the bullfight arena. Here in one of the most famous Paso Dobles can be heard theanticipation and pageantry as the matadors majestically enter the ring. John Krance's classic 1966 setting is a distinctive and important work for band. (Grade 4) Dur: 4:00 Recorded by the Texas A&M University Wind Symphony -Timothy Rhea, conductor From Mark Records Wind Band Masterworks Volume V 8515-MCD - Used with permission.

    Estimated dispatch 7-14 working days
  • £60.99

    Songs Of Heritage - Clifton Williams

    Clifton Williams' final legacy for band, Songs of Heritage, was outlined in score form upon his demise in 1976. Conceived as a tribute to the composers and musicians among our forebears, the composition is indigenous of the fife and drum corps, the cakewalk, the shuffle dance, and the ballads of Stephen Foster. In a contemporary band idiom, it also reflects the present day trends in America's musical life.

    Estimated dispatch 7-14 working days
  • £89.99

    Brook Green Suite - Gustav Holst

    This is sure to be one of those orchestral transcriptions that finds a permanent place in the realm of concert band literature. Holst's ability to develop and explore folk melodies with rich, lyrical treatment is fully realized in this sterling example of the final phase of this remarkable composer's career. The smooth and peaceful declivities of the Prelude, the expressive Cantabile of the Air, and the sprightly 6/8 Dance combine to give your audience and your band a truly enriching experience. Enticing! (Grade 4) (7:00)

    Estimated dispatch 7-14 working days
  • £82.50

    Triumph - Robert E. Foster Jr.

    An exciting show piece for young bands that is a celebration of sound with energetic dance rhythms occurring throughout the piece. With plenty of exciting percussion parts, and rhythm motifs recurring throughout the ensemble, this dynamic band piece will bring new energy to your concert. A great way to introduce the whole tone scale, and scored safely for all bands with doubled parts, this should be a great festival piece for your young ensemble. If you are looking for a work that your band members and audience will love to play and listen to, then ignite your concert, with TRIUMPH!

    Estimated dispatch 7-14 working days
  • £118.99

    Jig - Gustav Holst

    Together with his good friend Ralph Vaughan Williams, Gustav Holst had a strong liking for the abundant folk music of the British Isles. This influence is heard in many of his works and is perhaps strongest in his Second Suite for Military Band and in the Saint Paul Suite for string orchestra. This work was composed in 1913 for the school orchestra of St. Paul's Girls School in London, where Holst was the Director of Music. The suite opens with this exuberant Jig, a dance originating from Scottish and Irish folk music in alternating duple and triple time (6/8 and 9/8), which has been expertly arranged for concert band.

    Estimated dispatch 7-14 working days

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